In his first album with Mirare, the pianist Lukas Geniušas offers us a recital featuring two early masterpieces of Prokofiev coupled with the only sonata the composer penned in Western Europe.
Even though the earlier works are four decades distant from the latter, a steady feature remains: Prokofiev’s feelings for his beloved Russia.

The cellist János Starker and the pianist György Sebök, both born in Hungary in the early 1920s, made a musical team for some 60 years. These recordings were made in 1959 in Paris, where they both found themselves after the Soviet crackdown on Hungary. “Starker [is] at the peak of his form,” wrote Gramophone. “The cello's timbre is refined and subtly coloured … and the pianist is completely in harmony with his partner.”

Originally released in 2001 but unavailable for almost two years, Glossa has designed gorgeous new packaging for this most important of Paolo Pandolfo’s projects, possibly a milestone in the recording history of Bach’s music. Everybody seems to know these discs – despite almost no marketing effort, they are perceived with such benchmarks as Glenn Gould’s or Gustav Leonhardt’s renderings of the GoldbergVariations or Anner Bylsma’s performances of the original cello suites.

J.J. Cale's guitar work manages to be both understated and intense here. The same is true of his seemingly offhand singing, which finds him drawling lines like "You get your gun, I'll get mine" with disarming casualness. But he has trouble coming up with original material as strong as that on his debut, and for some, his approach will be too casual; there are many times, when the band is percolating along and Cale is muttering into the microphone, that the music seems to be all background and no foreground. You may find yourself waiting for a payoff that never comes.

"Ambient Amazon" (1995) is a compilation album that brings together various artists within the ambient and ethereal music genres, exploring the intersection of electronic soundscapes and the mysticism of the Amazon. The album is an immersive blend of ambient, tribal, and world music, with influences drawn from the rich cultural and natural environment of the Amazon rainforest. The music on this compilation reflects a sense of spirituality, nature, and tranquility, with lush soundscapes designed to transport the listener to a faraway, more peaceful place.

"Outer Mania" (1994) is the debut album by Outer Limits, a project known for its unique blend of electronic music, techno, and trance. The album is considered a part of the early 90s wave of experimental electronic music, which blended the rising techno and ambient genres with deeper, atmospheric elements.

"Imagine Me" (1996) is the debut album by Diana Jones, a talented American singer-songwriter who has been recognized for her contributions to folk and Americana music. The album, released independently, showcases her distinctive voice and poignant songwriting, blending elements of traditional folk and country with emotional storytelling. While Imagine Me didn't initially gain widespread mainstream attention, it laid the foundation for Diana Jones' later success, highlighting her unique blend of folk, Americana, and country influences.

"My Remembrance of You" (2006) is the debut album by Diana Jones, an American singer-songwriter known for her folk and traditional country music. The album marks Jones' introduction to the broader folk and Americana scene, blending her heartfelt storytelling with a deep sense of emotional resonance. It showcases her unique voice, strong songwriting, and her ability to bring traditional folk and country influences into a modern context.

Pallas are a progressive rock band based in the United Kingdom. They were one of the bands at the vanguard of what was termed neo-progressive during progressive rock's second-wave revival in the early 1980s. Other major acts included Marillion, IQ, Twelfth Night, Pendragon, Quasar and Solstice. The Sentinel is the debut album by British Progressive rock band Pallas. It is a concept album with lyrics based upon Cold War themes, using a futuristic version of the tale of Atlantis as a metaphor for a technologically advanced society brought to the brink of destruction.

"3 Originals" (1998) is a compilation album by Flairck, a Dutch progressive rock band known for their eclectic fusion of folk, classical, and jazz elements, blended with rock influences. The album showcases three of the band's earlier works, offering a comprehensive look at their distinctive musical style, which includes intricate instrumentation, progressive song structures, and an emphasis on melody and harmony.

"The White Room" (2001) is the debut album by Moulin Noir, an electronic music project that blends darkwave, ambient, and trip-hop elements. The album is atmospheric and cinematic, characterized by its moody, ethereal soundscapes and introspective themes. Moulin Noir is known for creating music that evokes a sense of mystery, melancholy, and introspection, with a style that draws on influences from industrial, electronic, and gothic genres.

"One Shot - Black '80" (2004) is part of the "One Shot" compilation series, which was released by Universal Music. This particular compilation focuses on the 1980s and celebrates the genre of black music during that era, showcasing the diverse and influential artists and styles that shaped R&B, soul, funk, and dance music in the 1980s. The collection includes a mix of classic hits, dance anthems, and influential tracks from the period, capturing the essence of the sound and style of 80s black music.

"Half Way Home" (2008) is the debut album by DeeExpus Project, a British progressive rock band that blends elements of prog rock, symphonic rock, and art rock. The album features a mix of melodic, intricate compositions with deep emotional undertones and the signature complexity of progressive rock. It’s a journey through both musical and lyrical landscapes, focusing on themes of personal introspection, emotional conflicts, and the complexity of human experiences.

"Comin' Atcha!" (1998) is the debut studio album by Cleopatra, a British pop and R&B girl group composed of sisters Cleopatra Higgs, Zainam Higgs, and Yvette Higgs. The album was released by RCA Records and showcases the group’s blend of catchy pop melodies, R&B grooves, and infectious dance beats. Cleopatra became known for their vibrant, youthful energy, and Comin' Atcha! served as their introduction to the mainstream pop scene.

In honor of the 15-year anniversary of the Vault, the longest continuously running vinyl subscription club in the world, Third Man Records in conjunction with Columbia Records / Legacy Recordings is proud to announce its 61st Vault package, Bob Dylan’s The 1974 Live Recordings: The Missing Songs From Before The Flood. The box set chronicles Dylan’s legendary 1974 tour with The Band, a pivotal moment that saw them performing for their largest crowds to date. With a variety of full show performances available to cull from in the compiling of Before The Flood it was natural that some songs, no matter how compelling and powerful, would not fit on the original 2xLP release in 1974. Pressed at Third Man Pressing in Detroit on three charming green LPs, this configuration is the only vinyl release of any of the archived 1974 live recordings. As an added bonus, Third Man has designed a classic 1970’s-styled souvenir tour book. Comprising photos taken during this momentous tour and of-the-era graphics and archival material, this 8.5 x 11 inch, 20 page book is the perfect visual accompaniment to the moving, powerful audio it is paired with. To top it all off, included here is a 7-inch single featuring the inimitable “Blowin' In The Wind” as originally included on Before The Flood backed with an incendiary take of “Most Likely You Go Your Way (And I’ll Go Mine)” recorded at Madison Square Garden on January 30th, 1974.