Corima is a new Zeuhl/R.I.O. band based out of Texas very influenced by Magma, Koenjihyakkei, and Present at times. Formed in the year 2005, they started out with 4 musicians: Sergio Sanchez on drums, Juan Tarin on bass, Jaime Silva on guitar and Erik Martinez on guitar as well. They started out playing music very influenced by King Crimson and ELP. About a year later Francisco Casanova joined the band in keyboards. They remained together for about a year and a half and after that Erik Martinez was forced to leave the band for personal reasons and soon after Jaime Silva left the band as well. It was during this period that Corima found out about the Zeuhl and R.I.O. genre and fell completely in love with it.

Seven Year Itch is the fifteenth studio album by Etta James, released in 1988 by Island Records. The title of the album refers to her comeback after approximately seven years without a major recording contract. The song "Come to Mama" was included on James's live album Burnin' Down the House: Live at the House of Blues in 2003.

The title of Pink Floyd's debut album is taken from a chapter in Syd Barrett's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences – "Astronomy Domine" is a poppier number in this vein, but tracks like "Interstellar Overdrive" are some of the earliest forays into what has been tagged space rock.

Herz aus Glas (subtitled "Singet, denn der Gesang vertreibt die Wölfe" [German for "Sing, for singing drives away the wolves"], French "Cœur de verre") is the ninth album by Popol Vuh. It was originally released in 1977 on Brain Records. In 2005 SPV re-released the album with two bonus tracks. This album was released as the original motion picture soundtrack of Heart of Glass (Original German title: "Herz aus Glas", French title "Coeur de verre") by German director Werner Herzog, but in fact only two tracks ("Engel der Gegenwart" and "Hüter der Schwelle") were actually featured in the film.

A soundtrack for the Werner Herzog film of the same name and originally released in 1987, Cobra Verde was the sixteenth album by Popol Vuh.

‘Agape-Love’ was one of Florian Fricke’s favorites, at a point in his life where he was inspired by 13th century Persian poet Rumi. Still utilizing a choir for Gregorian chant-like ethereal intensity — though they sing in Byzantine scales – the band delves deeply into the drone world of Fricke’s sacred music muse. This is an album of many moods/feelings & is a worthy, devastatingly beautiful outing (both introspective & intense at the same time).

With this release, Edgar Winter was faced with the question that haunts many a superstar following a highly successful album – how can he outdo himself? While Shock Treatment falls short of outdoing himself, it still manages to rock pretty righteously. Beginning with this album's answer to their previous "Hangin' Around," "Some Kinda Animal," the band moves into the excellent blues torcher "Easy Street," which is painted with highlights from the substantial saxophone talent of Winter, not to mention some of his finest singing. Like They Only Come Out at Night, this recording includes a pair of haunting ballads, "Maybe Someday You'll Call My Name" and "Someone Take My Heart Away." "Queen of My Dreams," along with "River's Risin'," showcase the Edgar Winter Group doing what they do best – rocking out with passion and lots of drums and guitar. Not as good as their previous album, but still a winner in its own right.

Johann Wilhelm Wilms was once called the Dutch Beethoven. His works were extremely popular and were met with tremendous praise. However like contemporaries such as Eberl and Fesca, it became increasing difficult to compete with Beethoven and his works eventually fell into oblivion. This new release on CPO documents two of Wilms’s symphonies and the Overture in D major. Howard Griffiths and the NDR Radiophilharmonie give an inspired interpretation and demonstrate the accessibility of this composer’s music.

This disc marks the beginning of a new Mahler cycle with these forces in SACD sound. If you collect SACDs, you’ll be impressed with the engineering in the surround-sound format, which is very natural, coherent, and has plenty of room ambience without excessive rear-channel emphasis. “Natural” also describes Zinman’s performances. The first movement has a great sense of flow, and he doesn’t drag out the introduction as relentlessly as some others have. He catches the rustic character of the scherzo to perfection, though I do wish he’d exaggerated the Jewish music in the funeral march a bit more. The music could take a bit more schmaltz, and a bit more spookiness in the march itself despite the careful observance of Mahler’s dynamics.

Here Spohr manifests himself not as a serial producer from the nineteenth century’s age of virtuosity but as a highly imaginative composer who lent a unique imprint to each and every one of his concertos. Brought together in this new box set are the Violin Concertos with the Concertanti for two violins and orchestra.

On 100 discs (99 CD & 1 DVD), this box presents the complete oeuvre of Trevor Pinnock and The English Concert on Archiv Produktion. Purcell, Vivaldi, Handel, Bach, Haydn and Mozart are the focus of the repertoire. Numerous recordings such as the Brandenburg Concertos, Corelli's Concerti Grossi or the symphonies of William Boyce are among the milestones of recording history. A Bach album from the ensemble's early days is released for the first time on CD, as well as the never-published Dead March from Handel's "Saul". A 184-page booklet with essays by Trevor Pinnock and Jonathan Freeman-Attwood, the director of the Royal Academy of Music, as well as numerous photos and documents complete the extensive portrait.

A 'tour de force' of thrilling orchestral playing and brilliant audio engineering, Antal Dorati's mono recordings are collected for the first time. Newly remastered, this collection comprehensively documents a golden era in American classical recording and most of these vividly-characterized recordings appear on CD for the first time."has to be heard to be believed … is it possible to exceed this in the art of reproduced sound?" The New Records.