Lightnin' Hopkins is widely considered one of the great popular architects of the blues style that came be known as "country blues" and which proved to be huge influence on the future development of Rock 'n' Roll.

A collection of Jobin's Brazilian songs on an Argentinean record production, but it is really the first song, Eu sei que vou te amar, that's worth the whole disc.

Chesney Henry "Chet" Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool".

Die zwei Klavierkonzerte Chopins, interpretiert von Arthur Rubinstein, einem der größten Chopin-Interpreten aller Zeiten.

"My next album has been released with a complete set of pieces for solo piano by Marian Borkowski, who will celebrate his 90th anniversary next year. There has never been any recording of the composer's complete piano works before, so I am extremely happy that several years of efforts to make this project a reality have been crowned with success."

A soaringly joyous album from British trumpeter Kenny Wheeler – one that has him leading a larger group in a style that resonates with similar projects of the time from artists like Mike Westbrook or Michael Gibbs!

The five wind quintets recorded on this album clearly refer to the neoclassical style, which is directly related to the genre preferences and musical language of each of the presented Polish artists active in the 20th and early 21st centuries.

Michael Tilson Thomas is among today's foremost interpreters of Gustav Mahler, and critic Mark Swed, writing in the Los Angeles Times, has called MTT and the San Francisco Symphony Orchestra "The most exciting Mahler combination anywhere right now". The Mahler Project in Studio Master including all of Mahler's Symphonies and Songs as recorded by the San Francisco Symphony Orchestra and Michael Tilson Thomas. This collection's recordings have been awarded a combined seven Grammy Awards.

Released in 1971, "Aqualung" is the fourth studio album by Jethro Tull. It was produced by Ian Anderson and Terry Ellis, and featured the singles "Hymn 43", "Locomotive Breath", and "Aqualung". Since its release, the album has sold more than 7 million copies worldwide and is Jethro Tull's best-selling album.

Presented together here on this album are Duo-Sonatas which were composed within a span of about 15 years. The year of composition of the Viola d`amore-Sonata by Stamitz is however unknown. It was probably written during his time as a travelling soloist from 1770.

"Enregistrement Public à l'Olympia 1964" is Jacques Brel's second live album, recorded over two nights in October 1964 at the famed Olympia Theatre in Paris and released in 1967. The album showcases Brel's superb ability to communicate with a live audience and is listed in Robert Dimery's 2005 book 1001 Albums You Must Hear Before You Die.

Multiplatinum selling, Grammy winning, critically acclaimed Seal unveils his first greatest hits collection with "Seal Best 1991-2004". But there's even more-along with this edition, which features the original album versions of 12 of his hits and best-loved tracks plus a cover song newly recorded by Seal ("Walk on By"). For fans of the pop, dance, urban and adult contemporary, "Seal Best 1991-2004" is the quintessential Seal experience.

"Legend" is the definitive multi-platinum collection of greatest hits from Reggae pioneer Bob Marley. The global superstar, one of Rolling Stone’s 100 greatest artists of all time is joined by his extraordinary band, The Wailers. Marley led the Reggae charge with his rich political lyrics and moving beats, forever revolutionizing the music scene and setting the precedence for all musicians to follow. This compilation is one of Billboard’s longest charting albums of all time and was included on Rolling Stone’s 500 greatest albums of all time.

Mélanie Bonis was one of the most interesting and prolific composers in France in the 20 years before the First World War. Married in 1883 to the industrialist Édouard Domange, her duties as a housewife and mother distanced her from Parisian musical life yet did not consign her to silence: following her studies at the Paris Conservatoire she had mélodies and piano pieces issued by various publishers.

Polyphonic 14th-century Italian secular music seems to emerge out of nowhere in the history of music. Nevertheless, this tradition – which often goes by the name Ars Nova – fits seamlessly into the history of Italian culture. Our knowledge of it has been pieced together from relatively few sources, which nevertheless reveal three distinct phases. In its first phase, Italian Ars Nova spread out from universities, including those of Padua and Bologna, which had strong links with the dominant and contemporaneous French Ars Nova. In the second phase, the centre of 14th-century Italian polyphony seems to shift markedly to Florence.