Kinestesia is awareness of the body's movements directly in the proprioceptors of the muscles and joints themselves. Such an awareness is critical for the creation of sound for an accomplished drummer like Tom Cabrera. For this album of fresh, instantaneous tracks Cabrera enlisted his bandmate from so many ensembles, pianist Chris Forbes and his cohort from myriad other musical groups, double-bassist Phil Sirois. Though this was Forbes and Sirois' very first encounter, music making was nearly telepathic. As track 4's titles suggests, this is true sonic Communion.

In recent years, research into 18th century Neapolitan music has progressed significantly. Along with socio-historical investigations, rediscoveries of lost masterpieces from the massive collections of uncatalogued manuscripts in libraries are not uncommon. A revival performance after 300 years is no longer a rare occasion. Such new developments urge us all to change our views on Western music history, and surely comprise one of the most enticing areas in early music today. And among the rediscoveries, recorder players are delighted to find what is for us a new fertile repertoire for the recorder as well.

An incredibly dense matrix of interwoven voices and layers, each occupying and exploiting a unique space within the fabric of the sound-environment, co-existing to slowly reveal themselves in multiple interconnected relationships.

ME LOST ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully weave together disparate genres, drawing influence from folk, art pop, noise, ambient and improvised music. Hauntological in part, RPG (out on July 7th through Upset The Rhythm) is concerned with tales and with time - are we running out of it? Does insomnia cause a time loop?

The dignified bearing and quiet wisdom of Nikolai Myaskovsky (1881–1950) gained him the sobriquet of ‘the conscience of Russian music’ – and those qualities are reflected in the unemphatic strength of his music. His orchestral, chamber and instrumental works are regaining the currency they once enjoyed, but his large corpus of songs, many of them understated masterpieces, has yet to attract systematic attention – a situation this series hopes to remedy.

On this album we receive a future unobstructed by any goofy or heavy handed attempts to align with futurism™ or the glories of the past.

Debut album of Musta Leskinen. A pile of instrumental swinging rock with trace amounts of Hendrix and ZZ Top.

LA emo-punks Sad Park have just released their third album and first for Pure Noise, No More Sound.

Das Rundfunk-Sinfonieorchester Berlin (RSB) ist ein traditionsreiches Berliner Orchester.

2018 marks 50 years since progressive folk-rock band Jethro Tull jumped onto the British music scene. This 40th anniversary edition of "Heavy Horses" features the new remix, plus additional studio recordings, done by Steven Wilson; a flat transferred original album, plus live concert from May 1978 and an extensive new booklet.

Dottie West (born Dorothy Marie Marsh) was an American country music singer and songwriter. Along with her friends and fellow recording artists Patsy Cline and Loretta Lynn, she is considered one of the genre's most influential and groundbreaking female artists. "With All My Heart and Soul" was one of Dottie West's best-selling albums.

This new release from DUX presents world premiere recordings of pieces of Polish sacred music from the late 18th and early 19th centuries.

Etienne François ging in Nancy zur Schule und schloss diese 1960 mit dem Abitur (Baccalauréat philosophie) ab. Er studierte von 1964 bis 1970 an der École normale supérieure (ENS) in Paris und in Nancy Geschichte und Geographie.

Thirteen new MacLeod originals highlight this richly detailed recording by GRAMMY Award-winning engineer Keith Johnson. MacLeod is one of blues’ greatest guitarists. He is joined by longtime bassist Denny Croy and Jimi Bott, one of the most recorded, awarded and respected blues drummers in the world. The trio performs with scintillating precision and synergy.

Recorded in correspondence throughout a calamitous and uncertain 2020, “Eye of the Sea" is a collaborative record made by Tom James Scott of the United Kingdom and Svitlana Nianio of Ukraine. Active since the late 1980s, Nianio has released a treasure trove of diverse and beguiling music under her own name, as a member of the legendary Ukrainian experimental unit Cukor Bila Smerť, and in collaboration with the late musician and instrument maker Oleksandr Yurchenko.