"Surfer Girl" was the third album by The Beach Boys and was originally produced by Brian Wilson on his own. The album featured numerous hits, including the title track, "Catch A Wave," "In My Room," "Hawaii," "Our Car Club," "Little Deuce Coupe," "Your Summer Dream," and more. The stereo editions of "Surfer Girl" were originally mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group’s supervision. Newly remastered for vinyl and in hi-res by Kevin Gray from the original master tapes, "Surfer Girl" is presented here in Stereo.

Produced by John Lennon during his infamous “Lost Weekend” period in 1974, Pussy Cats is often regarded as one of Nilsson’s weaker albums due to the fact that he lost his voice halfway through the recording of it. Keeping the news from Lennon out of fear he’d abandon the project, Nilsson forged ahead, recording a slew of rock n’ roll classics and engaging in revelry with a huge cast of backing musicians that included Ringo, Keith Moon, Bobby Keys and Sneaky Pete Kleinow. While it’s entertaining to hear Nilsson run through these oldies (each coated in a layer of Phil Spector glaze), the real treats here are his originals, which stack up as some of the most engaging in his entire catalog — namely “Don’t Forget Me” and “All My Life.”

Nilsson Sings Newman was originally released in 1970 and introduced the world to the writings of Randy Newman. Harry Nilsson sings his interpretations of songs by Newman, while Newman himself backs him on piano.

Young Spanish violinist Francisco Fullana will release his debut recording in March 2018 (Orchid Classics). Entitled Through the Lens of Time, the recording brings together four modern perspectives reimagining the Baroque tradition: a dialogue that prompts both composers and performers to explore musical giants of the past and place them in their own lives. Francisco Fullana has recorded the CD together with the City of Birmingham Symphony Orchestra, conducted by Carlos Izcaray as well as with pianist David Fung.

Danish clarinettist Mathias Kjøller, himself a laureate in the Carl Nielsen Competition and former principal of the Danish Radio Symphony Orchestra, has collaborated with several highly acclaimed musicians for this recording of chamber music works. The album is a testament to the sound worlds created for the clarinet by Schumann, Reinecke, Debussy, Berg and Corigliano.

With his GENUIN debut CD, the Romanian pianist Mihai Ritivoiu takes us into other spheres: "Transcendence" is the name of the production that unites works by Franck, Enescu, and Liszt. The prizewinner of numerous competitions (including the Dinu Lipatti and George Enescu competitions) avoids thunderous pounding and superficial tinkling on the keys. From the first notes of Franck's Prélude to the mystical floating away at the end of Liszt's great sonata, the young musician draws us into his musical spell with a differentiated attack and staying power. Particularly noteworthy: George Enescu's expressive, first piano sonata – a real repertoire highlight!

Hailed as one of the most adventurous and outstanding string quartets of today, both in the performance of modern pieces and the iron repertory, Signum Quartett now releases its first PENTATONE recording with an all-Schubert program.

Following on from their acclaimed Resonus debut the Fidelio Trio continues its exploration of the French piano trio with this impressive new recording of works by Gabriel Fauré, Ernest Chausson, and Erik Satie. Chausson’s opulent and lyrical Op. 3 piano trio from 1881, is joined by Fauré’s only work in the genre – the heartfelt Piano Trio in D minor, Op. 120 – composed during the latter part of his life. The album is completed with arrangements by John White of works by Erik Satie – selections from his only liturgical work, the Messe des Pauvres, and the incidental music to his own play, Le Piège de Meduse.

Maestro Arne Domnerus plays classical and spiritual pieces. All tracks have been mastered using HDCD technology. The first eleven songs were recorded at Spanga Chuch in 1976, the last songs were recorded in Stockholm's Cathedral, Sweden. Recording engineer: Gert Palmcrantz. Remastered by Paul Stubblebine. Released on SACD in 2001 by First Impression Music (FIMSACD-050).