The sixth volume of our complete recording of Bach's cantatas inaugurates the long series of sacred cantatas written during the composer's years in Leipzig. With a single exception, the cantatas included in the present release belong to the first annual cycle and date from 1723/24.The cycle begins with Cantatas 75 and 76, with which the recently installed Thomaskantor took up his new appointment in April 1723.

Cavalleria Rusticana: Magnificently sung, subtly played and dramatically acted… The passion of Sicily, fanned into a bonfire by one of the world's most brilliant conductors and great cast (New York Post).
Pagliacci: An interpretation of exceptionally strong emotions and artistic quality (Il Giorno). Vickers is outstanding, delivering 'Vesti la giubba' with unusual sensitivity and admirable restraint. Kabaivanska and Glossop are also impressive (New York Times).

Hope and compassion are not emotions people often associate with rock & roll – joy, rebellion, fury, lust, and exhilaration are usually parts of the formula, but few people think of rock & roll as the equivalent of a warm hug from a good friend in a time of need. Jeff Tweedy wants to change that, or at least that seems to be the recurring theme of 2018's Warm, the Wilco founder's first solo album of original material. Tweedy has never been afraid to dwell on his introspective side, as far back as his days in Uncle Tupelo, and it takes center stage on Warm, which features 11 songs about the search for respite in a world where little seems to go right.

These days Erno Dohnanyi (1877 - 1960) is most likely best remembered as a long ago famed pianist, and composer of Variations on a Nursery Song, Op. 25, its huge orchestral introduction leading to the simple statement of the nursery song by the piano. Intricate variations follow. There is more to Dohnanyi than this single piece, as Slovakian label Pavlik Records have discovered with their series of his solo piano works. Now they have alighted on his two piano concertos. The First, in E Minor, Op. 5, premiered in Vienna, played by the composer with the Vienna Philharmonic in 1899. It was a finalist in a competition run by the Bosendorfer piano company. The Second, in B Minor, Op. 42 is a far more compact piece. Dohnanyi gave it a premiere performance in Sheffield in 1947 with Sir Thomas Beecham conducting. Pavlik Records go to pianist, Ladislav Fanzowitz excels in these two little known works, receiving great support by the Slovak State Philharmonic Kosice conducted by Zbynek Muller.

Retrospectacle – The Supertramp Anthology, also known as Gold in the U.S., is the first comprehensive compilation album by the English rock band Supertramp, released in October 2005. As Supertramp's first career retrospective, Retrospectacle contains a compilation of the most popular songs, live tracks and favourite album tracks from all of their albums from Supertramp to Slow Motion, including the live albums Paris and It Was the Best of Times. It was released as either a single disc or a double album.

The king of the Latin-American dance field is Tito Puente. Once again, the diminutive maestro demonstrates his dominance with this new recording of popular Latin-American rhythms. In this exciting outing, Tito Puente and his orchestra lay down a driving irresistible beat that moves from beginning to end in a pulsating performance. Tito Puente and his orchestra create an added appeal with their ensemble singing which lends an authenticity to the music. Their vocal performance like everything else sparkles with vitality.

Like many teenagers, Charlie Sexton lusted after rock stardom – the only difference was, he had a chance to pursue his dream. Sexton certainly looked like the part, with his high cheek bones and pompadour, but since he was living in the '80s instead of the '50s he worshipped, his producers decided to push him toward new wave for his debut album, Pictures for Pleasure. The teenaged guitarist had been bashing out blues and roots-rock around his native Austin, Texas, but the market for that music was limited – hence the decision to layer the record with drum machines and synthesizers.

The Collection is the third greatest hits album by American singer Belinda Carlisle, released in the UK on March 17, 2014 by Demon Music Group. "The Collection" followed a 2013 US budget compilation album entitled "Icon" and Carlisle's signing of her Virgin Records back catalogue to Demon Music Group. Though Carlisle had not recorded any new studio albums in English since the release of her last greatest hits A Place on Earth: The Greatest Hits, two recently recorded songs were included, the 2013 single "Sun" and a 2014 release "Goodbye Just Go". The album was released with a bonus DVD which included the videos of the songs on the album (excluding "Goodbye Just Go" which did not have a promotional video).

This second and final volume of Chopin’s Mazurkas by Peter Jablonski includes the composer's Mazurkas Nos. 30-51 alongside six posthumous mazurkas. For Chopin, the Mazurkas became a deeply personal, intimate statement of his feelings as an émigré Polish composer living in Paris. From some of his very first compositions to his last, it is the only form that Chopin composed regularly throughout his life. Similarly, Chopin’s Mazurkas have followed Peter Jablonski throughout his entire career as a pianist in nearly every solo recital. This album also includes Chopin’s final composition that was written just few weeks before his death, the Mazurka No. 49 in F minor (1849).

Roughly half of this set is strongly recommendable—and even the half that isn't is still well worth hearing. Ferenc Fricsay was a pivotal figure in the rebuilding of German musical life after the war, primarily as conductor of the Berlin RIAS (Radio In the American Sector) Symphony Orchestra, which was founded in 1946, re-named the Berlin Radio Symphony Orchestra in 1956 and which is now known as the Deutsches Symphony Orchestra, Berlin. Fricsay's first international triumph was in 1947 when he took over from an indisposed Otto Klemperer for the world premiere of Gottfried von Einem's opera Dantons Tod.

Ever the iconoclast, if there is one thing that Brian Eno has done with any degree of consistency throughout his varied career, it is presenting his art in an array of perpetually "out of the box" forums. All that changed – in a manner of speaking – with the release of two companion multi-disc compilations. Eno Box I: Instrumentals (1994) condenses his wordless creations, while Eno Box II: Vocals (1993) does the same for the rest of his major works on a similarly sized volume. Interestingly – and in his typically contrary fashion – this initial installment was actually issued last. Each of Eno Box I: Instrumentals' three CDs respectively concentrates on a specific facet of the artist's copious back catalog.

Air Born: The MCA & Decca Years 1973-1984 is a new box set featuring the music of English prog-rock band Camel. The box features 27 CDs & five blu-rays and includes newly remastered versions of every Camel album and single issued between 1973 and 1984, but also includes new stereo and 5.1 Surround Sound versions of five albums, as well as new mixes of three concerts; The Marquee Club, London 1974, Hammersmith Odeon 1976 and Hammersmith Odeon 1977. The package also features previously unreleased outtakes from album recording sessions and BBC Radio ‘In Concert’ appearances from 1974, 1975, 1977 and 1981.

I/O (typeset as i/o) is the tenth studio album[a] by English rock musician Peter Gabriel, released on 1 December 2023 through Real World Records. It is Gabriel's first album of new original material in over 21 years since Up (2002), marking the longest gap between two studio albums in his solo career. Additionally, I/O is his longest studio album to date. I/O had been in the works for nearly three decades, with its initial production dating back to 1995, at around the same time Gabriel began recording Up. He began planning the follow-up to Up as early as 2000 and had originally intended to release it in 2004, but the album was repeatedly delayed, reworked and re-recorded at seven recording studios (and one arena during soundchecks while on tour with Sting in 2016) before its completion in 2022. This was due to Gabriel focusing on other projects such as his two orchestral albums Scratch My Back (2010) and New Blood (2011), which contained covers of songs by other artists and rearrangements of his older material, respectively. Beginning in January 2023, Gabriel released a new single every full moon, with its alternate mix released on the following new moon, eventually culminating in the album's release at the end of the year; this replicates the 2010 double-sided single releases in promotion of And I'll Scratch Yours (2013). He has stated that he will release more songs in this format following the album's release. I/O received positive reviews from music critics, with praise being particularly directed towards Gabriel's vocals and songwriting.

2 CD Set Contains Previously Unreleased Performances. JESUS ON THE MAINLINE is drawn from two 1971 concerts; April 14th, 1971 in Tacoma, Washington, and November 5th, 1971 at the Gaslight In New York, which would prove to be the final recording of the Delta Blues legend. The bottleneck guitarist was 67 years old when these tracks were recorded and his passion and conviction seem to have strengthened with the years. At this point in McDowell's career he had shifted to playing electric slide guitar. Accompanying McDowell's gruff voice, the guitar often seems to finish the singer's sentences for him; it's like listening to an old married couple.

Through evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements.