This release is part of an eight-disc series by the small historical-instrument ensemble London Baroque, covering the entire history of the trio sonata in four countries (Italy, Germany, France, and England) over two centuries (17th and 18th). The series is more aimed at those with a strong interest in Baroque instrumental music than at general listeners, but several of them have been attractive for anyone, and this album falls into that group. It might well have come first in a chronological series, for it includes the very first works that might be called trio sonatas, the Sonata a tre of Giovanni Cima, published in 1610, and the Sonata a tre secuondo tono, from 1621.

Released in 2002 after a series of high-toned concept recordings, Tres Lunas is a bit of a return to straight-up, new age mood music for Mike Oldfield. The musician/composer once again spins carefully layered guitar and keyboard performances into a seemingly endless stream of space-age lullabies supported by the faintest of beats – most of which rarely exceed the intensity of a weak pulse…

To mark their 30th anniversary as a band, the Residents released this strangely programmatic album, their first since 1998's Wormwood: Curious Stories From the Bible. According to Cryptic Corporation (the band's corporate face), the songs on Demons Dance Alone were "written for the most part in the days following September 11" and "capture a quite different side of the Residents" - a vulnerable and questioning side that poses unanswerable questions.
With all the albums in The Residents discography, this one is one of their best. You still get a lot of The Residents signature sound, but this time it is done with more reverence to deal with the subject matter…

A song's melody is simply a reference point and a beginning for Carter; she takes words and inverts, probes and extends them, embellishes themes, changes moods and alters rhythms. She's a vocal improviser in a manner few have equaled, and if her voice lacks the clarity and timbre of the all-time greats, she's more than compensated with incredible timing, flexibility and power. Throughout this 11-track effort, Carter's vocals direct and steer the responses of pianist Cyrus Chestnut, bassist Ariel J. Roland and drummer Lewis Nash. It was yet another memorable outing for Betty Carter, an all-time great.

Nature Sound Retreat presents a compilation of indigenous music of the Americas on this exciting and compelling new collection!

This production of Richard Wagner’s “Tristan und Isolde” was recorded during the Deutsche Oper Berlin’s great tour to Japan in 1993. Directed by Götz Friedrich and conducted by Jiří Kout, this interpretation of the adulterous love between the Cornish knight Tristan and the Irish princess Isolde was a great success. Wagner’s composition of “Tristan und Isolde” was inspired by his love affair with Mathilde Wesendonck and the philosophy of Arthur Schopenhauer.

Since his self-titled 1990 smash debut, Dave Koz has been one of smooth jazz's greatest musicians. The saxman scored big on the radio and in retail even when he turned away from his established R&B/pop sound on 1996's Off the Beaten Path, which was done with more acoustic instruments. The Dance brings him back to the hard-hitting R&B funk sounds of that first album and its follow-up, 1993's Lucky Man…

Peace or Love is the sound of two old friends exploring the latest phase of their lives together and finding new ways to capture that elusive magic. recorded across five years in five different cities, the album sounds as fresh as spring: 11 songs about life and love with the alluring beauty, purity and emotional clarity that you would expect from Kings of Convenience.

Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it. And you always hear it with The Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over. But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, The Wallflowers are silent no more.

Red velvet curtains draw back to reveal a cosmic wheel of fortune, floating in the deep black star-studded theater of infinite space. A whirl of timbres, personalities, and stories. The Turning Wheel, the third full-length by the Bay Area artist SPELLLING (Chrystia Cabral), revolves around themes of human unity, the future, divine love and the enigmatic ups and downs of being a part of this carnival called life.

Miles Davis had a deep love and respect for boxing, seeing deep parallels between “the sweet science” and his own relationship with music. One of Miles’ favorites of his own recordings was the 1971 soundtrack to the Bill Cayton documentary about Jack Johnson, and he was inspired by the political and racial subtext of the legendary boxer’s saga. Culled from the celebrated expanded project The Complete Jack Johnson Sessions released in 2003, and name-checking a number of pugilistic legends (“Ali,” “Sugar Ray,” “Duran,” “Johnny Bratton”), these funk-infused recordings rock harder than anything else that Miles put to tape. Featuring a sterling line-up of musicians (Wayne Shorter, John McLaughlin, Dave Holland, Keith Jarrett, Herbie Hancock, Jack DeJohnette, Billy Cobham) and a legendary cover photo of Miles in the ring captured by Jim Marshall, the release finds this music issued on vinyl (in brilliant yellow), for general release, for the first time ever.

Two artists had an enormous impact on Eric Clapton's music in the '70s: Delaney & Bonnie and J.J. Cale. Clapton joined Delaney & Bonnie's backing band after Cream dissolved, an experience that helped him ease away from the bombast of the power trio and into the blend of soul, blues, pop, and rock that defined his solo sound…

The cornett was considered the instrument of kings and was one of the defining instruments until the 18th century, when it fell victim to the orchestral innovations of the classical period and went out of fashion. To this day, however, its sound continues to fascinate. To help listeners experience the magic of his instrument, William Dongois has teamed up with Le Concert Brisé to put together three sparkling programmes tracing the history of the zinc in the Baroque era, available together for the first time.

UK two CD set containing the British singer/songwriter's first three albums. Includes: Bedsitter Images, his debut album, released in 1967; Love Chronicles, his second album, released in 1969 (musical support from legendary musicians including Jimmy Page, Ashley Hutchings, Simon Nicol and Richard Thompson); and Zero She Flies, his third album released in 1970…

Eddie Higgins started his professional career in Chicago, Illinois, while studying at the Northwestern University School of Music. An elegant and sophisticated pianist, his encyclopedic harmonic approach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notable mastery of the instrument. Higgins also had the unusual ability to sound equally persuasive in a broad span of music, whether he was playing traditional swing, exciting bebop or reflexive ballads, providing the tone and stylistic flavor of each styles, as both a soloist and as accompanist.