John Denver is the 13th album by American singer-songwriter John Denver released in January 1979. It contains a live version of "Berkley Woman" which was found in its original studio version on Farewell Andromeda.

I Want to Live is the 12th album by American singer-songwriter John Denver released by RCA Records in November 1977. The title song was dedicated to the "Hunger Project", which Denver was on the board of directors.

"the great vocal melodies are worthy of voices of the highest calibre…[Troyanos] spans the stylistic dichotomy to perfection in a superb portrayal of Anita. Moreover Bernstein's sons and daughter speak the dialogue most affectingly….the power of the music is greatly enhanced by the spectacularly wide dynamic range of the recording." (Penguin Guide)

Mola Sylla from Dakar met Ernst Reijseger just after he played his first concerts in Amsterdam in the late 80 s. Since then Amsterdam has been Sylla s home base. Ten years after this first meeting Sylla asked Reijseger to perform concerts as a duo. This was the start of a strong musical partnership. In 2002, Reijseger recorded with the singer Mola Sylla the album »Janna«. Pianist Harmen Fraanje came later, the joint path started in 2007. In 2009 and 2010 Ernst Reijseger recorded among others with Mola Sylla and Harmen Fraanje film music for Werner Herzog.

BBC Radio 2 Folk Awards Nominee 2018: Best Group. 'Pretty Peggy' is the eagerly anticipated dynamic new album from BBC Radio 2 Folk Award-winning Cornwall-based singer/songwriter/producer/multi-instrumentalist, Sam Kelly, with full band in tow and special guest appearances from Cara Dillon, Geoff Lakeman, Damien O'Kane and Michael McGoldrick. Sam's debut EP, 'Your Way Home' (2013), swiftly created a buzz of interest on the folk scene which he followed up with the widely acclaimed 'Spokes' EP in 2015.

Oğuz Büyükberber, Ned McGowan and Tolga Tüzün come together once again as Not Trio, this time with a new program of experimental and eloquent works originating from the thought and expressive processes of these three accomplished performer/composers. Compositions with improvisations make up the bulk of the works here as their collaboration takes a big step to greater depths of listening, timing, communicating and carefully choosing their expressions from each one’s broad musical experiences.

The music of Mieczyslaw Weinberg is finally beginning to get the hearing it has long deserved. Weinberg’s lifetime spanned the 20th century: born 1919 in Warsaw, he died 1996 in Moscow, in semi-obscurity. Along the way, his allies and supporters had included Dmitri Shostakovich, who considered him one of the great composers of the age.

Having demonstrated their musical excellence with three well-received recordings on PENTATONE of orchestral works of Antonin Dvořák, Houston Symphony and Andrés Orozco-Estrada now present an album that comes closer to their cultural roots than ever before.

Having enjoyed great success with the Christmas Oratorio and the B minor Mass, the Chamber Choir and ensemble frauenkirche dresden under the direction of Frauenkirche music director Matthias Grünert now continue their series of great works by Johann Sebastian Bach. Their St John Passion live from Dresden's Frauenkirche enthralled audience and critics alike at Passiontide 2017. Release on a double album not only makes this great work readily accessible at home, it transports you directly into an unforgettable evening of drama.

With their combination of modernism and Romantic nostalgia, and alternation of sweeping orchestral gestures with chamber-musical delicacy, Gustav Mahler’s orchestral works are as impressive and moving today as they were at the time of their premiere. This certainly applies to Mahler’s Fourth Symphony: a work that stands at the crossroads between the largely «Romantic» early symphonies nos. 1–3 and the much more «Modernist» middle-period symphonies nos. 5–7. It is also a fundamentally ambivalent piece: its joyous and accessible surface hides a surprising degree of complexity and even contrariness.