On Buddy Guy's second Silvertone release, he continues the practice of guest appearances begun on Damn Right, I've Got the Blues. In this case, the notables include Paul Rodgers, Travis Tritt, and John Mayall. The finest combination comes when Bonnie Raitt joins Guy on John Hiatt's "Feels Like Rain." Raitt's gritty vocals and sweet slide guitar add a pleasing nuance to the bittersweet track, and it is ultimately the high point of the record. Certain critics and blues purists have derided Guy's search for mainstream success as evidenced by his penchant for guest appearances and non-traditional blues forms, but Guy sounds fantastic in these unconventional situations (witness his burning version of the Moody Blues' "I Go Crazy").

Stay on These Roads is the third studio album by Norwegian band A-ha. It was released on 3 May 1988 by Warner Bros. Records. Six singles were released from the album. A Synclavier, Sequential Circuits Prophet 5, Yamaha DX-7, Roland D-50, and Roland Juno-60 or Roland Juno-106 synthesizers were used in the recording of this album, as was a Yamaha RX-5 drum machine. Stay on These Roads was the band's third studio album. The album's peak on the Billboard 200 was 148. The album was another big hit by A-ha internationally, selling over 4 million copies worldwide. Stay on These Roads achieved Platinum status in Brazil and Gold in the UK, Switzerland, the Netherlands and Germany and Double Platinum status in France.The album reached #2 in the European top-100 albums sales chart.

A record that virtually defies categorization, Pearls Before Swine's 1968 epic Balaklava is the near-brilliant follow-up to One Nation Underground. Intended as a defiant condemnation of the Vietnam War, it doesn't offer anthemic, fist-pounding protest songs. Instead, Rapp vented his anger through surrealist poetry, irony, and historical reference: Balaklava was the 1854 Crimean War battle that inspired Alfred, Lord Tennyson to write his epic The Charge of the Light Brigade; in reality, the "Charge" was a senseless military action that killed scores of British soldiers. Balaklava begins with "Trumpeter Landfrey," an 1880's recording of the actual voice and bugle charge of the man who sounded the charge at Balaklava.

Christoph Leicher Quartet featuring Jörg Krückel, Christoph Leicher Quartet, Jörg Krückel, Christoph Leicher Quartet featuring Joris Teepe, Joris Teepe, Christoph Leicher Quartet featuring Walter Gauchel and Joris Teepe, Walter Gauchel, Christoph Leicher Quartet featuring Walter Gauchel, Christoph Leicher Quartet featuring Joris Teepe and Jörg Krückel, Christoph Leicher Quartet featuring Jörg Krückel and Joris Teepe, Jörg Krückel and Walter Gauchel

Immerse in the enchanting melodies and rhythmic beats of our expansive music collection. From chart-topping hits to timeless classics, discover a diverse array of genres and artists that cater to every musical taste. With high-quality audio and seamless streaming, let the power of music elevate mood and inspire soul.

This is an astonishing collection from many of the greatest prog bands. 2003. Virgin.

Order At Agan LIVE is the third album by the German-Danish band Fosterchild, recorded live at Jazz-Schmiede Düsseldorf. The seven tracks form a seamless musical journey, blurring the lines between improvisation and composition. Inspired by the structure of ancient Greek tragedy, the album offers an intense, process-driven experience filled with collective energy and creative freedom.

La-La Land Records, Columbia Pictures and Asylum Records proudly present a remastered 2-CD limited edition re-issue of renowned composer Elmer Bernstein’s (GHOSTBUSTERS, TRUE GRIT, STRIPES) original motion picture score to the 1981 big screen, cult classic animated fantasy/action epic HEAVY METAL, produced by Ivan Reitman and directed by Gerald Potterton. A highly ambitious feature film animated adaptation of the legendary comic magazine HEAVY METAL required a musical underscore worthy of launching the entire enterprise into the stratosphere and the late, great Elmer Bernstein proved more than up to the challenge, delivering a rousing orchestral score that expertly drives the movie’s varied scenarios, moods and characters to wonderous heights. In total, the score remains a signature effort from one of the most uniquely American composers ever to come out of Hollywood. Produced by Neil S. Bulk and mastered by Doug Schwartz, this deluxe remastered release features the Score Presentation on Disc One, sourced from the composer’s own ¼” stereo tapes, while Disc Two unleashes the Original 1981 Score Album, which offers a different mix, and is also making its world premiere CD debut here, sourced from the original album masters.

Record Store Day 2025. The Complete Show. First Time Pressed to Vinyl 4xLP-Limited Edition of 4,000. A Performance So Good It'll Leave You Grinnin' from Ear to Ear".

Roger Waters may not have made an album of new material between 1992 and 2017, but he was very active during that quarter-century. He toured regularly, wrote an opera, reunited Pink Floyd for the 2005 charity concert Live 8, and revived The Wall several times, turning the self-absorbed rock opera into a political piece. Is This the Life We Really Want?, his fourth song cycle, picks up on this thread, functioning as barbed protest music for the age of Brexit and Trump. Waters doesn't disguise his bile – there's a lament for "The Last Refugee" and he spits out "picture a leader with no f****** brains," a clear broadside against Trump – but the album doesn't seethe with rage. With its deliberate tempos, wide soundscapes, operatic guitar solos, and swelling crescendos, it is recognizably a Waters album or, perhaps more accurately, a Floydian one.

After a three-year wait, this album was a bit of a disappointment. Musically, it is his best yet, but it lacked a certain energy that the others had. The songs seemed to replace vivacity with length. The album didn't do very well on the charts; the number 13 single (U.S.), "Everlasting Love," was the biggest hit. Ironically, the best song on this album, "Out of Thin Air," does not use a single synthesizer but instead is a solo piano piece performed by Jones himself. After all those years of electronic music, a song featuring a real instrument is a welcome relief.

Led by Jukka-Pekka Saraste, the Lahti Symphony Orchestra performs two symphonies by the Ukrainian composer Valentin Silvestrov. Having as a student absorbed the music of Webern, Scriabin and the new Polish school, in the 1970s Silvestrov moved away from avant-garde techniques and became increasingly involved with the idiom of 19th-century song. To date, Silvestrov has composed seven symphonies. Considered by some to be his masterpiece, Symphony No. 5 has been described as an epilogue inspired by the music of late Romantic composers such as Gustav Mahler.

Jazz Through the Eras by Arkadia Jazz All-Stars takes listeners on a journey through the history of jazz, from New Orleans to Free Jazz. Set for release on July 4, 2025, the album is part of Jazz Secrets, an educational multimedia initiative that helps audiences discover how to listen to jazz through interactive guides, videos, articles, albums, and playlists, offering a fresh perspective on the genre. This Album explores different genres of Jazz from New Orleans to Free Jazz. Each song from Arkadia Jazz All-Stars represents a historical Jazz era and musical style. This musical journey culminates with the Album’s release on July 4th, 2025. Jazz Through the Eras is part of a comprehensive educational initiative Jazz Secrets. a multi-media project that shows listeners how to listen to Jazz. Through interactive guides, videos, articles, albums, and playlists, Jazz Secrets reveals the secrets of Jazz and presents the genre in a new light.

Ever since ZZ Top signed with RCA, they fitfully tried to break free of the synthesized blues that once was their savior but quickly became a straitjacket. Like any addict, it was hard for them to quit that processed, sequenced sound cold turkey, so they weaned themselves off the robo-boogie, sometimes relapsing and adding too many synths to mix, other times breaking loose with some credible boogie. Apart from the dreadful misstep of 1999's XXX, they showed signs of life on all their RCA albums, and their fourth, 2003's long-delayed Mescalero, is no exception to the rule. Billy Gibbons' fat guitar tone really has some presence here, at least on some of the album, and there are enough rhythm tracks not performed to a didactic click track to provide some real swing.

Giles, Giles & Fripp’s 1968 demo home recordings, newly remastered by David Singleton A must-have collection for King Crimson fans with some early indication of the band’s sound / repertoire CD includes all 21 previously released tracks from the Brondesbury Road tapes 200-gram superheavyweight vinyl and digital release picks 13 of the best quality recordings from the tapes.