The two discs of Handel organ concertos offer nine of the 16 published concertos: all six from op. 4, two from op.7 and the concerto in F, HWV 308. Daniel Chorzempa’s readings with Schröder and the period instrument Concerto Amsterdam were highly regarded when they were new and hold up 28 years down the road.

The Goldberg Variations of J.S. Bach are without doubt one of the greatest of all keyboard masterpieces. Charlotte Mattax Moersch gives us an informed and gripping performance of this unquestioned masterpiece. Harpsichordist Charlotte Mattax Moersch has performed worldwide as a soloist and chamber musician. Since capturing First and Third Prizes in basso continuo and solo playing in the International Harpsichord Competitions in Paris, France and Bruges, Belgium, she has appeared in solo recitals in New York, London, Edinburgh, Rome, Geneva, Paris, and Amsterdam, and at historic venues, among them Carnegie Hall, the Royal Albert Hall, the Mozarteum, and the Palazzo della Cancelleria.

Hoewel van de 105 symfonieën van Joseph Haydn meestal de Londense uitgevoerd worden, geven zijn eerste werken ook al blijk van natuurtalent. De symfonieën 6 (Le Matin), 7 (Le Midi) en 8 (Le Soir), die samen "Die Tageszeiten" vormen, stralen de vrolijkheid, de frisheid en de muzikale oprechtheid van de jonge Haydn uit. Hoewel Haydn als musicus in dienst van het hof van de graaf Paul Anton Esterházy in Eisenstadt beperkt was in zijn vrijheid, kunnen de "Tageszeiten Symfonieën" zelfs als experimentele muziek bestempeld worden. Informatie van deze strekking is te vinden in het viertalige booklet van de onlangs uitgekomen cd "Die Tageszeiten" van Haydn (1732-1809), uitgevoerd door het Belgische kamerorkest "Prima La Musica" onder leiding van Dirk Vermeulen.

There's truly enough warmth and good vibes to go around on Red Hot Chili Peppers' 12th full-length, Unlimited Love. Not only did the band re-form their seminal lineup, welcoming guitarist John Frusciante back into the fold after a decade-long absence, but they also reunited with longtime production guru Rick Rubin, who was swapped out for Danger Mouse on their last album, 2016's The Getaway. With the gang back together, there's a palpable joy born from the energy of four buddies just having fun in the studio.

Disc One: From the concerts at The Rainbow Theatre, London on 18th March 1977, and at The Portsmouth Locarno on 20th March 1977. Disc Two: From the concert at The Agora Club, Cleveland, Ohio on 11th November 1974. A live Marc Bolan and T. Rex album was never released during Marc's lifetime. He claimed that he felt it unfair to expect fans to buy the same material more than once, and a multitude of contractual problems also kept his hands tied. This has often been due to the quality of the source tapes - a problem that has been largely unavoidable.

On this, their second album for A&M, Humble Pie proved that they were not the "minor league Rolling Stones" as people often described them. Led by the soulful Steve Marriot, the Pie was a great band in every sense of the word. Although Peter Frampton elevated himself to superstar status in just a few years, this album proves what an excellent lead guitarist he was. The record has an undeniable live feel to it, due in part to Glyn Johns' humble yet precise recording, framing the group as if they were a boogie version of the Band. When all of these elements come together on songs such as "Sour Grain" and "Stone Cold Fever," it's an unbeatable combination.

Celine Dion is an album by Canadian singer Celine Dion, released on 31 March 1992. It is her second English studio album and 17th in total. It includes the Grammy and Academy Award-winning song "Beauty and the Beast." Dion's real international breakthrough came when she paired up with Peabo Bryson to record the title track to Walt Disney Pictures animated film Beauty and the Beast (1991). The song captured a musical style that Dion would utilize in the future: sweeping, classical and soft rock influenced ballads with soft instrumentation.

The brief heyday of the Anhaltinische Hof in Zerbst (Saxony-Anhalt) coincided with the work of its court Kapellmeister Johann Friedrich Fasch. The benevolent and prudent Prince Johann August von Anhalt-Zerbst (1677-1742) expanded his court orchestra and engaged outstanding musicians for this purpose.