If you are a fan of classic Country, you know the name Hank Snow, and if you are a Hank Snow fan, you’ll recognize many of the song titles on this album. But you have never heard Hank or these songs the way you will hear them on this unique collection!

Ray Columbus & the Invaders were a rock group from Christchurch, New Zealand that was active from 1964 to 1966, fronted by the lead vocalist, Ray Columbus, a musician, television host and manager. Part of the new surf music craze, they were the first New Zealand band to have a number 1 in another country, Australia, with their cover of The Senators' song "She's a Mod".

Life Line: The Songs of Nilsson 1967-1971 Review by Steve Leggett
Harry Nilsson was always a maverick artist, following his own sense of style in the world of pop, turning out carefully crafted – even baffling – songs that shared no direct affinity with any other artist of his day, although in some ways he resembled Randy Newman (even recording a marvelous album of Newman covers). Both men drew on American Tin Pan Alley traditions, but while Newman used them to craft his own ironic view of the little cruelties and occasional kindnesses of the human condition, there was a part of Nilsson that always wanted to actually be that tradition, making him, in some ways, an extremely crafty, artful and very postmodern vaudeville act stuck just slightly out of time. This collection has plenty of Harry Nilsson gems, including his own version of "One" (a huge hit for Three Dog Night), the fascinatingly realized "1941," the infectious and cartoon-like "Me and My Arrow," and the delightful "I Guess the Lord Must Be in New York City," but it lacks some obvious tracks like his two dance singles "Coconut" and "Jump into the Fire," so it doesn't make the ideal introduction to this unique artist, but there's more than enough here to convince anyone that Nilsson was a one of a kind pop treasure.

In the 1770s Johann Christian Bach may have been among the most successful and prosperous musicians in all of Europe. In the 18th century the youngest son of Bach was regarded as the most famous and successful members of the Bach family. However, it appears his reputation faded even during his lifetime – today he is known by many only as a forerunner of Mozart. The new recording of five of his orchestral works, a sequel in the Carus CD series with instrumental music of Bach’s sons, shows that his music has been unjustly forgotten and that definitely it breathes its own independent spirit. Similar to Mozart, the “Milan Bach,” later known as the “London Bach” knew how to pour his varied musical experiences into his works and thus achieve his own unique style.

Dietrich Buxtehude, Dietrich also spelled Dieterich, (born 1637, probably in Oldesloe, Holstein—died May 9, 1707, Lübeck), Danish or German organist and composer of church music, one of the most esteemed and influential composers of his time.
His exact place of birth is uncertain, and nothing is known of his early youth. It is usually assumed that he began his musical education with his father, who was organist at Helsingborg (c. 1638–41) and at Helsingør (Elsinore; c. 1642–71), both then part of Denmark. Buxtehude settled at Lübeck in 1688 as organist of St. Mary’s Church.

French Pop – music so effortlessly cool and hip you can’t help but fall in love, Psychedelia – fuzzy dance floor music to lose yourself too. Put the two together and you have an intoxicating mix that is so lush and so perfect, and a sound that has helped soundtrack recent hit TV series such as The Queens Gambit, Killing Eve, and The Serpent.

Revelators Sound System is the collaborative musical project of MC Taylor (Hiss Golden Messenger) and Cameron Ralston. Recorded throughout 2020 and 2021, largely at Taylor's home in Durham, NC and Richmond, Virginia's Spacebomb studio, where Ralston serves as the house bassist, the album is a deep meditation on community that caroms from root-down avant-funk and spiritual groove to solitary cosmic minimalism and twinkling dubby ambience. Importantly—most importantly—Revelators is a deeply emotional record, the running soundtrack to a world in confusion.

This meeting took place at ScienSonic Laboratories in Teaneck, NJ on April 21, 2015 (the day after the Heliosonic Toneways session). This recording is significant in that it presents the first music Roscoe Mitchell ever played with either Marshall Allen or Milford Graves. It also represents a bit of a departure for me personally, as Milford Graves is so far the only artist to appear on ScienSonic with whom I have not previously performed as a sideman. It has long been a dream to play music with Professor Graves, so I took the plunge or perhaps "lift-off" would be a better term. As the professor said to me after the date, "Man, at one point you went so far out there, we weren't sure if you were coming back!" Well, it took 4 ½ years, but at least I made it back in time to finally mix and present this music. Everything was recorded in one open room with no separation or barriers of any kind, as suggested by Mr. Graves, and is presented here in the order it was played.

The world premiere recording on period instruments of Jean-Louis Duport's Six Sonatas for cello and bass, and Three Duos for two cellos performed by Claudio Ronco and Emanuela Vozza.

Thirty Tigers artist Reckless Kelly's release new album American Jackpot / American Girls. This is the follow up to 2016's Sunset Motel, this new collection of songs from songwriter Willy Braun finds the band covering topics ranging from the duality of the American Dream to the simple things such as American Baseball and deep family ties.

Hudson Hawk was an action-comedy vehicle for a post-Die Hard Bruce Willis, directed by Michael Lehmann. Willis plays Eddie Hawkins, a master thief who, on the day of his parole from prison, suddenly finds himself blackmailed into committing a series of elaborate heists. The complicated plot involves the Italian Mafia, an evil international conglomerate, the artwork of Leonardo da Vinci, and a machine that turns lead into gold, but it’s really just an excuse for Willis and his co-star Danny Aiello to engage in various globe-trotting escapades of comic tomfoolery. The film co-stars Andie MacDowell, James Coburn, and Richard E. Grant, and unfortunately was an enormous box-office flop; audiences seemingly couldn’t reconcile Willis’s tough guy persona with the film’s slapstick comedy action, bizarre sound effects, and surreal humor. Musically, Hudson Hawk is an enjoyable oddity. One of the conceits in the story is that the characters played by Willis and Aiello often spontaneously burst into song, as a way to synchronize the timing of their heists. The pair sing several tracks, two of which – Bing Crosby’s “Swinging on a Star” from Going My Way (which won the Oscar for Best Original Song in 1944), and Paul Anka’s “Side by Side” – are featured on the film’s soundtrack.

Directed by the Tony Award winning and six time MET director, Bartlett Sher, this lavish production of Verdi's operatic masterpiece Otello features one of the most exciting young opera singers of her generation, Sonya Yoncheva, and the Metropolitan Opera & Chorus, conducted by their new director Yannick Nézet-Séguin.

Hailed by many as the heir to Opeth's melodeath throne, In Mourning was formed in the Swedish woods in the year 2000. Since then the band has evolved over the years, striving to refine its sound to what it is today. Musically, the group blends a broad spectrum of influences into a foundation of melodic death metal. Thrusting from doomy metal-riffs, blasting drumbeats and deep growling vocals to calm breezes of clean flowing melodies and harmonies.
"Shrouded Divine" (2008) is their debut studio album.

Here is another fine performance of the Fireworks Music in its original scoring for nine horns, nine trumpets, 21 oboes, 21 bassoons, three snare drums and three timpani. It makes a grand noise, but just as interesting is the music that conductor Trevor Pinnock has assembled from other Handel works, something the composer himself did, to provide a rich and enjoyable selection of orchestral music that we would ordinarily never hear in this form. Pinnock has had a tendency in the past to sound somewhat stiff in Handel's music, but here he lets his hair down and everyone concerned seems to be having a very good time.

In mu sical notation in Germany, the letter ‘h’ is used to represent the note b natural. So, the name ‘Bach’ forms an elegant phrase of two pairs of falling semitones. This proved an inspiration to Johann Sebastian, whose musical ‘signature’ appears again and again throughout his extensive output. Two shining examples are included on this album – the ‘unfinished fugue’ Contrapunctus XIV à 4 from Die Kunst der Fuge (as completed by Lionel Rogg) and the exquisite Ricercar à 6 from Musikalisches Opfer. Bach’s signature – as well as musical invention – has directly influenced scores of other composers down the years, as evidenced by the works included here, from Mendelssohn to Karg-Elert.