Country Gospel from this veteran recording artist who grew up in the Ozark Mountains singing in old country churches and now takes you back to the real sound of Gospel that's recorded in a historic 150 year old Ozark Church.

Rare Original Japanese Pressing Still In Top Condition! Gatefold Cover Includes Insert With Lyrics In English, Plus 4-Page Insert With Lyrics In English & Notes In Japanese. The Eighth LP From Electric Light Orchestra, ‘Discovery’ Features The Singles “Don’t Bring Me Down”, “Shine A Little Love”, “Confusion”, “The Diary Of Horace Wimp” & “Last Train To London”.

Rudy Van Gelder remastered edition. The late Jimmy Smith still was a new phenomenon when his third album was released in August 1956. Forty-nine years later, his music remains as vital and fresh as ever. With an incredible technique, Smith combined blues and be-bop and forged a new sound on a daunting instrument. Van Gelder outdid himself on this remastering job. This edition of the album boasts four bonus tracks: 'Jamey', 'My Funny Valentine', 'I Can't Give You Anything But Love' and 'Slightly Monkish'.

Johnny Griffin was one of the most exciting tenor-saxophonists to emerge during the 1950s. His warm and passionate tone was distinctive (becoming an influence on Rahsaan Roland Kirk), he could play chorus after chorus of inventive and fresh ideas, and he was unbeatable in a saxophone battle. The Congregation is a superb outing full of heat, fire and intensity, with time out for thoughtful ballads. Teamed with pianist Sonny Clark in a quartet, Griffin is quite exuberant on the lengthy sanctified title cut which is reminiscent of the jubilant Horace Silver tune "The Preacher."

On a long, special night that rolled into his 63rd birthday the following day, Bruce dials up a spirited, 34-song set brimming with Wrecking Ball material; tour premieres for “Cynthia” and a moving “Into The Fire”; the first “In The Midnight Hour” since New Year’s Eve 1980; a rare coupling of “Meeting Across The River” into “Jungleland”; “Janey, Don’t You Lose Heart,” “Downbound Train” and “It’s Hard To Be A Saint In The City”; plus special guest Gary U.S. Bonds on “Jolé Blon” and “This Little Girl.”

Is there a connection between the prayers of a German prisoner during the Second World War and the hymns of northern Norway?

Founded in 1985, the Kammerata Luxembourg has established itself at the centre of the country’s musical life with new commissions, concert series and recordings, supported by its ministry of culture. One recent enterprising series was named ‘The European Union Enlarges’, focusing on the chamber music of future EU states, and others such as this album have constructed enlightening juxtapositions of modern and Romantic-era repertoire.

Formé en 2011, Le groupe d’indie folk Islandais Of Monsters And Men connait rapidement le succès grâce au tube ‘Little Talks’. Deux albums, une apparition dans la saison 6 de Games Of Thrones et des centaines de millions de streams plus tard, le groupe revient avec Fever Dream, leur troisième album studio.

"How can we miss you when you won't go away?" It's a question that sounds as if it could be the title of an Aerosmith power ballad co-written by Diane Warren, but it's a sentiment that also applies to the Boston quintet themselves. 2012's Music from Another Dimension! may be their first album in eight years and their first record of original material in over a decade! but the band has never been far from the headlines during those missing years, and not just because Steven Tyler screeched his way into America's homes as Simon Cowell's replacement on American Idol. Joe Perry, the Keith Richards to Tyler's Mick Jagger, never was happy about Tyler's leap to the small screen but it was just one of many interpersonal squabbles that bled their way into the public.

With „Honkin' On Bobo“, Aerosmith takes a break from radio-ready fare to record an album that pays tribute to the blues influences that have always been close at hand for the group. Further enhancing the sound of this project is the presence of storied pianist Johnnie Johnson (on two tracks) and Jack Douglas, the producer for many of Aerosmith's classic 1970s albums.

During Aerosmith's first tour of duty at Columbia Records, the group established a reputation as America's premiere hard rock band. The group has influenced bands ranging from Guns N' Roses to R.E. M., who covered "Toys in the Attic." „Gems“ can be looked at as the follow-up to GREATEST HITS, the band's prior compilation. Unlike GREATEST HITS, which focused on chart hits and radio-familiar tracks, this collection leans more toward the band's harder-rocking material.

Give Aerosmith credit for not only realizing something was wrong after Nine Lives relatively flat-lined, but deciding to do something about it. Ditching the outside producers who initially liberated but eventually straitjacketed them, Steve Tyler and Joe Perry seized control of the boards, working with the assistance of Mark Hudson and Marti Frederiksen. (Forever the Stones fanatics, Tyler and Perry dubbed this crew the Boneyard Boys, just like how Mick-n-Keef are the Glimmer Twins.) So, this isn't really a full-fledged band affair and Hudson and Frederiksen's fingerprints are all over the place, but that doesn't matter since the end result is tighter, savvier, and better than anything since Pump.

The eleventh studio album by Aerosmith. 'Get A Grip' became Aerosmith's best-selling studio album worldwide, achieving sales of over 20 million copies, and is tied with 'Pump' for their second best-selling album in the United States, selling over 7 million copies as of 1995. This also made it their third consecutive album with US sales of at least five million. 'Get A Grip' won the band two Grammy Awards for Best Rock Performance by a Duo or Group with Vocal.

After starting off the '80s on the wrong foot because of personnel defections, changing music trends, and various personal and business problems, the original Aerosmith line-up reunited for 1985's 'Done With Mirrors'. Produced by Van Halen/Montrose knob-twirler Ted Templeman, 'Done With Mirrors' is a bare-bones Aerosmith record that was last the band recorded without the benefit of outside songwriters. The results range from the rhythmically slinky 'Shela' to the funky boogie of 'The Hop.' Elsewhere, songs such as the hard-hitting 'My Fist Your Face' and the slide guitar-drenched 'She's on Fire' show the band was able to shake the rust off after almost six years apart.

Unlike Aerosmith's first Classics Live! compilation, the group had direct creative involvement in putting this collection together. Of the eight songs that make up LIVE II, six were taken from a New Year's Eve show the band played before a hometown Boston crowd in 1984 at the Orpheum. The triumphant 'Back in the Saddle' is included along with the funky 'Walk This Way' (complete with a crowd sing-along intro for birthday boy Tom Hamilton), the sassy 'Same Old Song and Dance,' and the raucous 'Toys in the Attic.' A version of the always potent 'Draw the Line,' taken from 1978's CALIFORNIA JAM and 'Let The Music Do The Talking' (originally recorded by the Joe Perry Project), recorded at a 1986 Worchester, Massachusetts gig round out this set.