This compilation collects a number of 7” singles produced by Audio Productions Ltd. in Kenya’s capital Nairobi in the first half of the 1980s and released on the Wendo, Lulus, Mlima and APL imprints.

The Jazz Revue is a musical artist that performs jazz interpretations of classical music. The group was founded in 2010 by pianist and arranger Michael Brown. The Jazz Revue has released two albums, "Cello Suite No. 1" and "Dance of the Cygnets." The group has performed at a variety of venues, including the Kennedy Center and the Metropolitan Museum of Art.

Conceived around a time of strong political, social and cultural turmoil in the UK and elsewhere, a time ridden with a deep sense of uncertainty and unease, the music resonates with feelings of alienation and powerlessness as well as convey ideas of anger and latent violence. Working with heavily textured drones as well as sharp edged sounds and sustained rhythms to echo and articulate those feelings, some of the tracks were re-worked until their final forms had lost all relation with their initial skeleton, something that was partly influenced by the idea of simulacra not representing the real anymore, inspired by the reading of ‘Simulacra and Simulation’ by Jean Baudrillard and ‘The Weird and the Eerie’ by Mark Fisher. The addition of rhythmic structures, a new step for Savy, helped explore the idea of power by saturating the sonic landscape with repetition and pulsations. On certain tracks rhythms are implied, slowly disappearing or simply absent to reflect this idea of the real not being there anymore.

This new album continues Ondine’s award-winning series of orchestral works by Witold Lutoslawski (1913–1994) together with the Finnish Radio Symphony Orchestra. The series has gathered several accolades, including a Grammy nomination, a BBC Music Magazine Awards nomination, and several recording of the month awards and best recordings of the year nominations. This album includes the composer’s early hit, his folklorish masterpiece Concerto for Orchestra, which is among his most performed compositions.

Latvian violinist Gidon Kremer's 2000 release Eight Seasons is a conceptual masterwork. Kremer, long known for his skillful interpretations of Astor Piazzolla's Argentinean tangos, had the brilliant idea of matching four of the Latin master's tone poems of the seasons in his native Buenos Aires with Antonio Vivaldi's conceptually similar masterpiece "The Four Seasons," alternating seasons between the two works. Besides the conceptual perfection of the idea, the performances are exquisite. Kremer and his conservatory orchestra, the Kremerata Baltica, do a particularly masterful job with the Vivaldi, avoiding the ornate bloat that affects so many recordings of this work. Their performances are brisk and to-the-point, with bright tempos that add a vitality not often found in this rather shopworn old standard. As always, Kremer's solos in the Piazzolla works are absolutely superb, with the dramatic flourishes of the massed string section providing startling counterpoint, especially on the breathtaking "Verano Porteno". Eight Seasons is a truly remarkable work by an underrated performer.

Hank Marvin, mostly playing a Favino acoustic guitar (and, occasionally, the "Hank Marvin"-model Fender Stratocaster), turns in some delightful work on this 58-minute CD, supported by players including Ben Marvin on guitar, Ray Martinez on bass, Gary Taylor on rhythm guitar, and Ric Eastman on drums. The music ranges across the decades from the 1950s to the 1970s – the virtuosity is beyond question and the arrangements on familiar fare such as "Sunny Afternoon," "American Pie," "Ticket to Ride" and "Eleanor Rigby" bring out some unexpected attributes to the songs, as well – only "Your Song" does what one would expect in its arrangement, and that tune is so pretty that one would never want to deviate too far from the basics on it. Some of the original tunes are less than memorable melodically, but the playing is always interesting enough to hold the listener, and one of them, "A Tall-A Tall Dark Stranger" could have made a good single two or three decades ago, with its rippling double-lead guitar parts.

Counting Crows put in the gigging hours during the early days of the band, and it paid off. By the time they signed to Geffen in 1993, they had already built up a significant fanbase. Their debut, August and Everything After, produced by T-Bone Burnett, was released later the same year and became an unexpected multi-platinum hit, partly as a result of the successful single "Mr. Jones".

Pelham Humfrey (16471674) was a genuine baroque pioneer in the word-setting of English biblical texts, as well as applying elements of French and Italian styles to his work. By the age of seventeen his anthems were evidently in use. He later succeeded Henry Cooke (his father-in-law) as Master of the Children of the Chapel Royal and also became composer to the Court. Humfrey died at the age of 27, but along with Matthew Locke exerted a strong influence on his peers even at his young age, including William Turner, Henry Purcell, and John Blow. The seven symphony anthems included on this recording have been selected from the extant 19 to demonstrate Humfreys range of work in the genre.

Mario Bernardi revived the Horne-Corsaro ''Rinaldo'' for the National Arts Center of Canada, and a new and much more elaborate production designed by Mark Negin had a great success at Festival Ottawa in the summer of 1982. ''Rinaldo'' is in essence Marilyn Horne's production. She sings the title role in a version that has been tailored specifically for her vocal powers, and she has obviously had a lot to say about the hows and the whos of this production.

For this release on Tafelmusik Media, Bruno Weil and the Tafelmusik Baroque Orchestra and the Tafelmusik Chamber Choir perform Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral," in a streamlined presentation notable for its authentic instrumentation and historically informed performance practice. The hallmarks of Classical style are immediately apparent, from the brisk tempos and the reduced size of the orchestra, to the straight, vibrato-less string tone and the distinctive and occasionally raw timbres of early 19th century woodwinds and brass. (Note especially the contrabassoon, track four, at the 09:36 mark.) Yet all of this is secondary to the effectiveness of the music, which Weil and his musicians keep uppermost in their minds.

This expanded, two-CD collection features 24 tracks, all completely remastered to the highest modern standards. Included in addition to the original 10-song release is the non-LP track Smile Jamaica (the original B-side to the 'Satisfy My Soul' single written for the people of Jamaica after the assassination attempt on Marley s life at the Smile Jamaica unity concert in 1976). The second disc features the highly sought-after, unreleased live show, Live at Ahoy Hallen. This rare, unreleased audio recording of a sold out performance at Ahoy Hallen in Rotterdam, Netherlands on July 7, 1978 had originally been planned to be released with the 'Babylon By Bus' album but never came out. The Wailers were in top form that night, with stellar performances of 'Is This Love' and 'Easy Skanking' from the recently released 'Kaya,' album plus some of Marley's most beloved songs including 'Concrete Jungle,' 'No Woman No Cry,' 'War/No More Trouble,' 'Jamming,' 'I Shot The Sheriff,' 'Get Up,' 'Stand Up,' and the closing track 'Exodus,' all leaving the packed house in a frenzy. Packaged with the original artwork, Kaya: 35th Anniversary Deluxe Edition comes with a 23-page booklet that includes lyrics, rare photos, plus extensive liner notes.

On Memphis, Boz Scaggs pays tribute to the city's magnificent soul tradition, Al Green, and producer Willie Mitchell and his Royal Recordings studio, whose location and personnel were used to cut it in three days. Produced by drummer Steve Jordan, the core band includes the singer and Ray Parker, Jr. on guitars, and bassist Willie Weeks, augmented by the Royal Horns & Strings, a small backing chorus, sidemen, and guests. Green's influence is celebrated in the opener, Scaggs' "Gone Baby Gone." Its wafting B-3, Rhodes, fluid electric guitars, and a tight backbeat underscore his baritone croon to excellent effect. If there were doubts about the quality of his voice at this juncture, they're immediately dispelled when his sweet falsetto emerges. In his cover of Green's "So Good to Be Here," Scaggs references him but digs deeper into his own trick bag with more rounded, earthier highlights.

Juno nominated chamber choir Luminous Voices along with Spiritus Chamber Choir presents twelve works by Ukranian composer Artem Vedel (1767-1808). Considered one of Ukraines Golden Three composers of the 18th century, these masterpieces of Ukrainian Classical Choral Music include twelve sacred choral concerti & Divine Liturgy of St. John Chrysostom. Under the direction of Dr. Timothy Shantz and with support from the Ukrainian Music Society of Alberta, the works of Vedel continue to be associated with the boisterous wave of national rebirth, imbued with a connection and influence of national folklore.

Soundtrack to the film 'Farinelli', the 1994 biopic film about the life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time. It stars Stefano Dionisi as Farinelli and was directed by Belgian director Gérard Corbiau. Although Dionisi provided the speaking voice, Farinelli's singing voice was provided by a soprano, Ewa Malas-Godlewska and a countertenor, Derek Lee Ragin, who were recorded separately then digitally merged to recreate the sound of a castrato. Through the film the general public discovered a whole repertoire of works for a voice that can no longer be heard today. The soundtrack from the film became a bestseller, as we discovered with delight some beautiful pieces by Handel, Pergolesi, Hasse, Porpora and others, in a unique interpretation.

Hania Rani announces "On Giacometti" a tender meditation on the life and art of Alberto Giacometti and family.