For his latest ATMA Classique recording, horn player Louis-Philippe Marsolais has chosen a selection of chamber music by Clara and Robert Schumann composed for various instruments, some of which have been transcribed for horn. He is joined by pianists Philip Chiu and David Jalbert, and cellists Stéphane Tétreault and Cameron Crozman.

It has been said several times that, thanks to percussion, Xenakis reintroduced the problem of rhythm that was thought to have disappeared from contemporary music. Architect, engineer and composer, this genius of composition writes music whose complex and harmonious structure contrasts with the explosive energy that comes out of it. From Xenakis’ close collaboration with the Percussions de Strasbourg came two fundamental works, ten years apart: Persephassa in 1969 and Pléiades in 1979. The first, working on the spacialization of sound, is a sound choreography. The second is one of the composer’s most beautiful pieces. The richness of the timbres, the freedom and coherence of the composition make this work a unique rhythmic adventure. In 2022, we celebrate the Centenary of the composer as well as the Sixtieth birthday of Les Percussions de Strasbourg.

“Le Sacre du Printemps” (The Rite of Spring) by Igor Stravinsky is regarded as a key work of classical music of the 20th century. Due to its rhythmic and tonal structures, interspersed with numerous dissonances, it created turmoil in the audience at its world premiere in Paris in 1913, but was then able to quickly establish itself as a central work in the repertoire of concert halls.

The time has finally come: After 250 worldwide sold-out live shows, with over 1 million tickets sold, Greta Van Fleet release their third album "Starcatcher". The Grammy winners from Michigan, whose first two albums "Anthem Of The Peaceful Army" and "The Battle At Garden's Gate" each debuted at #3 on the German album charts, are reaching for the stars this time even with the album title. A strong harbinger is the first single "Meeting The Master", which evolves from a delicate acoustic intro into a rock monster. Ten songs make up the new album, dealing with the duality between fantasy / reality and the contrast between light and darkness. The album was written by the band and produced by Grammy winner Dave Cobb (Chris Stapleton, Brandi Carlile). The recording took place at the legendary RCA Studios in Nashville.

With Discreet Music (1975), Music for Airports (1978), and Thursday Afternoon (1985), Brian Eno invented a new music genre, ambient music, which he defined as "able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting." These versions performed and arranged by Dedalus Ensemble, according to the musicians and the critics who listened to it, goes beyond what you expect from it. A mental base that takes you far away. One of the only music without beginning or end in which we want to stay as long as possible.

First released in 1991 and reissued in 2004, this CD of Mozart's Clarinet Concerto and the Clarinet Quintet is fair in most regards except for the featured soloist's quirky playing. Richard Stoltzman's fans may like this disc in spite of its problems, especially if they are more interested in clarinet technique than in Mozart's music. But others may sense that he has little understanding of the composer or Classical style, and that these interpretations are superficial and whimsical, rather than deeply felt or carefully considered.

Esoteric Recordings is pleased to announce the release of "Living On The Hill: A Danish Underground Trip 1967-1974", a 3CD clamshell boxed set celebrating the so-called “underground” rock music scene that emerged from Denmark at the tail end of the 1960s. It was an era that saw huge changes, both musical and social and was a pivotal period for creativity in rock music throughout Europe.
The influence of ground-breaking artists from Britain and the USA such as The Beatles, Pink Floyd, Jimi Hendrix, Traffic, Frank Zappa and the Mothers of Invention, Jefferson Airplane et al spread far and wide. In Denmark, as in many other European countries, the cries of change were made by students, radicals and hippies to a backdrop of emerging “underground” bands who were fusing the musical influences of psychedelia, jazz, blues, folk…

To mark the 30th anniversary of "Voices & Images", the album now earns a repackaged, limited edition reissue featuring deleted remixes, rare versions and B-sides.
When it was played on modern rock radio stations in 1988, Camouflage had everybody duped with "The Great Commandment." With its chilly synths, robotic percussion, and gloomy vocals, the song was a Depeche Mode doppelganger. Similarly, Camouflage's debut album Voices & Images is the sound of young men who couldn't stop playing Depeche Mode's Black Celebration in their tape decks. However, they are somewhat talented plagiarists…

Johannes Ockeghem was an absolute master of counterpoint who, for more than 40 years at the end of the 15th century, ruled over Franco-Flemish polyphony under three French kings, Charles VII, Louis XI and Charles VIII. His works which are still all too rarely performed continue to fascinate to this day. The Missa prolationum, together with the Missa cuiusvis toni, is a tour de force of writing, reaching levels of complexity that can impress even the most experienced performers.

This collection of 18th century harpsichord music brings together works by Johann Sebastian Bach, Jacques Duphly, Francois Couperin, Jean-Philippe Rameau, George Frederic Handel, Louis-Claude Daquin, and Guiseppe Domenico Scarlatti. The pieces go together nicely, not least because of the way in which Sophie Yates plays them.

Part of a series released by Germany's Carus label to mark the 250th anniversary of Handel's death in 1759, this album offers an attractive program pairing two of the composer's early Latin-language Roman motets with two popular English anthems from the 1720s. The Nisi Dominus, HWV 238, and Laudate pueri, HWV 237, bear traces of the Italian polychoral style and allow for various deployments of chorus and soloists, nicely exploited here to display the talents of a sextet of top-notch singers. The vocal group Gli Scarlattisti is not Italian but German, and in place of the muscular, operatic renditions of Baroque choral music coming out of Italy is a very smooth sound from this 15-member choir.

Redhaze was formed in 1990 with Johan Bruinsma on guitars, Jan van der Wal on drums / vocals, Peter Bekhof on bassguitar, Rinse Jan Kammenga on lead guitars / vocals and Afte Kooistra on lead vocals. Afke got replaced by Bianca van der Schaaf in 1993, and in 1994 Rene Schaap replaced Jan van der Wal on drums. In 1999 we made the Redhaze- Keep on Movin' album with 12 melodic rock songs written by RJ Kammenga. 6 songs with female vocals and 6 with male vocals. The Time 2 Ride album was recorded, mixed, produced and mastered by Martin van der Hoek Including all cover artwork.

Philip Glass' 1987 album Songs from the Trilogy is made up of brief selections from his three portrait operas, Einstein on the Beach (1976), Satyagraha (1980), and Akhnaten (1983). It gives a good idea of what the music from the operas sounds like, but at the same time it misrepresents what the music is actually about. In developing his "music with repetitive structures" (the description he preferred over "minimalism"), Glass was creating a new kind of experience, one in which the traditional temporal expectations of a piece of music are overturned, where changes happen incrementally and very slowly over a long (sometimes a very long) span of time.

Recorded in the midst of 1966, naturally after the spring release of their debut but before "Pushin' Too Hard" climbed into the national charts in the spring of 1967, A Web of Sound finds the Seeds pushing their sound into new dimensions, happily keeping pace with their Los Angeles contemporaries Love and the Doors. That the Seeds never received the respect accorded to their peers, either then or now, may be partially due to their lack of lyrical ambition, or it could be due to the Hollywood teenage sleaze that seeped out of this quartet led by garage rock icon Sky Saxon. Whatever the Seeds did, it sounded somewhat dirty, a maxim that applies to A Web of Sound even if it lacks singles as hard and filthy as "Pushin' Too Hard"…

Eddie Taylor Jr. is one of the best young Chicago Blues musicians who plays the traditional Blues style. Here are some of his best songs and also 2 songs never released before: "Wild About You Baby" and "So Called Friends". This is great Chicago Blues with one of the best!