Asia are an English rock supergroup formed in London in 1981. The most commercially successful lineup was its original, which consisted of four members of different progressive rock bands who had enjoyed great success in the 1970s: lead vocalist and bassist John Wetton (King Crimson, Uriah Heep and U.K.), guitarist Steve Howe (Yes), keyboardist Geoff Downes (Yes and the Buggles) and drummer Carl Palmer (Emerson, Lake & Palmer). Their debut album, Asia, released in 1982, remains their best-selling album and went to number one in several countries. Billboard listed it as the top album in the U.S. in 1982. The lead single from the album, "Heat of the Moment", remains their top charting and best-known song, reaching the top 40 in over a dozen markets. It peaked at #4 in the U.S. on the Billboard Hot 100 and hit #1 on the Billboard Mainstream Rock chart.

ME and the middle and later ones. A result of the the Pandemic and challenging the re discovery of Beethoven’s sonatas Vol. III.

Following their much-praised Schubert recording (‘the most thrilling account of Schubert’s last symphony’, BBC Music Magazine), Maxim Emelyanychev and the Scottish Chamber Orchestra are reunited for their highly anticipated second album on Linn, this time performing Mendelssohn’s Symphonies Nos. 3 & 5. Inspired by the natural beauty of Scotland – and what better way to celebrate SCO’s 50th anniversary in 2023 than the ‘Scottish’ Symphony! – No. 3 has a fiery character well suited for the ‘dynamic, energetic and exciting to watch’ conductor Maxim (The Guardian). Despite its numbering, No. 5 (known as the ‘Reformation’) is an early work which evokes the struggles and triumph of Protestantism. Its final chorale based on Luther’s much celebrated ‘Ein feste Burg’ draws the album to a reaffirming end.

Ravel’s early masterpiece, Daphnis et Chloé, was commissioned by Serge Diaghilev for his Ballets Russes, and was premièred in the Théâtre du Châtelet in July 1912. Described by Ravel as a ‘symphonie chorégraphique’ (choreographic symphony), the work was performed just twice in that 1912 season, and was given only three more performances the following year. Press reaction was muted, and it is now much more often performed as a concert work than as a ballet.

Life was a long time coming. Culture Club began work on a reunion album in 2014, recording a bunch of tracks with Youth, but that project was scrapped by 2016. Instead, the group decided to retain some of the songs, pluck a few tunes originally planned for a Boy George solo record, add some new cuts, and record all of them as Life, their first album in nearly 20 years. Two decades is a long time and that distance seems even greater thanks to how Culture Club faded after 1983's Colour by Numbers, scoring some hits while George and the rest of the crew figured out how to navigate their seismic international fame. The remarkable thing about Life is how doubt never seems to be part of their equation, either in the composition or the recording.

The very title of Goin' 50 suggests ZZ Top are considering their 50th anniversary as an event to be celebrated with a sense of humor. That's appropriate. Good spirits and lascivious jokes always have been integral to the trio's appeal, and they can be heard in abundance on this triple-CD/five-LP set that tells their story from beginning to end (there is also a single-disc edition that rounds up the highlights). Other compilations cover similar ground more succinctly – if you want just the hits, look elsewhere, or grab the single-disc incarnation of this 2019 set.

It's not billed that way but given the Who's productivity since their initial split in 1982, it's difficult not to view 2019's Who as the band's final album. It's only their second album in 37 years, and if it takes them another 13 years to complete a third – that's the length of time separating Who from 2006's Endless Wire – both Pete Townshend and Roger Daltrey will be well into their eighties, a seemingly unlikely age for new work by rockers. Then again, the Who have long outlived Townshend's youthful desire to die before he gets old, a fact he began to contend with during the mid-'70s, when he chronicled his middle-aged disappointment on Who by Numbers.

This release had been recorded live by ABC-TV on 6th April 1974 at the Ontario Speedway near Los Angeles, California. First released in 1981 on VHS-Video in the UK on BBC Video. First time released on CD and on Compact Cassette in the UK in June 1996 by EMI Premier. Released in the US 1996 on BMG/Mausoleum Classix/King Biscuit Ent. with different release title: "Live at the California Jam". Another later reissue was released in the UK in 2003 on Purple Records, titled "Just Might Take Your Life". All mentioned releases have different cover-artworks!

La Fura dels Baus, famous for their opening ceremony of the Olympic games in Barcelona and opera stagings in Salzburg, Ruhrtriennale, etc., use in Rheingold 3D computer projections that evoke computer games, organic structures built of athletic performers that recall the "Cirque du soleil". “Uusitalo is a commanding, mellifluous Wotan and although Jennifer Wilson's Brünnhilde is relatively unnuanced dramatically, she sings strongly and sensitively…The youthful Orquestra de la Comunitat Valenciana obediently and expertly delivers the plushy textures and stagey rhetoric Mehta requires” (Gramophone).

Pink Floyd Live At Knebworth 1990 for the first time on CD, double vinyl and digital platforms. This headline show was part of the star-studded 1990 Silver Clef Winners performance at Knebworth House, Hertfordshire that saw Pink Floyd topping the all-star bill that included Paul McCartney, Dire Straits, Genesis, Phil Collins, Mark Knopfler, Robert Plant (with Jimmy Page), Cliff Richard, Eric Clapton and Tears For Fears. Around 120,000 music fans saw these giants of rock appear on the hallowed stage of Knebworth, all in aid of the Nordoff Robbins charity, profits from which went towards setting up the BRIT School. The concert was broadcast globally on MTV.