Despite a title that promises, but does not deliver, a taste of the Animals live and sweaty in concert, Animals on Tour was, in fact, the U.S. equivalent to the Animals' second British album, Animal Tracks (whose title then became their third American set). Eight of the British album's cuts made it onto the U.S. version, together with two songs left over from the similarly rearranged first album as well as two more culled from singles: the Top 20 hit "I'm Crying" and the less successful "Boom Boom," re-recorded from the group's first-ever independent release. In either incarnation, it is a less arresting release than its predecessor, all the more so since the group had undergone a seismic change in both style and direction since it was recorded. Keyboard player Alan Price had quit, while the band's latest single, "Don't Let Me Be Misunderstood" evoked a modern mod-blues style that only the Rolling Stones were close to competing for…

Founded in the midst of a global pandemic, Tyran set out to bring glorious steel to the headbangers of the world.
After releasing their first two demos "Highway Warriors" and "Fists Of Iron" in 2020 and playing their first highly-praised live shows in 2023, they are now back to unleash the Heavy Metal Fury of their full-length debut "Tyran’s Oath". 12 tracks of unrelenting, Teutonic Heavy Metal, forged in Heavy Metal Fire to convert you to join the cult of Heavy Metal Outlaws! Come and join the circle, take your oath at the altar of stone.
For fans of: Jag Panzer, Saxon, Night Demon, Judas Priest, and Manowar.

Extremely limited box set containing the expanded two CD edition of the Layla… album, the remastered double disc edition of Derek And The Dominos: In Concert, an audio-only DVD featuring DTS 5.1 and Dolby Surround 5.1 versions of Layla and Other Assorted Love Songs, mixed by legendary engineer Elliot Scheiner, a double 180gm vinyl reproduction of the original album, a hardcover book, artfully designed with rare and never-seen photographs, and featuring four meticulously researched essays and facsimiles of Derek And The Dominos concert tickets and various promotional items, including the famous "Derek is Eric" button. Digitally remastered and expanded two CD edition of this ground-breaking 1970 album. Derek & The Dominos were the almost fictional group recruited by Eric Clapton which came together during the sessions for George Harrison's All Things Must Pass album in 1970.

Tisaris, which means the bridge to quintessence is a progressive rock quintet (vocals, guitars, keyboards, bass and drums) from Brazil. Superb Progressive productions in the spirit of the Seventies, alterning long suites structured in several parts ("What's Beyond"), instrumental tracks and some short pieces in concept albums taken from an opera. Expressive vocals, inventive guitar and keyboards solos and rich and cast spelling compositions compose these excellent releases. CD "The Power of Myth", inspired on the book by Joseph Campbell, finishes the trilogy of concept albums. "An inevitable reference in the international progressive rock scene " (Harmonie Magazine - France), "… inspiration superbly materialized" (SRM - Germany), "… elegant, ambitious, daring." (Paperlate - Italy) are just a few reviews from the specialized press!

Released in 1964, the aptly titled Softly, the Brazilian Sound was Joanie Sommers' seventh long-player for Warner Bros. in under five years. She had been marketed as a torch balladeer to popular jazz and Great American Songbook enthusiasts, as well as a teenybopper to a considerably younger audience. Sommers joins forces with Laurindo Almeida (guitarist/arranger) in a move that predates Frank Sinatra's collaborative efforts with Antonio Carlos Jobim by several years. In actuality, the so-called "bossa nova" movement was one of the only trends to have any effect on the American pop scene during the mid-'60s - particularly when going up against British Invasion bands. And it's little wonder that Jobim's name crops up throughout the effort, as he co-penned a couple of tunes - including the sultry opener, "Meditation" (Meditacao)…

The seeds of Euro-dance sown on Claro Que Si reached fruition on Yello's next record, naturally titled You Gotta Say Yes to Another Excess. There are fewer novelty synth tracks than before, those being replaced by a series of sleazy, deep-throated vocals on "I Love You," "Lost Again," "Heavy Whispers," and the title track. There are also a few exercises in worldbeat synth pop, with heavy percussion on the title track as well as the closing number, "Salut Mayoumba." Though Blank's production doesn't sound as consistently innovative as on the first two Yello records, that's probably due more to other synth pop groups catching up than any comedown on his part.

"The Heidelberg Haydn is a paragon of dynamism, freshness, wildness, humor and a wealth of surprises. I am delighted that the journey continues and the cycle is complete. My musical encounters with the Heidelberg Symphony Orchestra have always been journeys to happiness. Idealism, love of music and technical perfection are combined here with the will to create something very special, and it all fits perfectly into the symphonic world of Joseph Haydn. I look to the future with great anticipation!" writes conductor Johannes Klumpp. He has taken over the great task of recording all 107 symphonies by Joseph Haydn from his predecessor Thomas Frey with great respect.

Though Status Quo is best known for fast and undistinguished boogie rock, they were quite capable of subtlety when it suited them. Despite the name, most of the music on Piledriver is varied and subtle enough to be interesting. The power boogie is indeed there, as represented by crowd-pleasers like "Don't Waste My Time" and "Paper Plane," but so also are quieter, softer pieces with acoustic textures and progressive structures. The melancholy "A Year" is a standout track, a stark, melancholy song about carrying on after a loved one has died.

Without the drumming of Phil Collins, who does appear on some of Brand X's albums, Masques still maintains a snug, jazzy-prog milieu and comes off clean and tight. Each song has a different beat, speed, and tempo with a satisfying assortment of keyboards and percussion instruments to keep the entire album afloat. Resounding xylophone and chimes outline the music on the seven tracks, with "Earth Dance" and "The Poke" coming up a little bit stronger than the rest. Most notably is the superb musical interplay of all the instruments used, and the way in which they enhance and benefit one another.