A collection of previously unreleased songs from Gary Moore's substantial body of outstanding work in his back catalogue. The album contains 4 originals, and 4 songs previously recorded and made famous by classic bluesmen like Elmore James, Sonny Thompson, Memphis Slim and BB King. It's our hope that current and future generations of music fans discover and re-discover Gary Moore, revelling in the artistry of not just a great guitarist, but a supremely talented musician. Back to the future with Gary Moore. "How Blue Can You Get" is available on light blue 180 grams vinyl and a Limited Deluxe CD.

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton

Crash! Boom! Bang! is the fifth studio album by Swedish pop duo Roxette, released on 9 April 1994 by EMI. The album was an immediate commercial success, peaking within the top 10 in over 20 national charts throughout Europe, Australasia and South America. Despite this, the full-length album was never released in the United States, where a shortened version of the record titled Favorites from Crash! Boom! Bang! was sold for a limited time through outlets of the McDonald's restaurant chain. This edition sold over a million copies there. Japanese editions included "Almost Unreal" as a bonus track.

11 Past the Hour is the sixth studio album by Irish singer-songwriter Imelda May. The album was released on 16 April 2021 by Decca Records. It is May's first album release in four years, following her previous album Life Love Flesh Blood (2017). "Just One Kiss", the first single from the album and a duet with Oasis member Noel Gallagher and featuring the Rolling Stones member Ronnie Wood, was released on 29 January 2021.The goal of the album is to show Imelda May returning to her most honest self. Truthful beauty, feminine intuition. Intelligence. Visually, we should be showing a soft sense of warm spirited grittiness. Intimate. At home. Behind the curtain Imelda's radiant smile and illuminating laughter. A nod to her roots. Irish Heritage & inherent connection to storytelling. Imelda's words as a lyricist/poet/writer & overall thread to her Irish roots as a storyteller is a key thread within the campaign.

La Fura dels Baus, famous for their opening ceremony of the Olympic games in Barcelona and opera stagings in Salzburg, Ruhrtriennale, etc., use in Rheingold 3D computer projections that evoke computer games, organic structures built of athletic performers that recall the "Cirque du soleil". From Palau de les Arts Reina Sofia, Valencia, 2007.
Incl. world-class Wagner singers such as Salminen, Kapellmann, Mayer and promising young talents that include John Daszak (Loge) and Juha Uusitalo (Wotan), whom the Frankfurter Allgemeine Zeitung hailed as a new "Number One among the opera gods."

2 CD set recorded live at the Colos-Saal, Aschaffenburg, Germany on January 24th, 2020. After the incredible reaction to the recent live stream of our ’Show of Resistance’ concert we’ve decided to make it available in a limited edition double CD format as part of the Archive Collection series. The double CD includes all 2 hours and 15 minutes of music from the video and comes in a 6 panel digi file (not digipak - no plastic used!) with a 4 page booklet and introduction text by Peter Nicholls.

Heinrich Wilhelm Ernst (1812-65) was one of the leading musicians of his day, a friend of Berlioz, Chopin, Liszt and Mendelssohn, and for Joseph Joachim 'the greatest violinist I ever heard'. But the popular encore pieces by which Ernst is remembered today represent only a fraction of his output. This third CD — in a series of seven presenting all his compositions for the first time — shows the full range of his creativity and charm. The Élégie sur la mort d'un objet chéri is written in his most moving and melancholy vein, and the Airs hongrois variés push the virtuoso violin to its absolute limits. Between these extremes lie the lyricism of the Pensées fugitives, the inventiveness of his treatment of two Halévy operas and the high spirits of his fantasy on a Strauss waltz.

This "fiesta" is in honor of the Virgin, and contains music by Roque Jacinto de Chavarria, a Brazilian Baroque composer (1688-1719), Juan de Araujo (Chavarria’s teacher) and others. Don’t let their unfamiliarity and the unfamiliarity of the other composers/arrangers on this CD put you off–all the music is flavorful, solid, Baroque fare, and much of it is rhythmically propulsive with an exciting Latin beat. Musicologist Bernardo Illari has put it all together to create a thrilling, vastly entertaining, and unique experience. It winds ups as a veritable pageant, beginning with a drummed entry into the cathedral, followed by the polyphonic sections alternating with purely instrumental ones and some nice monophony as well. Needless to say, Garrido leads his large instrumental and vocal forces with verve and understanding.

German compilation features all the T. Rex A-sides released between 1972 & 1978 on disc one & 28 B-sides on disc two, 16 page colour booklet. First, full disclosure is necessary as to what's missing. Ready? On this glorious double-CD collection, there isn't one track from T. Rex's Electric Warrior. That's right, "Bang a Gong," "Mambo Sun," and "Jeepster" are all absent. Why? Simple: it appears Warner is recalcitrant to license that wondrous album to anyone in any form. It turns out that this is simply a small complaint because none of the tracks from Electric Warrior should be separated from its full corpus anyway – it is an album in the purest and more literal sense of the world. Getting to what is here, listeners do get tracks from that beautiful slab The Slider as well as Tanx, Light of Love , Bolan's Zip Gun, Dandy in the Underworld, Futuristic Dragon, and a slew of 45s never issued on LP.

Burno Mathieu is a pupil of Marie-Claire Alain, and a splendid organist in his own right. Moreover, he chooses the ‘historic’ organ at Nancy, which still has mechanical traction, and provides a very characterful baroque palette of its own, richly displayed in the Cantiléne No.3. But the pedals are very telling, too, and the finale of No. 6 is powerfully spectacular; yet overall, inner detail is remarkably clear. The only small disappointment is the Scherzo of No. 6, where the diabolic rhythmic figure is not as ironically piquant as with Van Oosten.