From their early singles and their 1993 Mercury Music Prize-winning debut album to their break-up in 2003, The London Suede were a fixture in the UK single and album charts, and in the UK music press too.

Filmed over three nights in December of 1973 at the Roxy Theater in Hollywood, California, Roxy-The Movie is the long awaited video companion to the beloved "Roxy & Elsewhere" live album from Frank Zappa & The Mothers. "Roxy: The Movie" is a document of perhaps Frank Zappa's most accomplished band, which included George Duke (keyboards, vocals), Bruce Fowler (trombone), Napoleon Murphy Brock (sax, flute, vocals), Ruth Underwood (percussion, vibes), Tom Fowler (bass), Ralph Humphrey (drums), and Chester Thompson (drums).

"Dreams" is an album by Hungarian guitarist Gábor Szabó featuring performances recorded in 1968 and released on the Skye label. The Allmusic review states: "a collection of originals, pop covers, and classical reinterpretations. The result is a sort of accessible third-stream music. Szabo has many fine moments".

Recorded in NYC, November 3 & 11, 1958. Originally issued on Design Records - Stereo Spectrum SS32. Orchestra arranged and conducted by Mercer Ellington.

Rock star opulence came to an explosive head in 1973 when Alice Cooper and company hit #1 on the U.S. and worldwide charts with "Billion Dollar Babies", their sixth and most successful album.

In the throes of lockdown, Nicholas Weininger found himself reflecting on this Hebrew verse; what is the nature of our collective life sustained on if not breath and breath alone? It was a breath robbed and convoluted during the COVID-19 pandemic: the ravaged breath of the afflicted, the fear of coming too close to the breath of another. Our world seemed to pause and take a breath, busy city streets gone barren amid our collective anxieties.

Established trumpeter Torsten Maaß has been working for many years with numerous big bands as a composer, arranger and guest conductor. He collaborated on productions with Max Mutzke, Clueso, Ack van Rooyen and many more. Under his direction, the SWR Big Band played and recorded a selection of his life-inspired works that lay stylistically between modern mainstream and Bob Brookmeyer, in whose New Art Orchestra he was a founding member as a trumpeter. This collection of works is now released on the album Music Written by Real Life.

Against the backdrop of the pandemic, violinist Sunmi Chang and pianist Clara Yang embarked on this meaningful project. MOTHER TALES is an album that pays tribute to four remarkable women composers – Florence Price, Gabriela Lena Frank, Liliya Ugay, and Amy Beach. Notably, the album shares the same title as Liliya Ugay’s commissioned work, an exquisite and heartwarming piece that reflects on motherhood. However, in this project, the concept of a “mother” transcends biological boundaries, encompassing all those who have had a profound influence and nurturing presence in the lives of others.

Jess has always been a dreamer. Her friends are used to awkward, lengthy 8am text messages from her saying, “I just had this dream about you”. She sees them as little hellos, little reminders. Little warnings.

This CD presents a complete recital given by the master violinist Joseph Szigeti in the Hancock Auditorium at the University of Southern California on 13 January 1957. This concert originally formed the last of a series of three concerts featuring works by 20th-century composers entitled ‘Eleven Masterpieces of the Twentieth Century’, which Szigeti performed at numerous college campuses throughout the United States in the late 1950s. He described this three-part series was ‘an incentive to break with the “one-programme-each-season” type of concertizing that the organized audience movement demands.’

The Opale Concerto for accordion and string orchestra was composed in 1994. Richard Galliano dedicated it to his teacher, Joe Rossi. Just like the titular gemstone Opal, the concerto symbolizes a variety of colors and the interplay of styles.

On LET’S TANGO, Duo Cello e Basso with French double bassist Pascale Delache-Feldman and cellist Emmanuel Feldman invites listeners to experience some of the celebrated genre’s greatest masterpieces. Joined by pianist Victor Cayres, the centerpiece of the album is the duos’ arrangement of Piazzolla’s Four Seasons of Buenos Aires that they perform in concerts around the United States including a recent appearance at the Kennedy Center in Washington DC. Other Piazzolla works with piano include Kicho, an original work for solo double bass and Le Grand Tango, written originally for cellist Mstislav Rostropovich. The album also includes a trio arrangement of Por una Cabeza and El Dia que me Quieras by famed 20th century tango composer Carlos Gardel.

Conductor Dalia Stasevka who received the BBC Music Magazine's 'Personality of the Year' Award in 2023 and the Lahti Symphony Orchestra present three works by the Finnish composer Helvi Leiviska, who was Finland's first major female composer.

Douglas Boyce is a musical philosopher whose work draws on early music, literature, and aesthetic thought. These are not mere affinities for Boyce, they comprise different components of his core conviction that music can be a forum for enlightened discourse. Working with text gives him the opportunity to merge semantic and abstract expressive meaning, an expansion of possibilities. From the most conventional setting in the program, A Book of Songs, through the exploration of an unconventional instrumentation for the Byrne:Kozar Duo, and finally with Ars Poetica for spoken word poet and ensemble, Boyce explores how text can shape the sound of the music and music can frame the meaning of the text.

Ivory keys worn by two centuries of passionate musicians tell a story of musical evolution on SCARLATTI SONATAS, an album of previously unrecorded solo harpsichord sonatas by Domenico Scarlatti, Antonio Soler, and an unidentified composer. Performed today by pianist Charles Metz, these works were first adapted for performance on the pianoforte in 1791 by Muzio Clementi, who breathed new life into Scarlatti’s timeless work with marked dynamics, articulations, and more. While Metz’s choice of repertoire holds ample historical significance, so does the instrument he employs to perform them — an 1806 square piano built by Clementi himself.