The only album of this forgotten US heavy psychedelic band was released in early 1969 on tiny LHI label owned by the famous artist/producer Lee Hazlewood. This record mostly contained a trippy and quite intense music with lots of Hammond organ passages, loud and fuzzed-out guitar parts & solid drumming. It can be easily described as a stylistic combination of Vanilla Fudge, The Doors and especially Iron Butterfly. It worth noting that the title track lasted nearly I6 minutes and its structure was very similar to In-A-Gadda-Da-Vida. Unfortunately, the album (and also single with cover of MacArthur Park) went almost completely unnoticed. Soon after the band changed its name to American Eagle and in 1970 released an eponymous LP for Decca Records.

Legendary blues guitarist/songwriter/vocalist Elvin Bishop returns to Alligator Records with CAN'T EVEN DO WRONG RIGHT. With his ''so-loose-they're-tight'' road band behind him, along with friends Charlie Musselwhite and Mickey Thomas, Bishop has created one of the best albums of his career. CAN'T EVEN DO WRONG RIGHT finds Bishop playing, writing and singing some of the most spirited and distinctive blues and roots music today. The CD proves that Bishop is as vital and creative an artist now as he was when he first hit the national scene in 1965 with The Paul Butterfield Blues Band. He is as slyly good-humored and instantly crowd-pleasing as he was when he was scoring Southern rock-styled hits during the 1970s. For five decades, he has never stopped touring or releasing instantly recognizable music featuring his groundbreaking playing, easygoing vocals, witty lyrics and good-time humor.

Essential box set presenting exceptional live and BBC session recordings by the reunited original line up of legendary folk rock band Pentangle. Tracks include live versions of fan favourites such as 'I've Got A Feeling', 'Pentangling' and the hit single 'Light Flight'. The recordings on disc 1 are sourced from the BBC archives and previously unreleased. These include six songs from Pentangle's brilliant first reunion appearance at The Cambridge Folk Festival in 1982 and a great version of 'Bruton Town' from their return there in 2011, plus sessions from BBC TV shows Six Fifty-Five Special and Later With Jools Holland, the 2007 Radio 2 Folk Awards and BBC Radio 6 Music's Freak Zone. Apart from the first eight tracks that feature the quartet of Bert Jansch (vocals/guitar), Jacqui McShee (vocals), John Renbourn (vocals/guitar) and Danny Thompson (double bass) as drummer Terry Cox was absent due to injury, 'Reunions' features all five members of the original Pentangle. Disc 2 contains 18 previously unreleased recordings of stunning performances from Thiene and Milan on Pentangle's triumphant 1982 Italian tour.

This 50th Anniversary edition comprises 4 CDs and a multi-region Blu Ray disc and features a newly remastered original stereo mix of the album along with and additional two CDs featuring a previously unreleased concert recorded at the Stadthalle, Munster, Germany in January 1974 and stunning new 5.1 Surround Sound and Stereo mixes of the album from the original multi track tapes. Also included on the Blu ray disc are the original 1973 Quad mix and additional video content comprising of the rare 'Remember the Future' promotional film, the film of 'Wings' shown on BBC TVs Old Grey Whistle Test and a live performance of 'Desolation Valley / Waves' for the same TV show.

In his Piano Quartet and Quintet, Schumann revisited the frameworks inherited from Schubert and Beethoven to create astonishingly innovative structures. Their grandiose musical and emotional gestures place these works among his supreme achievements. The prestigious artists assembled here, with their extensive experience of performing Schumann’s chamber music and concertos, do full justice to his imaginative world.

Camel are an English progressive rock band formed in Guildford, Surrey, in 1971. Led by guitarist Andrew Latimer, they have released fourteen studio albums and fourteen singles, plus numerous live albums and DVDs. Without achieving mass popularity, the band gained a cult following in the 1970s with albums such as Mirage (1974) and The Snow Goose (1975). They moved into a jazzier, more commercial direction in the early 1980s, but then went on an extended hiatus. Since 1991 the band has been independent, releasing albums on their own label.

This was the most controversial Tomita album, where he uses Holst's spectacular, mystical suite The Planets as a launching pad for what amounts to a simulated spaceship trip through the solar system. Hence the title The Tomita Planets, which did not deter the Holst estate from trying (unsuccessfully) to pull this recording off the market at the time. When Tomita sticks to what Holst wrote, he follows every turn and bend of the score, save for a big cut in the last part of Jupiter and an eviscerated Uranus that nearly disappears altogether. Moreover, the music - especially Venus - often does lend itself to an electronic space flight fantasy, with Tomita's arsenal of phase-shifting, flanging, pitch-bending, envelope following and reversing choral effects and more on full display…

It's good to report Naxos again sweeping aside the competition not only in price, but in the quality of both performance and recording as well. Not that Brahms's organ works have received quite as much exposure on CD as one would have expected. The 11 Chorale Preludes, Brahms's swan-song (the cynics would describe it as a deathbed conversion), for all their popularity are elusive works attempting a synthesis between the essentially functional chorale prelude form and the intimate, personal language of an impromptu.

After the success of his recordings of Symphonies nos. 1, 3 and 4, released on the Phi label in 2016, Philippe Herreweghe offers us the next instalment of Schubert’s orchestral output with the Royal Flemish Philharmonic: the Symphony no.2 D. 125 and Symphony no.5 D. 485 – both in B flat major. Like those on the previous disc, these works from his youth – written when the Viennese composer was not yet twenty years old – mark the promising beginnings of an already highly accomplished composer.

In August 1972, Camel signed to MCA Records and headed into Morgan Sound Studios to record their debut album, which was released on February 28, 1973.

Einar Englund’s incidental music to The Great Wall of China will delight and astonish music lovers looking for a refreshing new experience. .. Not only do Eri Klas and the Tampere Philharmonic offer performances as gripping, cogent, and virtuosic as the music ideally demands (and make no mistake, Englund was one of the 20th century’s masters at writing for orchestra), Ondine has captured them in stunningly realistic, impactful sound. Don’t miss this extraordinary recording by any means!

Ancient Grease were originally known as Strawberry Dust featuring Gareth “Morty” Mortimer (vocals), Graham Hedley-Williams (guitars), Jack Bass (bass) and Dick Owen (drums), they were spotted by Eyes of Blue drummer John Weathers brought them to the attention of Mercury Records head Lou Reizner who changed the name of the band while Weathers assumed the role of producer for the band’s sole album. The sessions also featured keyboard player Phil Ryan. Featuring a wonderful blend of powerful psychedelic and progressive rock, the album was issued on Mercury in July 1970. Although it failed to make a commercial impression upon its release, the album is now highly sought after by collectors and fans of the Welsh rock scene and Man aficionados. This Esoteric Recordings edition has been remastered from the recently located original master tapes for the very first time, (previous releases having been taken from vinyl), and presents this legendary album in the best ever sound quality.