The 18th century was a time when deportment and noble behavior were essential for people of quality. Dance formed a major part of all social ceremonies and theatrical presentations. Nowhere was dancing more highly regarded than in France, where ballets de cour assumed great importance, and the Lullian tragedie en musique had its counterpart in the ballet en action of the opera-ballet. The Fantaisie (1729) and Plaisirs champetres (1734) of Jean-Fiery Rebel, reflecting the differing personalities of their prima ballerinas Camargo and Salle, have been called choreographic symphonies.

Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend – it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era…

Boz Scaggs. Mötley Crüe. Steely Dan. Bryan Adams. George Martin. Michael Jackson. Quincy Jones. P!NK. Aretha Franklin. Miles Davis. The Doobie Brothers. Stevie Nicks. Dolly Parton. Jessie J. Cher. Rod Stewart. Tina Turner. Michael McDonald. Joan Baez. Ray Charles. Elton John. Barbra Streisand… and countless others. If you’ve listened to music in the last 50 years, including any of the iconic artists above, you were hearing David Paich. Music is the soundtrack of our lives, and David is one of its architects.

At the end of a career spent between his native Korea and Germany, during which he produced works that span the musical traditions of both countries, Isang Yun expressed a wish to limit himself ‘to what is substantial, in order to transmit more peace, more goodness, more purity and warmth into this world’.

When we consider the great musical nations of the world, Hungary perhaps does not come to mind first. But the more we think about it, the higher the country rises in such a ranking. For Salaputia Brass, Hungary has played a leading role since the 20th century. It has established itself not only as a goldmine for instrumentalists, but has also produced many (contemporary) compositions for the developing genre of brass chamber music. This album brings together an overview of contemporary Hungarian music.

SOMM Recordings continues its widely acclaimed championing of the music of Charles Villiers Stanford with a captivating collection of his Children’s Songs by mezzo-soprano Kitty Whately and baritone Gareth Brynmor John, accompanied by pianist Susie Allan.

Saxophonist Julian Velasco headlines an inventive, virtuosic, and diverse album of contemporary classical works for soprano, alto, and tenor sax as winner of Cedille Records’ first Emerging Artist Competition, a juried event celebrating the independent classical label’s 30th anniversary of championing Windy City artists of world-class talent.

Given Anathema's gradual transformation from doom metal merchants to sophisticated prog rockers over the course of many personnel changes since the mid-'90s, an album like Falling Deeper was a logical conceit. The band first revisited select moments from its catalog on the unplugged offering Hindsight in 2008. For some, it foretold the end. Then the band surprised many by returning in 2010 with new ideas and a renewed sense of purpose on the musically and sonically expansive - yet utterly accessible - We're Here Because We're Here, which drew raves from critics and fans alike. But digging into their oeuvre was an unsatisfied hunger for Anathema's founding brothers, Daniel and Vincent Cavanagh (who are in the company of Jamie Cavanagh and John and Lee Helen Douglas here)…

"Solar Heat" featured the vibraphonist and bandleader in a stellar group with conguero Ray Barretto, João Donato on organ, Michael Abene on harpsichord and Fender Rhodes, both McFarland (who arranged this recording) and Tjader on vibes, percussionist Orestes Vilató, and bassists Bobby Rodriguez and Chuck Rainey. It's a killer program of pop tunes like "La Bamba," and "Never My Love," as well as killer McFarland originals such as "Fried Bananas." Track list notwithstanding, this is one of Tjader's finest moments on record. His soloing and melodic invention is delightfully showcased as the logical center between Donato's brilliant organ playing and the crystalline arrangements.