Digitally remastered edition of this 1978 album from the French composer, performer and music producer. Jean Michel, the son of acclaimed film composer Maurice Jarre, is a pioneer in the Electronic, Ambient and New Age genres. Apart from his recorded output, Jean Michel Jarre is also fondly known as an organizer of outdoor spectacles of his music featuring lights, laser displays, and fireworks. Jean Michel has gone on to sell well over 80 million albums in the course of 40 years.

Shaman is the nineteenth studio album by Santana. Shaman was released on October 22, 2002 and debuted at number 1 on the Billboard 200. It was certified Double Platinum in US. The first single of the album was "The Game of Love", featuring Michelle Branch. "Why Don't You & I", featuring Chad Kroeger of Nickelback, was also re-recorded as a single in 2003, which featured Alex Band of The Calling. Like the previous album, Supernatural, Shaman features various famous rock, hip hop, and pop artists, as well as Spanish opera star, Plácido Domingo. The album is currently Santana's longest studio release to date. The International Version (outside the U.S.) drops the track "Since Supernatural", shuffles the remaining tracks, and includes the song "Let Me Love You Tonight".

In June 2016 Heart made their first ever live appearance at London's famous Royal Albert Hall. To make the sold-out night even more special the band were accompanied by the Royal Philharmonic Orchestra who added further depth and an epic scale to Heart's songs. The set included hits, fan favorite and both new and reinterpreted tracks from their most recent album Beautiful Broken. The chemistry between band and orchestra added a truly magical quality to a concert that will live long in the memory of those Heart fans lucky enough to be present.

Magazine's three-disc box set is a mess. Breaking the group's history down to two eras spread across the first two-thirds of the box and adding a fantastic and well-needed third disc dedicated solely to Peel Sessions, it's yet another multi-disc package that half-pleases both fan and neophyte. Only four of the 45 tracks come directly from the band's four studio LPs. Oddly enough, seven-tenths of the decent live album Play is strewn across the first two discs.

Now-Again Records’ follow up to one of its most well-loved compilations, Forge Your Own Chains, with another batch of rare, largely uncompiled - and sometimes barely heard - heavy psych-rock and funk. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer. Tickets For Doomsday, as the title hints, is and rumination on what might befall the human race – made especially salient by the past year’s trials and tribulations – as performed by prison funk ensembles, Indonesian hippies, Krautrock legends, Icelandic prog-rock bands and even Bay Area rap catalyst E-40’s uncle, the man to ­rst distribute Master P’s No Limit Records, and the creator of this album’s title track, St. Charles “Chucky” Thurman. A unique and compelling listen, and surely a worthy companion for these times.

20 of the teen idol's biggest chart hits for the Laurie & Columbia labels from 1958-68, both with & without his group the Belmonts. All tracks are digitally remastered & include 'The Wanderer', 'I Wonder Why', 'Runaround Sue', 'Donna the Primadonna', 'A Teenager in Love' & 'Abraham Martin And John'. 1999 release.

Et Jesum presents motets, antiphons, and mass sections by the Spanish Renaissance composer Tomás Luis de Victoria, arranged for countertenor voice and accompanying stringed instrument. Both the laud (the Spanish version of the lute) and the more guitar-like vihuela are used by accompanist Juan Carlos Rivera. Rivera and countertenor Carlos Mena, a youthful alumnus of the Savall school, augment arrangements of Victoria's day with efforts of their own in a similar vein, and it would take a deep specialist indeed to pick out the 400-year-old ones.

Orfano fin dall’età di cinque anni, Félicien David cominciò la sua formazione nella cantoria della cattedrale di Aix-en-Provence prima di iscriversi al Conservatorio nel 1830. Qui frequenta le classi di Millault (armonia), Fétis (contrappunto) e Benoist (organo), seguendo contemporaneamente l’insegnamento di Reber. Periodo di breve durata tuttavia, poiché già nel 1831 abbandona l’istituzione senza aver ottenuto alcun premio e aderisce, sotto l’influsso del pittore Pol Justus, alla comunità saint-simoniana, della quale diventa il compositore ufficiale.

2012 two CD collection from one of modern Country Music's most famous performers. 40 tracks including 'The Time Has Come', 'Independence Day', 'My Baby Loves Me' and many others.

A real discovery from the curious ensemble La Floridiana: cantatas and instrumental works Pier Giuseppe Sandoni, all world premiere recordings and a surprise: what was previously attributed to Johann Sebastian Bach, actually comes from - exactly: Sandoni.

On this new recording by Leslie Craven, he is joined by the wonderful Victoria String Quartet. This CD features clarinet quintets by Brahms, Weber and, as a bonus, Arnold Cooke.

Hida-Takayama Virtuoso Orchestra was founded by professional musicians who are associated with Hida area. The first concert in January 2005 was great success. The members consist of top players who have been successful both Japan and oversea. Hiroki Tochimoto (Trumpet), from Hida Takayama, Junichi Mori (Bassoon), from Hida Gero, Hiroyuki Kanaki (Cello), who has been holding concerts at Hida-Kawai Town for many years, and Eiji Arai as a concertmaster. The style of their concerts are self-conducted, and it gives collision of soul of musicians. In addition to orchestral style concerts, they have ensemble concerts with brass, woodwinds, percussion and strings. Also, they have been working on collaborate concerts with Japanese traditional dance, Wadaiko Drums, and musicals to challenge new style of music. They hold community-based mini concerts at schools and hospitals, and are expected to be know as "our town orchestra".

Goin' to the Meeting is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.

The French composer Albert Roussel (1869-1937) was ideally placed to develop a unique musical style. His background was more colourful than most of his fellow composers (he initially studied mathematics and worked as a naval officer before devoting himself to music), while his early years as a composer saw him exposed to a barrage of rich but conflicting musical influences: the impressionist movement (spearheaded by Debussy) and the more traditional approach of the Schola Cantorum (championed by d'Indy and Franck). Roussel absorbed the wide-ranging styles that he heard around him, blending and modifying them to establish his own distinctive voice – a voice that can be perceived clearly in his music for solo piano. Traditional musical forms are a frequent point of inspiration: in the Suite in F sharp Op.14, Roussel uses rustic dances as a basis to explore both counterpoint and tonal disintegration, while the Bach-inspired Prélude et Fugue demonstrates the neo-Classical style that he was drawn to in his later period. Above all, Roussel's piano music is characterised by its unique synthesis of rationality and feeling.

100 years ago the world lived in chaos. Huge wars between humans, as well as great advances in technology that changed forever the face of the world, a world that according to many artists, lived as a prisoner of the rational mind and that did not allow us humans to understand life and the Universe in its wide spectrum. This is how, with its mystical origin in Dadaism, Surrealism was born. A movement that sought to explore and venture into the limits of the human mind through art. Initially literature, but also reaching the visual arts and so much more. Then decades later, the first psychedelic artists were born, much closer to music in its origins and who represented a rebellion against the established norms in the face of a world in chaos.