The Music Made Me Do It is the fifteenth studio album by American rock guitarist Ted Nugent. It is the first album to feature drummer Jason Hartless. Ted Nugent remarked in an October 2018 interview that he thought fans "would like" the album's content. The Music Made Me Do It was released on November 9, 2018 through Round Hill Records. Describing the albums' musical style, Ted Nugent proclaimed the record to be "so real rhythm and blues Rock & Roll".

« Father of the Russian music », the Russian history books keep saying about Glinka. But what do we generally hear from Mikhail Glinka, except the echoes of Russlan and Ludmilla or from A Life for the Tsar (this CD includes the extraordinary danced interludes brought together by Peter Klimov)? The Moscow Chamber Orchestra, who revealed Alyabiev (FUG 539) offers a outstanding selection on this album. Besides well known works like The Kamarinskaïa or Nocnhoj smotr popularised by Chaliapine and announcing, 50 years in advance, Wolf and Mahler, most of it is indeed unpublished or rare work in the disc repertoire that are gathered here: deliciously diverted Italianisms, stunning fantasies prefiguring Rimski-Korsakov, and especially, everywhere, the colours of a romantic genius.

Anthony Moses Davis, better known by his stage name Beenie Man, is a Jamaican reggae and dancehall singer. He is referred to as the world's "King of Dancehall". One of Jamaica's biggest exports, Beenie Man's recording career stretches back to 1981, although it was in the sound systems where he later made his mark. The witty toaster began his true ascent to stardom in the early '90s, and by 1994, his reputation couldn't be beat. Taking Beenie’s original 1992 album Cool Cool Rider and adding a heap of tracks from that era, this Trojan set is a highly desirable disc for the dancehall singer’s most hardcore fans. It’s likely they’ve encountered these tracks before, although on inferior sets with poor sound quality.

English Electric Part One is the seventh studio album by the English progressive rock band Big Big Train. It was released on 3 September 2012, by English Electric Recordings and GEP. English Electric Part One and English Electric Part Two were originally released as separate albums in 2012 and 2013. English Electric Part Two received a nomination for Best Album in the 2013 Progressive Music Awards and the band went on to win the Breakthrough Artist award.

TRIX was formed in 2004, led by drummer Noriaki Kumagai (ex-Casiopea), with bassist Mitsuru Sutoh (ex-T-Square) and now guitarist Yuya Komoguchi and keyboardist AYAKI has joined the group. Their very ear-catcy music with thrilling techniques, and entertaining stage performance have been widely accepted among fans. Some of their songs are featured as the main theme of TV programs.

Chicken Bones hailed from a small town at the northern end of the Ruhr area roughly 30 km northeast of Dortmund. For many year their sole album "Hardrock In Concert" had been characterized as obscure but not so much essential. But over the years people found out, that Chicken Bones were a lot better than the reputation that preceded them and their album became quiet a sought after obscurity. Despite the title "Hardrock In Concert" Chicken Bones were not at all mundane hard rock but were highly creative and often moved very close to May Blitz, early Ufo or Wishbone Ash with lots of nice moves and flowery guitar work-outs (Freeman brothers in the "Crack Of The Cosmic Egg"). Chicken Bones sounds as a band in the tradition of the early 70s heavy progressive British rock scene…

Ulysses and Monteverdi: passion and action at the heart of musical drama. Penelope sings of her endless wait, her hope to see the king of her heart again, while her suitors besiege her to take her hand and the throne. The return of Ulysses to Ithaca after twenty years of wandering brings the drama to a close. Travelling incognito disguised as an old man, he arrives at the palace for the contest that Penelope has arranged: whoever manages to bend Odysseus' former bow will have the hand of the queen. The old man in rags presents himself to the court, and achieves his revenge… Stéphane Fuget conducts this masterpiece, using every instrumental spell to fulfil his great ambition: to restore to Monteverdi's music and singing all of it's ornaments and colors, thanks to a magnificent cast and their passionate support.

"In the summer of 2019, I travelled to Mexico to compete in the IX International Carlos Prieto Cello Competition, and little did I know, the trip would transform my life musically. At the time I was very well acquainted with Latin American music, but after having the great fortune of winning first prize and returning to Mexico multiple times for performances, I fell in love with the music of Latin America, the culture, the history, and the Spanish language. This album takes the listener on a musical tour through Argentina, Brazil, Cuba and Mexico. The centrepiece of the programme is the Sonata in G minor by Manuel Ponce, who is most famous in the classical world for his song Estrellita popularised by Jascha Heifetz. Ponce was keen to reunite the concert world with Mexican folklore and traditional songs, as listeners can hear in the romantic, longing title-track Por ti mi corazon. Spanning over 140 years of Latin American music culture, this album takes us from Ponces unique traditional voice and Villa-Lobos Chopinesque style to music by still-living Cuban guitarist Leo Brouwer his innocent lullaby Cancion de Cuna. Other highlights include Astor Piazzollas timeless Oblivion and Le Grand Tango and Egberto Gismontis Agua e Vinho. As the title suggests, this music pulls at the heartstrings and exudes romance and passion."

The Section were a US instrumental rock/jazz fusion band formed in the early 1970s by guitarist Danny Kortchmar, keyboardist Craig Doerge, bassist Leland Sklar, and drummer Russ Kunkel. Other musicians associated with the group include multi-instrumentalist David Lindley and guitarist Waddy Wachtel. Fork It Over (1977), the group's final album, featured guest appearances from Taylor and David Crosby alongside other session luminaries of the era, including percussionist Joe Lala, saxophonist David Sanborn, trumpeter Chuck Findley and multi-instrumentalist Jim Horn.
Imagine the Atlanta Rhythm Section doing Jan Hammer/Jeff Beck collaboration instrumentals. This is fantastic music, very pleasant, very funky…

Recorded in the midst of 1966, naturally after the spring release of their debut but before "Pushin' Too Hard" climbed into the national charts in the spring of 1967, A Web of Sound finds the Seeds pushing their sound into new dimensions, happily keeping pace with their Los Angeles contemporaries Love and the Doors. That the Seeds never received the respect accorded to their peers, either then or now, may be partially due to their lack of lyrical ambition, or it could be due to the Hollywood teenage sleaze that seeped out of this quartet led by garage rock icon Sky Saxon. Whatever the Seeds did, it sounded somewhat dirty, a maxim that applies to A Web of Sound even if it lacks singles as hard and filthy as "Pushin' Too Hard"…

Released as a standalone CD and also included in the Unburied Treasure boxed set, this live set represents perhaps the earliest recording we have of the band's live act…