Ever since Moon Safari was hailed as an instant classic, Air have swung back and forth between the experimental and accessible sides that Nicolas Godin and Jean-Benoît Dunckel united so perfectly on their debut. 10,000 Hz Legend might have been too grandiose and aggressively experimental for some Air fans, but Talkie Walkie sometimes felt as if the duo was presenting the most widely palatable version of their music possible. On Pocket Symphony, Dunckel and Godin find a balance between pretty and inventive that they haven't struck since, well, Moon Safari, even though it isn't nearly as immediate - even by Air's standards, this is an extremely introspective and atmospheric album. It's beyond clichéd to call the duo's music filmic; nevertheless, "Space Maker" and "Night Sight" play like the album's opening titles and ending credits, bracketing a set of songs that are sadder and wiser than anything Air has done since The Virgin Suicides…

No Vacancy – The Best of The Motels is a compilation album by the new wave band, The Motels released in 1990. This album was released in United States, manufactured for BMG Direct Marketing. The album is a re-labeled version of No Reservations, which was released in Australia two years previously.

Seldom equalled and never surpassed, Muddy Waters changed the course of popular music. Beautifully remastered to capture Muddy's intoxicating power, this Rough Guide charts his early career in the Delta and pioneering time in Chicago.
The bonus CD features a group of stellar musicians, who played with Muddy Waters while he changed the face of blues music. Harmonica players James Cotton and Junior Wells, guitarists and singers Jimmy Rogers, Earl Hooker, Walter Horton, Jimmy Oden, Buddy Guy and Otis Rush, all passed through Muddy's band or played on his records. Others were merely influenced by him. But then again, of the blues musicians of the 1950s, there was scarcely anybody who wasn't…

The sixth album for the Sensational Alex Harvey Band, released following a year-plus hiatus that nevertheless saw the release of two new LPs: the water-treading Live, and the odds 'n' oldies collection Penthouse Tapes. Both portrayed the band in a light that had only a little in common with the group's true strengths – both, attended by major chart success and exposure, left the band uncertain quite how - or even if - they should proceed. SAHB Stories suffers accordingly.
At its greatest, it shines alongside the very best of the band's past. The closing "Dogs of War," though bombastically overwrought, nevertheless ranks alongside John Cale's similarly fear-lashed "Mercenaries" as one of the greatest-ever examinations of the soldier of fortune, while the twisted history of "Boston Tea Party" - quite likely the only U.K. hit to mention George Washington's wooden teeth - is set to a pounding tomahawk guitar riff…

Over the years Glossa has been at the forefront of releasing recordings of late Renaissance madrigals, and the label has had the pleasure of assisting superlative artists in doing so: none more so than the voices of La Venexiana and its director Claudio Cavina. This release is a reflection of such creative richness. The recordings on this release date from the dozen years after La Venexianas foundation in 1996, a time of great activity for the ensemble, and which complements the Monteverdi Complete Madrigals Books set, released previously. These two impressive collections demonstrate effectively why La Venexiana has been so popular with audiences and why it has been praised by critics as well.