The Album is the ninth album released by English progressive rock band Caravan. It was recorded at Farmyard Studios, Little Chalfont, Buckinghamshire in July 1980. After a year of inaction followed by Caravan being dropped from Arista Records, Caravan reformed with a line up of Pye Hastings, Geoff Richardson, Dave Sinclair, Richard Sinclair and Richard Coughlan. After attempting to record a live album, Richard Sinclair dropped out of the line up and was replaced by Dek Messecar. The group decided to scrap the live album when it was learned that a studio album could be recorded with the same budget. Members Dave Sinclair and Geoff Richardson contributed to songwriting duties alongside main songwriter Pye Hastings. The material moved in the direction of shorter songs and more mainstream instrumentation than previous albums.

Following the iconic series of the complete songs of Schubert and Schumann, Graham Johnson’s latest enterprise traverses the complete songs of Brahms. He is joined here on Volume 2 by the wonderful Christine Schäfer, whose contribution to the Schumann song series won a prestigious Gramophone Award.

An amateur cellist, the composer of Prince Igor was the only one of the Group of Five to have written some ten chamber works for his personal pleasure in keeping with the laws of Germanic rhetoric - to Balakirev's great displeasure. One of them is a pure masterpiece: his Quartet in D, featuring an irresistible Nocturne, which has been played round the world in various arrangements.

Facce d’amore, ‘Faces of love’ follows Jakub Józef Orliński’s first solo album, Anima Sacra, which moved Gramophone magazine to announce that “This is a voice with a big future.” It brings a switch from the sacred to the personal and passionate. As the Polish-born, New York-trained countertenor says, the programme – which includes eight world premiere recordings – comprises “operatic arias that tell a story, showing a musical picture of a male lover in the baroque era – not only the positive side, like joyful or reciprocated love, but also anger or even madness.” Spanning some 85 years of the baroque period, the arias on Facce d’amore are by Handel, Cavalli, Alessandro Scarlatti, Bononcini, Conti, Hasse, Orlandini, Predieri and Matteis. Orliński is again partnered by the instrumentalists of Il Pomo d’Oro and their Principal Conductor Maxim Emelyanychev.