Jimi Tenor can look back on a career spanning almost 30 years, in which time he has released more than 20 albums on such renowned labels as Warp Records, Sähkö and Kitty-Yo. Pop artist prestige holds no sway over the Finnish composer and multi-instrumentalist. Never resting on his laurels, he continues to hone his unique sound, which draws on elements of jazz, Afrobeats and experimental electronic music. Bureau B are excited to announce the arrival of a new Jimi Tenor double album! Following on from last year's NY, Hel, Barca compilation which showcased Tenor's early works and cuts from his first six albums, Deep Sound Learning shines a spotlight on unreleased tracks from 1993 to the year 2000. This intensely prolific period saw Tenor send countless DAT tapes to Warp Records, his label at the time, who stacked up the recordings in the office safe. Some of the songs preserved on those DATs made their way onto various Tenor LPs - whilst others remained unreleased to this day.

The Residents, long known as the world’s most mysterious and reclusive band, announce a new chapter in their lengthy and legendary career – not just a new album but a completely new concept: I AM A RESIDENT!

Fans of George Thorogood & the Destroyers would probably stage a minor rebellion if their man strayed from his well-worn path of bloozy boogie. Luckily, there is no need to take up arms anytime soon, as Thorogood's sound remains unchanged on Ride 'Til I Die. Good-natured, guy-at-the-end-of-the-bar vocals, buzzing slide guitar, and solid American blues-rock are still the order of the day. The album is the usual mix of covers (Thorogood adds only one original, the forgettable "Sweet Little Lady") played with a barroom-friendly wink and smile. Songs like Eddie Shaw's "Greedy Man," J.J. Cale's "Devil in Disguise, " Nick Lowe's "That's It, I Quit," and Chuck Berry's "Move It" are perfect for Thorogood's good-time persona, and he plays them with energy that has been lacking on the last few records.

A fine, effectively complete recording. Haitink's reading is sunny rather than brilliant, but with a typically superlative Glyndebourne stage cast even if the men - the sardonic Desdei excepted - are less characterful than the ladies.

Joseph Martin Kraus (1756-1792) is often referred to as the Swedish Mozart by popular literature. His style was influenced by the Sturm und Drang movement that he got acquainted with in his early years; the dramatic contrast and passion characterising his music can be attributed to this inspiration. Although he is considered to be a composer of stage music, he also composed a large number of instrumental pieces especially for orchestra and chamber orchestra.

Celebrating the 25th anniversary of R.E.M.'s tenth studio album. This Deluxe 2-CD/1-Blu-ray offers a trove of content, including the remastered album, B-sides and rarities, a previously unreleased outdoor projection film, and EPK…

This two-CD set is that odd musical griffin: a live disc plus a studio disc. While the live material is rendered well, it's dispiriting that two of Yes' three live albums of the '90s rehash material adequately covered in Yessongs and Yesshows. While the appearance of Steve Howe's classical guitar on the lovely "Turn of the Century" is a pleasant surprise, the rest of the live album is nothing that you haven't heard before…

The band Anthony Braxton assembled for this unique exploration of the compositions of Thelonious Monk is one of the wonders of the composer's retinue. Braxton, pianist Mal Waldron, bassist Buell Neidlinger, and drummer Bill Osborne use six Monk tunes and go hunting for harmonic invention; in order, they are "Brilliant Corners," "Reflections," "Played Twice," "Four in One," "Ask Me Now," and "Skippy." From the jump, the listener can tell this is no ordinary Monk tribute. The music is fast, skittering along at a dervish's pace on "Brilliant Corners," and Braxton's horn - an alto on this album - moves right for that street where interval meets modulation and sticks his solo in the center, careening over the arrangement - which is what the tune is in essence, an arrangement rather than a "song"…

Maurice Ravel's music reflects the cultural and creative ferment of his times, as the heady sensuality of the Belle Époque made way for neo-classicism, the Jazz Age and modernism. Strikingly diverse in mood and scale, his works assert his distinctive identity, expressed through craftsmanship of the utmost finesse and beauty: deeply sensitive and balancing sincerity, irony and a touch of provocation. An essential collection of landmark performances, this 21-CD box of Ravel's complete works brings together major interpreters of the present day and preceding generations. There are even contributions from the composer himself, as conductor, pianist (on piano rolls) and artistic supervisor.

Steve Miller has dug deep into his archives and found an unreleased, full-length concert recording, Steve Miller Band Live! Breaking Ground: August 3, 1977. The album captures Miller’s legendary 1977 lineup at the beginning of the band’s turn from playing ballrooms and theatres to arenas and football stadiums. Recorded at the Capital Centre in Landover, MD on multi-track tape and newly mixed and mastered by Miller and his veteran audio engineer Kent Hertz.

A Mountain Doesn't Know It's Tall. The title reflects the mood of this duo record of Fred Frith and Ikue Mori – playful, poetic, mysterious and open. The guitarist and the sound-artist have been working together for forty years. Live excerpts from their work are documented on Fred Frith's 3 CD box set Live at the Stone (Intakt CD 320). In January 2015, Frith and Mori met in Germany to record the music for a radio play for Werner Penzel, the filmmaker and longtime friend of Fred Frith, for his film Zen for Nothing. After finishing their work, they used the free studio day to record their first duo album together. Influenced by the film music and inspired by the long friendship 15 pieces were created that are both wonderful sound sculptures and fascinating dialogues. Fred Frith writes: “Air moving through ears and hair and lungs and pores, through songs,and scrapes, and scraps of this, that and the other.” And Ikue Mori writes: “… it was about playing with the everyday noises that arise when cooking, playing ping-pong, and especially when laughing. There is a lot of joy in working with these recordings, interacting with them and making music.”

The musicians of Bará, nomads on the planet, touring since decades with varios international projects. They have all met and played together in other formations for many years, but co- create now for the first time in Bará.

French duo Air will release a 20th anniversary edition of their third album 10 000 Hz Legend in November. This deluxe edition is a three-disc set comprising two CDs and a blu-ray…