Though Tchaikovsky had an obvious penchant for writing astounding melodies for the cello (the soaring 5/4 waltz from the Sixth Symphony, or the brooding opening of the A minor Piano Trio for example), he wrote surprisingly little repertoire for the instrument on its own. No concerto exists; the closest cellists have is the popular and charming Variations on a Rococo Theme. Four other short works – two of which are transcriptions by the composer himself – make up the remainder of Tchaikovsky's cello works.

Here’s a genuine rarity: Ferdinand Rebay (1878-1953) has been hitherto unknown outside a small circle of guitar connoisseurs, but that should change thanks to this attractive set of sonatas and dances, all receiving their first recordings at the hands of two talented young Italian musicians. Rebay was Viennese born and bred. In 1901 he entered the piano class of Joseph Hofmann at the Vienna Conservatory and studied composition with the eminent pedagogue Robert Fuchs, who counted Mahler, Wolf, Sibelius and von Zemlinsky among his students. Four years later, when leaving the Conservatory with a distinction in composition, Rebay's catalogue already numbered around 100 works, including a piano concerto dedicated to Prof. Hofmann. He continued to compose prolifically, mainly in the area of vocal music, producing around 100 choral works, 400 Lieder and two operas.

The Juilliard String Quartet has distinguished itself as one of the longest-standing quartets in the U.S., responsible for the premieres of countless new works as well as commanding performances of the standard repertoire. Its earliest performances of Beethoven drew a substantial amount of attention for its more aggressive, in-the-string approach that did not treat Beethoven as a delicate flower as some quartets of the day had. These characteristics survived in the quartet even as its membership changed. This Medici Arts DVD samples one quartet from each of Beethoven's three main style periods, performed in 1975 at Polling in Bavaria.