2016 soundtrack score composed by ex-Dire Straits mainman, with percussionist Evelyn Glennie & others. Knopfler, who's composed scores for "The Princess Bride" and "Wag the Dog", now brings his unique sound to "Altamira".

Blossom Dearie's second album for Verve, released in 1958, continued a streak of success that began with her first LP the year before. The jazz vocalist and pianist covers standards including the title song by Cole Porter, along with less familiar but no less impressive tunes. Dearie is backed on this session by the same stellar musicians as on her debut: guitarist Herb Ellis, bassist Ray Brown and drummer Jo Jones.

This compilation features the songs performed by Frank Sinatra, Dean Martin, Nat King Cole, Tony Bennett, Nina Simone, Dinah Washington, Ella Fitzgerald, and many more…

James Cecil Dickens, better known as 'Little' Jimmy Dickens, was an American country music singer famous for his humorous novelty songs, his small size, 4'11" (150 cm), and his rhinestone-studded outfits, which he is given credit for introducing into country music live performances. He started as a member of the Grand Ole Opry in 1948 and became a member of the Country Music Hall of Fame in 1983. Before his death he was the oldest living member of the Grand Ole Opry.

“Different Game”, is the long-awaited follow-up to their critically-acclaimed 2015 release “Still Got That Hunger”, which charted in Billboard’s Top 100 and SoundScanned over 12k units in America alone.

In 1948, Moses Asch founded Folkways Records with a self-proclaimed mandate to record the sounds of the entire world. From the Sounds of North American Frogs to Speech After the Removal of the Larynx, Folkways documented the audible nooks and crannies of existence on hundreds of LPs produced by field recordists, scientists, and experimentalists probing the margins of the human soundscape.

Pianist Ian Gindes presents a captivating elucidation of Sergei Rachmaninoff’s solo piano works on RACHMANINOFF, a new album of discerning artistry. With meticulous care and interpretive insight, Gindes navigates the rich tapestry of Rachmaninoff’s compositions, peeling back the layers on their emotional depth and their technical intricacies.

Valentine Michaud was the first ever saxophone soloist to perform with the Vienna Philharmonic. She and her regular collaborator, pianist Akvilė Šileikaitė, comprise the award-winning AkMi Duo. They debut on AVIE with Beyond the Wall, an album of contrasting 20th century sonatas linked by history and geography. Edison Denisov’s Soviet serialism, tinged with forbidden jazz influences, took a cue from the American modernism of William Albright. Austro-Czech composer Erwin Schulhoff embraced avant garde and jazz idioms, leading the Nazis to brand his music “degenerate”; he perished in the Wülzburg prison camp in 1942. Paul Hindemith fell in and out of favour with the Nazis, leading him to immigrate to Switzerland and later America. His popular Saxophone Sonata is by turns lyric and dramatic, imbued with irony and humour.

Like the mighty river which lends the band its name, Trio Grande’s waters flow slow but deep, crossing continents, carving out landscapes, bringing life to the desert. Much has changed since the Trio’s first release in 2020, not least for the band itself: prodigious multi-instrumentalist Nate Wood now joins the indefatigably creative partnership forged in New York City by Gilad Hekselman and Will Vinson.

On November 3rd, Toronto’s Badge Époque Ensemble return to Telephone Explosion Records with their new album Air, Light & Harmony. The release keeps up the jazz-funk group’s torrid pace of releases for TER; A,L&H being their 6th LP release, and 4th proper album for the label since 2019.

The history of music-making in Rome tends to focus on Renaissance polyphony, with an occasional nod to the Baroque thereafter. But thanks to composers like Giovanni Battista Casali (1715–92), choral music continued to flourish in Roman churches and other religious establishments in the eighteenth century, too, until Napoleon’s occupation broke many of its traditions. Casali’s music, though, is as good as unknown, and this pioneering recording reveals a composer at home in the galant style – with a surprising fondness for the occasional dissonance.

Madama Butterfly is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel Madame Chrysanthème by Pierre Loti. Long's version was dramatized by David Belasco as the one-act play Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year.

Surprisingly (and temporarily) employed by Mitch Miller at the major label Columbia Records, Lee Wiley followed up the stunning Night in Manhattan with two further 10" LPs recorded in the late fall of 1951 and released simultaneously in 1952, discs that took off from her celebrated songbook albums for the Liberty Music Shop label back in 1939-40.

An impressive continuation of the documentation of Gregor Joseph Werner's oeuvre, showing Haydn's predecessor at the Esterhazy court as a pioneer in musical development.Gregor Joseph Werner was by no means a mere minor master preceding Haydn - this was already impressively shown by the previous recordings in this series. Now the newly acquired picture of him is put into even sharper focus: Werner's symphonies and instrumental concertos composed for the princely table have been lost, but the composer comes to the fore as a grand master of Latin sacred music. With his strength of character and contrapuntal perfection, he proves to be not only a prerequisite and teacher for Joseph Haydn, th efather of Viennese classicism, but himself a gateway to this stylistic epoch. Werner appears to us today as the spiritual support of the rather mundane Viennese classicism.

A stunning four disc epic, 'Long Gradus: Arrangements' reveals the sheer depth of her process by presenting work in four separate arrangements: strings, woodwinds, brass & organ and choir & electronics. Glacially slow to encourage the deepest possible listening, it's an immersive, psychoacoustic delight.