Tomi Malm hails from Finland and has been a respected figure for the past twenty-plus years on the North-European music scene. Malm works as a composer, arranger, orchestrator and producer on a multitude of successful records, TV themes and multimedia scores. In 2009, Malm rose to international attention with the now-classic release of Fly Away: The Songs Of David Foster, also on the Contante & Sonante label. Malm arranged and produced a number of David Foster's classics on Fly Away. Malm showed such creativity and freshness on these recordings that he gained high praise and blessings from “The Hitman” David Foster himself. That project took the West Coast/quality pop music scene by storm, and in the past few years it has become a landmark for musicians and fans of the genre on every corner of the planet.

Acclaimed Blues Rock guitarist Anthony Gomes released his 13th studio album entitled, "High Voltage Blues" on Friday September 23, 2022 via Rat Pak Records. Coming off the heels of his highly successful 2020 #1 Billboard charting release, "Containment Blues", High Voltage Blues is a compilation album that showcases three new studio tracks, along with eleven re-recorded fan favorites and features guest appearances by legendary bassist Billy Sheehan, KoRn drummer Ray Luzier, renown vocalist Bekka Bramlett and The Voice™ contestant Wendy Moten. "We had a lot of fun rocking these songs up" says Anthony.

Russian Roots is the Trio Gaspard's debut recording for Chandos records, for which they are joined by soprano Katharina Konradi for a diverse and rewarding program that explores the Russian influence across almost 200 years of music. A selection of Russian folksongs set by Beethoven, Shostakovich's first Piano Trio, his Seven Romances on poems by Blok and Weinberg's Jewish Songs form the backbone of the recital. These are interspersed with Vocalises (wordless songs) by Stravinsky, Rachmaninoff, Gubaidulina and Auerbach.

WhoCares, full title Ian Gillan & Tony Iommi: WhoCares is a music project by Deep Purple frontman Ian Gillan and Black Sabbath guitarist Tony Iommi and a charity release by the supergroup WhoCares they had formed with the help of other musicians, to raise money to rebuild a music school in Gyumri, Armenia after the destruction of the city in the 1988 earthquake in Armenia. In addition to Ian Gillan and Tony Iommi (who were Black Sabbath bandmates from 1983-1984), many artists took part in the charity music project including Jon Lord (Ian Gillan's then-Deep Purple bandmate), ex-Metallica bassist Jason Newsted, Iron Maiden drummer Nicko McBrain, and HIM guitarist Mikko "Linde" Lindström.

Those expecting Annie Lennox to come out full-guns-blazing for her solo debut, Diva, with the high energy electro-Europop-meets-American- R&B of her Eurythmics work may be mildly disappointed. The enigmatic vocalist who made a career toying with different notions of gender plays on the concept of fame here – Lennox dresses up in the persona of a solitary Diva trapped by counterfeit glory. Although the music is strangely muted and understated, the framework offers an effective stage for Lennox's husky voice, showcasing her as much more of a chanteuse than in the past. In fact, the album almost works best as one integrated mood piece rather than a collection of individual songs. Lennox succeeds in carving out a personality distinct from her Eurythmics days with Diva.

Louise Farrenc was one of the most respected pianists and composers in the 19th-century Parisian music scene, and her four sets of Études are her most important compositions for piano. Beautiful melodies and distinctiveness of character have made the Études, Op. 26 the most popular set, but all of these pieces are full of grace and charm alongside their didactic usefulness in their references to the styles both of Farrenc’s musical ancestors and her contemporaries. The Greek pianist Maria Stratigou is one of Louise Farrenc’s greatest exponents and makes her Grand Piano debut with these exquisite rarities.

After half a century in the music industry, it's amazing that Cher is still making records in 2013. That Closer to the Truth is any good at all is even more shocking. With the help of her longtime producer Mark Taylor, plus Billy Mann and Paul Oakenfold, the album has a fully modern sound, a large portion of the songs (written by the usual cast of many who include P!nk and Cher herself) are hooky and fun, and her voice, aided by technology or not, still carries a lot of weight and power. The album is split down the middle with the first half made up of shimmering, supercharged dance tracks that have disco and house influences and seem destined to fire up clubgoers with their soaring choruses.

Like a shooting star, the French singer Sophie Gail filled her short life with music and passion. Publishing her first romances at the age of 15 in 1790, this divorcee who led a free life (with four children from four different fathers) achieved fame as a composer at the Opera-Comique in 1813, while having her romances hummed by all of the Empire's "Belle social. They are brought back to life with spirit and brio by the magnificent duo of Mailys de Villoutreys and Clara Izambert.

At around autumn 1809, the management of Vienna’s imperial Hofburg Theatre commissions Beethoven to compose the incidental music for Goethe’s play Egmont, which premiered in Mainz in 1789. The plot of this tragedy is very much in keeping with the patriotic trend: it is set in Brussels, which is threatened by Spanish troops, and focuses on resistance against oppression and foreign rule. The hero, Egmont, places too much trust in the common sense and discretion of those in power – and this is his tragic mistake. In good faith, he allows himself to be lured into a deadly trap by the sinister Duke Alba, to whom he even explains his ideals of freedom and just rule. His lover Klärchen fails to persuade the cowardly citizens of Brussels to take violent action to free him, and, in her desperation, she commits suicide. What remains is the vision of a future freedom and victory – one that appears to Egmont in the form of Klärchen as he awaits execution in his dungeon.

Florence + The Machine have shared a new live album recorded at their huge Madison Square Garden show in New York last month. The gig took place on September 17 as part of a world tour behind Florence’s new album ‘Dance Fever’, and a 24-track live album of the performance has hit streaming services today (October 14).

The Black Lips return with their 10th studio effort Apocalypse Love, scorched with their trademark menace, it cryogenically mutates all recognised musical bases; it spins yarns about vintage Soviet synths, Benzedrine stupors, coup de’ tats, stolen valor and certified destruction, all set against a black setting sun. Since the turn of the decade the band have transformed from austere country pioneers, into a set of Lynchian surrealists, hellbent on recalibrating the history of rock ‘n’ roll.

Frontiers Music Srl is proud to announce the signing of the new Danish hard rock band Taboo, who will release their self-titled debut album via the label this year. Taboo features vocalist Christoffer Stjerne, who also fronts the band H.E.R.O., and guitarist Ken Hammer, who rock fans around the world will recognize as a founding member of the beloved hard rock institution Pretty Maids. Based out of Copenhagen, Denmark, Taboo's songs are stuffed with classic heavy riffing and super melodic hooks with a dose of modernity. Guitarist Ken Hammer has made a name for himself during his lifelong career with Pretty Maids, not only as a founding member, but also as a cornerstone in the songwriting. Pretty Maids is a band known to hard rock fans around the globe for over four decades, but Ken is ready to branch out and try a new musical path with Taboo.

Could Bach’s Suites be most representative of his French identity? Composed in Germany around 1720 at the Court of Köthen, like the Brandenburg Concertos, for a Francophile and gambist, they find in Myriam Rignol’s vision and vibrant embodiment an unmistakable French flavour, transcended by the viola da gamba! When an exceptional talent meets the instrument that makes Bach resound in Versailles, lending it the rhythm of the dances so dear to Louis, in a polyphony like no other, Johann Sebastian dazzles in the Palace of the Sun King…