Well, here it is folks, one of the premier prog classics from the early 80's revival of the genre. Along with Marillion, IQ, Pallas, and Pendragon, Twelfth Night were one of a handful of UK bands who took the influence of Genesis, and added in their own brand of punk and new wave attitude, to form a brand new sound that helped spearhead the prog resurgence in 1982.

From a live FM broadcast recorded at the Teatro La Cupula, Santiago, Chile 8/13/2013. Despite a seemingly hectic recording schedule, Bonamassa continued to tour extensively following the release of Driving Towards Daylight and Seesaw, embarking on over 80 dates across North America, South America and Europe in 2013. The shortest stint of these was the South American tour, where Bonamassa played just 5 shows across Peru, Argentina, Brazil and Chile. Anticipation for the short stop was nevertheless feverish, especially in Chile where Joe Bonamassa had not yet performed live.

Hector Zazou invites four outstanding instrumentalists from India and Uzbekistan to step into a virtual hall of mirrors, in which sound is reflected from one note to another: an aural equivalent of a famous scene in Orson Welles' The Lady From Shanghai.
Twenty-five years after laying the foundations for Afro-electronic fusion (with Congolese singer Bony Bikaye on the “Noir & Blanc” LP), and after many other groundbreaking albums, the ever-innovative Hector Zazou offers a fresh take on classical Asian music, in which the musicians' inspired performances are enhanced by his subtle reprocessing of the original sonic elements (no supplementary electronic sounds having been used)…