Broadcast were an English indietronica band formed in Birmingham in 1995 by Trish Keenan (vocals, keyboards, guitar) and James Cargill (bass). Their musical style blended elements of 1960s psychedelia with early electronic music and samples from esoteric sources; it earned the band a cult following. Four BBC sessions recorded at the Maida Vale studios between October 1996 and August 2003.

The Rolling Stones have announced a new entry in their From the Vault series: No Security - San Jose 1999 collects the closing date of the band's 1999 American tour on DVD, Blu-ray, DVD and two CDs, three LPs and digital formats.

Madeleine Peyroux is all set to release a new album, Anthem through the iconic Verve label on 31 August.

It has long been a Philharmonic tradition at the New Year to present a program consisting of the lively and at the same time nostalgic music from the vast repertoire of the family of Johann Strauss and its contemporaries

Linkin Park have announced a new live album titled One More Light Live, a document of their final tour with Chester Bennington.

The album, which is a summary of several years of cooperation between the composer and the band, contains a number of compositions that take on the theme of love seen from different perspectives: love of God to Man, mother to son, love of lovers, unhappy and unrequited love, but also love perceived as fun, a game.

After the 'Plus près de vous' tour came to an end, Johnny wanted to keep a memory of his reunion with Bercy, where he had not sung for 15 years. The last two dates of December 20 and 21 are captured but the images remain blocked. Deprived of this recording, fans demonstrate, going so far as to draft a petition gathering several thousand signatures. That went unanswered - until now!

Die Wilde Jagd is the music project of producer and songwriter Sebastian Lee Philipp. Channelling minimalist, tenebrous intensity, Die Wilde Jagd's music weaves a dense and atmospheric web of drama, romance, ecstasy and melancholy. After three studio albums, several EPs and numerous international tours and concerts, the band now releases the recording of ATEM - a composition commissioned by Roadburn Festival, premiered in April 2021 in Tilburg, Netherlands.

Angie Gold (born Angelina Fiorina Kyte) is a British singer whose song "Eat You Up" was a dance hit in 1985…

Pink Floyd followed the commercial breakthrough of Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of "Shine on You Crazy Diamond" reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor…

12/21: Rank: #1, Top 100 Globally. Billboard-charting, 9-Time Global Music Award winner, internationally acclaimed and 2022 Grammy U Mentor Katherine Farnham has been called a musical genius by industry veterans, fans and students alike. Hailed as “one of the top artists of our time” by journalist Toninho Spessoto, the singer/songwriter/pianist was recognized as a prodigy and was composing, playing piano, singing, and acting by the age of five.

Henry "Skipper" Franklin (born October 1, 1940) is an American jazz double bassist.

Arturo Toscanini (/ɑːrˈtʊəroʊ ˌtɒskəˈniːni/; Italian: [arˈtuːro toskaˈniːni]; March 25, 1867 – January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory.

Nicolas Horvath, a seasoned champion of long concerts, such as his solo and uninterrupted concerts of Erik Satie's Vexations, is the ideal candidate to embrace the vast range of sounds and thoughts contained in Jean Catoire's minimalist work. (1923-2005).

The Goldberg Variations are the most complex of J. S. Bach’s works from a technical point of view. All the harpsichord’s technical and expressive resources are thoroughly explored and used to great effect. The complexity, imagination, richness of ideas and internal references that animate this work make it a monumental piece of immeasurable depth. The instrument that Roberto Loreggian plays for this recording is a copy of a harpsichord made by Michael Mietke in the early years of the 18th century; exchanges between the maker and Bach are historically documented.