É com muita expectativa que os fãs de uma das mais consagradas intérpretes brasileiras aguardam o Box contendo a discografia dos primeiros lançamentos da carreira de Gal Costa. A caixa contém os 15 CDs gravados na Philips + 1 CD Duplo Divina Maravilhosa, coletânea contendo raridades, em sua maioria ainda inéditas no formato CD.
os da entrevista da Artista para o jornalista e pesquisador musical Marcelo Froes.
Os CDs são remasterizados a partir dos tapes originais e a edição sai caprichada com os encartes contendo todas as letras.

Old School Original Salsa Classics Deluxe Box, is a various artist compilation album. Released in 2005.

Scott Weiland’s solo debut, 12 Bar Blues, marks its 25th anniversary today, and Rhino is celebrating by remastering and expanding the acclaimed album for two upcoming releases. On Record Store Day, the album will make its vinyl debut as a limited edition 2-LP set. 12 Bar Blues will be limited to 7,500 copies on 180-gram translucent blue and green vinyl and available exclusively at select independent music retailers on April 22 for $34.98. The set includes the original album with newly remastered audio along with three previously unreleased recordings: an acoustic version of “Barbarella” and session outtakes “Lazy Divey” and “Chateau Mars.” The latter two tracks appeared on the original promotional version of the album sent out by Atlantic Records, but were cut from the commercial release.

The drum & bass superstar has announced his first solo album after 10 ten long years, featuring heavyweight collaborations with Camelphat, Metrik and more. Over the course of a twenty-year career in drum & bass, Sub Focus has gone from being an underground up-and-comer to a global superstar of the genre. Known for his sweeping, adventurous, and technically precise productions that draw influence from house, dubstep, dancehall, and rock, Sub Focus now boasts a loyal fanbase across the globe.

When Willie Nelson and album producer Daniel Lanois set out to create a cinematic-sounding album, Teatro, they took over a disused movie theatre in Oxnard, California, and pictured it's dusty glory on the cover art. Recorded as-live in situ amid the red velvet seats, Teatro sees Nelson working extensively with his frequent collaborator Emmylou Harris, who joins him for duets and on backing vocals. The other major player is Daniel Lanois, who produces the album, plays guitar and bass, took the cover photo and wrote one of the album's songs, "The Maker", a stunning performance with glacier-thick vibe. Reinvention is key on Teatro, with Nelson revisiting a number of songs he first wrote in the 1960s, including 1968's "I Just Can't Let You Say Goodbye" and 1962's "I've Just Destroyed the World" and "Three Days". Though the songs are familiar, the sounds aren't: Teatro found Nelson experimenting with rhythms and flavors as never before, from the Spanish-influenced "Darkness On The Face Of The Earth" to the double-drum-kit percussive groove of "My Own Peculiar Way". Originally released by Island Record in 1998, Teatro is issued here for the first time as a double disc set, including the original album plus 7 unreleased bonus tracks from the sessions.

Always one of the most in demand bassist and session men. He does not have a large body of work as a featured artist, but here you can catch him in a rare environment. This time he gets to lead and pick the tracks. A great find.This needs to be added to a serious jazz library, as the important jazz figure he is.

Legendary singer Graham Bonnet (RAINBOW, MSG, ALCATRAZZ, GRAHAM BONNET BAND) has joined forces with Italian axeman and producer Dario Mollo in a new project called EZOO. The band's debut album, "Feeding The Beast", was released on June 2 via earMUSIC. Grooving and stomping music, with the great feeling straight from the golden days of hard rock, EZOO features the immediately recognizable voice of Bonnet and Mollo's melodic and powerful guitars. While Mollo is well known for his collaboration with Glenn Hughes (VOODOO HILL) and his three albums with former BLACK SABBATH singer Tony Martin, you can claim that probably every rock fan has heard the biting and unique voice of Bonnet before.

In every way these perceptive and well-detailed readings stand in competition with the finest.

Together with Johann Simon Mayr, Ferdinando Paër counts as one of the most important opera composers of his day, and he was unable to resist filling his oratorio on Christ’s Passion, Il Santo Sepolcro with expressive extremes. Pain and grief contrast with joy and hope, and scenes including the terrible hours of the crucifixion, frenzy of the crowd, resurrection and Last Judgment are given potently descriptive music. Originally a prelude to Haydn’s Seven Last Words, Mayr’s Invito is a call to hear Paër’s incomparable narrative.

With the success of the band Incantation and ethnic South American music in 1982-1983, Chris Rea introduced his sixth album, Wired to the Moon, with the track "Bombollini," which was over six minutes of jungle-sounding drums and the haunting sound of pan pipes. The ethnic flavor continued on the second track, "Touché d'Amour," which was reggae in the unashamed style of lovers rock. However, Rea wasn't going to disappoint his fans altogether, small in number though they were in the U.K., having built a career over several albums of soft rock tracks and midtempo ballads with Dire Straits-style guitar breaks, and the rest of the tracks on Wired to the Moon fell easily into this category, especially "Shine, Shine, Shine" and "Holding Out," which were lovely emotive ballads.

Hank William’s songs have been part of the American musical landscape for more than 70 years. He is regarded as one of the most significant songwriters of the 20th century with 55 top ten hits, 12 of them reaching #1. His songs have been covered by artists as diverse as Bob Dylan, Elvis Presley and Tony Bennett. Now 22 Long Island artists have added to his legacy with the release of Hank Williams Uncovered on Paradiddle Records.

The debut EP from The Three O'Clock is celebrating its 40th anniversary with an expanded, remastered, LP reissue. Upon its release, Maximum Rock N Roll called it, "Psychedelic pop without the acid flashbacks. . . remarkable." AllMusic wrote, "their cover of the Easybeats' 'Sorry' is worth the price of admission alone." This is the release that put The Three O'Clock on the map in L.A., where the band quickly became a signature part of the Paisley Underground scene, a term coined by Three O'Clock vocalist/bassist and chief songwriter Michael Quercio. This 40th Anniversary Expanded LP Edition, contains the five original songs from the LP with four additional recording from the era added to make it album length. One of the additional songs is a cover of Pink Floyd's "Lucifer Sam". The LP is a limited edition translucent red vinyl pressing of 1500 worldwide.

In 1969, legendary psychedelic/early progressive rock band Baba Scholae recorded an album at IBC Sound Recording Studios in London - however, it was never officially released. The band's leader was Jean-Yves Labat de Rossi, better known as M Frog, the synth and keyboard maestro on Todd Rungren's early Utopia albums and coincidentally, the founder of the Ad Vitam label. Only three copies (acetates) of 69 where made, but the album's cult following lasts to this day. Often compared to the work of King Crimson, Pink Floyd, Soft Machine and Gong, Baba Scholae's 69 is truly a ''lost and found again'' masterpiece with music that was years ahead of its time. For a gem like this to have been buried for 43 years is nothing short of extraordinary.

2016 album from the Brit Award-winner and Grammy-nominated singer, songwriter, and producer. Pop legend Rick Astley showcases a more soulful sound and gospel influences on 50, marking his first studio release in almost a decade. Brit Award-winner and Grammy-nominated singer, songwriter, and producer; music legend Rick Astley has left an indelible mark on pop-culture since his emergence into the limelight nearly thirty years ago. He has sold over 40 million records; had the UK's biggest selling single of 1987; is the first male solo artist to see his first eight singles reach the UK Top Ten; and in 2002, saw his "Greatest Hits" compilation album go gold.

Modern Times is the first album by the British band Latin Quarter. It reached the top 20 in Germany and Sweden and spent two weeks on the UK Albums Chart, peaking at Number 91. It includes the songs "Radio Africa" which reached Number 19 in the UK Singles Chart. and "America for Beginners" which was covered by Toyah on her album Minx.