Toto is the debut studio album by the American band Toto. It was released in 1978 and includes the hit singles "Hold the Line", "I'll Supply the Love" and "Georgy Porgy", all three of which made it into the Top 50 in the USA.

Anne-Sophie Mutter, Yo-Yo Ma and Daniel Barenboim present a joint recording of the Triple Concerto and the Seventh Symphony on the occasion of Beethoven's 250th birthday. The Album also celebrates 20 years of the West-Eastern Divan Orchestra and the interaction of Anne-Sophie Mutter and Yo-Yo Ma after 40 years!

Apostrophe (') is the eighteenth album by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86.

André Previn leads the London Symphony Orchestra in this beautiful legacy recording of Tchaikovsky's ballet, The Sleeping Beauty, Op. 66. The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois dormant. The choreographer of the original production was Marius Petipa.

A Tribute to the Great Nat "King" Cole is the sixth studio album by Marvin Gaye. It is a tribute album, dedicated to his idol, late jazz performer Nat "King" Cole, who had died of lung cancer earlier in the year.

Wolfgang Amadeus Mozart's Clarinet Concerto in A major, K. 622, was completed in October 1791 for the clarinettist Anton Stadler. It consists of three movements, in a fast–slow–fast succession.

The emergence of the cello as a solo instrument at the beginning of the 19th century encouraged composers to explore its melodic and sonorous potential, with compositions for two or more cellos becoming increasingly popular. Bernhard Romberg and Anton Kraft both had personal connections to Beethoven – their works offer inventive timbres, intimacy and substantial virtuosity. The world premiere recording of the sparkling Concertino by Kraft’s son Nikolaus completes an album of unique gems, influenced by Beethoven and Haydn, which helped to usher in the golden age of the cello.

About the new project, David told us, "'Workingman's Dead' was released when I was a teenager and was one of my first exposures to country and folk music. I tried to keep my performances in the spirit of the originals as much as possible — not so much re-invention, but simply enjoying those great feelings again from so long ago."

Strictly Commercial is a compilation album by Frank Zappa. It was released in 1995, two years after his death. The album was named as part of a 2011 lawsuit by Gail Zappa towards Rykodisc, claiming the label released several vault masters without the permission of the Zappa Family Trust on this and other releases, specifically the single edits of some songs, such as the 12" disco Remix of "Dancin' Fool".

Francois Francoeur (1698-1787) was, besides Jean-Marie Leclair, one of the most important representatives of the French violin school. He was able to combine the technical virtuosity of Italian provenance with French elegance and smooth melody. The Deuxieme Livre de sonate a violon seul et basse continue was published around 1730. The baroque violinist Anais Chen presents, together with Daniel Rosin and Maria Gonzalez, six of the twelve sonatas, which, on their first hearing, make you want more music from Francoeur.

2020’s Prehensile Tales is the second studio album from Pattern-Seeking Animals (the quartet featuring the talents of current and former Spock’s Beard members Ted Leonard, Jimmy Keegan and Dave Meros as well as long-time contributing songwriter-producer John Boegehold). Coming out just one year after the much-lauded self-titled PSA debut Prehensile Tales proves to be a an even more adventurous Prog journey with a strong emphasis on infectious melodies and powerful dynamics.

Equipped with a variety of trumpets, a ridiculous array of percussion instruments, and far too many electronics, Wim Van Hasselt and Koen Plaetinck combine to create an entirely new musical space. Presenting brand-new commissions as well as arrangements, they stretch the boundaries of classical music into a unique world of sounds and visuals, infused with traditional music, electro-underground, improvisation and – above all – their own vivid personalities. What if dreaming became reality? The imaginary tangible? When living a fairy-tale the fantastic is the concrete…

Voice & Strings & Timpani is the latest project of guitarist Stephan Meidell and drummer Øyvind Hegg-Lunde, two of the most important figures in the new wave of Norwegian music. They are also staples of the Hubro roster of artists and of the vibrant Bergen experimental music scene. Both play in the acclaimed band of violinist/fiddler Erlend Apneseth; Meidell is part of the trio Cakewalk, plus his own solo projects including the Metrics Ensemble and TRIGGER, while Hegg-Lunde plays with Building Instrument, Electric Eye and Jose Gonzales’ ‘indie’ band Junip.

Dragon’s Domain Records presents THE BOY WHO COULD FLY , featuring music composed by Bruce Broughton for the 1986 family film written and directed by Nick Castle (THE LAST STARFIGHTER) and starring Lucy Deakings, Jay Underwood, Bonnie Bedelia and Fred Savage. This presentation of THE BOY WHO COULD FLY also includes orchestral performances of film music by the composer of some of his other best-known film music. Broughton has composed film scores in almost every medium, from theatrical motion pictures and television to computer games, in styles ranging from large symphonic settings to contemporary electronic scores.

The making of this album has felt like the one constant since the pandemic started, and it has been a source of tremendous source of comfort, frustration, wonder, and growth for both of us. We made many trips up to the Catskills to record in the basement studio of Griffing Jennings, soaking up the mountain views and starlight. Now it’s here, and I’m feeling the inevitable grieving that comes with finally releasing a project into the world. It was such a labor of love, and I hope that you can spend some time with the work we created.