Tee up with the premiere CD release of the legendary soundtrack to the comedy classic Caddyshack, starring Chevy Chase, Bill Murray, Rodney Dangerfield, Ted Knight and Michael O'Keefe, co-written and directed by Harold Ramis (Vacation, Analyze This, Groundhog Day). Out-of-print for many years, and never before available on compact disc, the music of Caddyshack resurfaces, sounding better than ever, digitally re-mastered from the original album master tapes. Composer Johnny Mandel supplies rollicking score cues, while Kenny Loggins contributes the pop classic I'm Alright (Theme from Caddyshack), Lead The Way and more! Also includes Journey's Any Way You Want It and others. 16 Page CD Booklet contains all-new, exclusive liner notes, (including comments from Harold Ramis and others). Limited at only 3500 units, this special reissue is a must-have for all Caddyshack fans, movie music enthusiasts, golfers, and of course - gophers who know how to party.

The Polaroids: A Greatest Hits Collection CD features 15 outstanding tracks culled from Shawn's critically-acclaimed albums–Steady On (1989), Fat City (1992), Cover Girl (1994), A Few Small Repairs (1996), & Whole New You (2001)–and a newly-recorded cover of the classic Beatles song, 'I'll Be Back.' The album includes Shawn's Grammy-winning songs from Steady On (which won in 1990 for Best Contemporary Folk Recording) & her 1997 Grammy-winning Song of the Year/Record of the Year, 'Sunny Came Home.'

Live At The Internationale Congress Centrum, Berlin, Germany 16th March 1985.

Slide guitarist Harry Manx was born in the U.K., raised in Canada, and lived and worked in Europe and Japan before spending five years studying Indian slide guitar under the great Vishwa Mohan Bhatt. This is his first solo album, and as one might expect, it's a fascinating hodgepodge of differing musical traditions. Happily, Dog My Cat has none of the hippie-dippy multicultural piety that afflicts so many East-meets-West musical experiments – Manx's approach to the blues is gritty and straightforward, his original songs are tight and tuneful, and when he pauses to play a raga (as he does twice on this album), he manages to imbue the Indian musical form with a soulful depth that somehow has nothing and everything to do with the blues. Highlights are hard to identify on this album because its quality is so consistently high, but his rendition of the Muddy Waters standard "Can't Be Satisfied" is especially fine, as are his own "Love Ain't No Game" and the traditional "Reuben's Train."

"L’Inimico delle Donne" which means someone who doesn’t like women, is an opera written by Galuppi in 1771. He was very well-known at this time but when he died, suddenly his works disappeared from the stages. Among them ”L’Inimico delle Donne” disappeared so well that nobody knew it existed. Hence it has never been played since its first venue in Venice in 1771. Some years ago its manuscript was found in Lisbon and Royal Opéra de Wallonie decided to recreate and to stage it.

'The Lockdown Sessions' was recorded at home during the Covid lockdown between 2020 and 2021. Also included is 'Comfortably Numb 2022' which was recorded during Waters' This Is Not A Drill North American tour. The collection includes five seminal tracks from across Roger Waters' time with Pink Floyd and his solo career; 'Mother' and 'Vera' from Pink Floyd's 'The Wall'; 'Two Suns in the Sunset' and 'The Gunner's Dream' from Waters' final Pink Floyd album, 'The Final Cut'; and 'The Bravery of Being Out of Range' from his highly acclaimed solo album, 'Amused to Death'. Waters' new version of the classic Pink Floyd song 'Comfortably Numb' features as the final track.

Mendocino Review by Eugene Chadbourne
Chart success for the title song led to a hurried release for this band's second album, although perhaps the most famous song, "She's About a Mover, originated a few years prior with another version. Listeners will probably be more familiar with the version heard here, the one with the freaky feedback guitar solo and fake fadeout that oldies disc jockeys like to yabber over. This and "Mendocino" are only two of the many nearly perfect tracks on this record, some of which give off the illusion (perhaps an accurate one) that they were simply tossed off without a whole lot of preperation. "Texas Me" is genius on triple levels: there is the poetry of the lyrics, the soulful delivery from the singer, and finally the haunting recording fat with echoey, multitracked vocal and fiddle. When the listener reaches the end, "Baby It Just Don't Matter" it is as if one has strolled through an old neighborhood searching for a lost sound in the air, only to find a good, friendly rock band is jamming in a garage right down the block. The players are the classic Sir Douglas Quintet line-up including Augie Meyer.

Gallagher & Lyle beef up their folk-based sound from previous albums on this recording produced by Glyn Johns. The duo adds several uptempo cuts in a more rock-oriented vein, using saxophone on the opening and most rock-oriented cut, "Country Morning." Harmonicas add energy to the second song, the uptempo "A Misspent Youth," one of several songs with a social edge. Both Gallagher and Lyle have thin voices, but on songs which have an edge of melancholy, such as "Remember Then," and "The Clearings," (two of the outstanding tracks) the voice quality lends itself to good effect. Although many songs on the album deal with regret or loss, there are several which tip the balance in favor of upbeat moods and feeling. Also, melodies and arrangements are strong throughout the album…

1814 hatte Heinrich Stölzel ein erstes Mal dem preußischen König seine Erfindung der Ventile für das Horn vorgestellt, die diesem sämtliche Töne seines Umfangs in gleicher Reinheit, Schönheit und Stärke zur Verfügung stellen sollte. Die Zeiten des mangelhaften Waldhorns mit der Ungleichheit seiner Töne seien damit beendet, und er versprach, "durch diese Instrumente eine Musik herzustellen, worüber die Welt erstaunen soll".

No Tempo da Intolerância é um álbum de estúdio da cantora e compositora brasileira Elza Soares, lançado em 23 de junho de 2023 pela gravadora Deckdisc. Com produção musical de Rafael Ramos, é o primeiro trabalho póstumo da artista.

Agostino Steffani is one of those multi-talented personalities one often encounters in the baroque era - he was a man of the church who made it as far as titular bishop and mediator between Pope and Emperor. He was a much-travelled diplomat and politician, as well, who held high state offices up to minister, and he was a composer who wrote operas for the courts in Munich, Hanover and Dsseldorf. The Italian soprano Silvia Frigato and the Castor ensemble trace the stages of Steffani's life through a selection of arias from his operas.

“God Fearing Heathen” marks the first bluegrass album in 15 years for the 14X Grammy® award winning singer, songwriter and multi-instrumentalist. Marking not only his first bluegrass album in more than a decade, but also his first album of self-penned bluegrass songs, and the first time he’s taken the reins as producer, the project is a milestone along a journey filled with points of interest. Adding fresh vitality to his modern-traditional sound – complete with masterful musicianship, soulful dynamics and the full-bodied vocal that fans around the world love—the album’s 10 tracks feature boundless acoustic energy. Tyminski’s deeply personal lyrics explore not just the timeless tenets of bluegrass, but also his views on modern themes like self-reflection, human brotherhood, a life nourished by music and even PTSD. And with a new version of “Hey Brother,” he brings the Avicii mega hit back to its roots adding an undeniable pristine bluegrass shine.

Echoes from the Past" will be released on 23. 06. 2023 as a worldwide simultaneous release of the twentieth studio album of the most successful German art and progressive rock band Eloy. It is also the third album of a unique trilogy, designed by band mastermind Frank Bornemann as a rock opera about the life and fate of the fraMit "nzösischen national heroine and saint Jeanne d'Arc, who in the Middle Ages caused the turn in the hundred-year war against England in favor of the French king, and ultimately ended at the stake. Already the first two albums entitled "The Vision, the Sword and the Pyre, Part 1 & 2", on which various illustrious artists (including Alice Merton) are on the guest list, not only received consistently positive reviews, and reached high chart positions, but also attracted much attention on a cultural level due to their implementation in all historical details, based on profound knowledge.

This is the third and final instalment of the Well-Tempered Consort series (5 Diapasons, Gramophone Editor’s Choice, BBC Music Magazine Chamber Choice). In this programme devised by its director Laurence Dreyfus, the viol consort Phantasm continues to shine new light on the fugues from Bach’s Well-Tempered Clavier interspersed with some of the composer’s most harmonically adventurous experiments from the Clavierübung III. This polyphonic feast also includes two works from the Inventions and Sinfonias as well as the Fantasia in G major BWV 572, or Pièce d’orgue as it is sometimes called, which boasts an extraordinary closing pedal point. A fitting end to a remarkable journey!

Tea is a heavy progressive rock band formed in 1971 in Switzerland. The founding members were drummer Roli Eggli, guitarist Armand Volker, and bassist and vocalist Turo Pashayan. The band's name is derived from these three member's first initials. In 1972, the band augmented their lineup with lead singer Mark Storace. The band heavily toured in Switzerland and France, earning a name for themselves before they had even released any material, which led to them landing a spot on television, unheard of for many bands in their day, in 1973. In 1974, the band finally began to release music, beginning with a few singles that led up to, although they were not included on, the band's debut self-titled album in 1974…