Loreena McKennitt's fourth release, and first for a major label, is a quietly majestic tapestry of worldbeat and Celtic pop that effortlessly weaves together traditional and contemporary songs into lush showcases for her fluid voice and harp. The multi-talented Canadian utilizes all of her strengths here, resulting in her most rewarding batch of tunes to date. With larger production values and more ambitious arrangements than the sparse Elemental and Parallel Dreams, her flair for the dramatic and the theatrical runs rampant throughout. Whether she's toasting the souls of the departed with Pagan glee on the delicious "All Souls Night," or reinterpreting King Henry VIII's "Greensleeves" through Tom Waits, it's never without both feet in the water.

German/British rock band, established 1971 in Krefeld, led by Colin Orr. In Germany, a British band, Janus, who were re-writing the rules of progressive music, by combining ear-shattering rock with classical and flamenco music, were the first band to be signed to Harvest in Germany. They released the legendary “Gravedigger” album, and one single, at the tail end of 1972, but then went into self-destruct mode, by burning through their advance royalties in a 12 month party, which may well have achieved an even greater legendary status than their debut album.

The impressive Downwind is the first release from the band under its new moniker, Pierre Moerlen's Gong, as Moerlen assumes creative control and dominance. The release marks a return to vocals/lyrics, which proves only partially successful. Moerlen's voice is a hit on the opener, the rocking "Aeroplane," and the collective vocals on the fast-paced, percussive "Jin-Go-Lo-Ba" (popularized by Santana) are right on target. His singing is weak, though, on "What You Know" and detracts from the song's quality. Mick Taylor makes his only appearance here with an exceptional guitar solo.

Grandine il vento is the 13th studio album by the English progressive rock band Renaissance, first released in 2013 and re-released as Symphony of Light in 2014. First Renaissance studio album in over a decade, with vocalist Annie Haslam and guitarist/composer Michael Dunford. Recorded before the tragic passing of Michael Dunford in late 2012. Featuring guest appearances by Ian Anderson of Jethro Tull (on Cry to the World) and John Wetton (Blood Silver Like Moonlight).

Resonance Records goes out of its way again to unearth yet another significant chapter in jazz history, and once again, it's one that relatively few fans have ever heard. This performance of Jaco Pastorius' Word of Mouth Big Band was captured during George Wein's Kool Jazz Festival at Avery Fisher Hall. It was broadcast on NPR's Jazz Alive program, but this double disc contains the entire performance, with more than 40 minutes of additional music.

With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal.