Tom Waits has said: "I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth." When it comes to the material on Blood Money, I don't know if I can call Waits' mouth pretty, but he certainly offers plenty of bad news in a very attractive, compelling way. Released simultaneously with Alice, a recording of songs written in 1990, Blood Money is a set of 13 songs written by Waits and Kathleen Brennan in collaboration with dramatist Robert Wilson. The project was a loose adaptation of the play Woyzeck, originally written by German poet Georg Buchner in 1837. The play was inspired by the true story of a German soldier who was driven mad by bizarre army medical experiments and infidelity, which led him to murder his lover - cheery stuff, to be sure. Thematically, this work - with its references to German cabarets and nostalgia - echoes Waits' other Wilson collaborative project, Black Rider…

This Box Set features 5 discs celebrating 5 legendary progressive rock labels! Part of the successful EMI Global Prog Rocks! Campaign, highlighting the work of some of the World's greatest artists associated with the genre. Featuring classic Prog riches from Harvest, Charisma, Virgin, Liberty / UA and newer, more cutting edge progressive rock from the enterprising Inside Out label. This compilation serves as the ideal introduction to the wide variety of bands and musical styles on these labels and offers a broad insight into the delights of progressive music! Syd Barrett, Electric Light Orchestra, Barclay James Harvest, Van Der Graaf Generator, The Nice, Peter Hammill, Gong, Hatfield And The North, Tangerine Dream, Steve Hillage, Daevid Allen, Hawkwind, Pain Of Salvation, Riverside and many more.

Stratosfear, the last Tangerine Dream album by the great Baumann/Franke/Froese threesome, shows the group's desire to advance past their stellar recent material and stake out a new musical direction while others were still attempting to come to grips with Phaedra and Rubycon. The album accomplishes its mission with the addition of guitar (six- and 12-string), grand piano, harpsichord, and mouth organ to the usual battery of moogs, Mellotrons, and e-pianos. The organic instruments take more of a textural role, embellishing the effects instead of working their own melodic conventions. Stratosfear is also the beginning of a more evocative approach for Tangerine Dream. Check the faraway harmonica sounds and assortment of synth-bubbles on "3 AM at the Border of the Marsh From Okefenokee" or the somber chords and choral presence of "The Big Sleep in Search of Hades"…

Introducing an ambitious debut release, Warner Classics brings you a teriffic album with Baritone Huw Montague Wendell who flexes his extensive variety of talent and style! 'Contempation' stretches across three centuries, a journey into the transformation of musical dramas of opera, operetta, lied and Broadway musicals. Joining the stage is Canadian soprano Elisabeth Boudreault in which she and Huw perform a duet from Mozart's Die Zauberflöte.

The Lautten Compagney is one of the most renowned and creative baroque instrument ensembles in Germany. Their concerts, under the artistic direction of Wolfgang Katschner, have fascinated audiences for three decades. With their infectious joy in performing and their innovative concepts, these ‘early musicians’ effortlessly translate the musical language of the Baroque to the present. Whether it’s as a solo chamber ensemble or an opera orchestra, the ensemble is continually crossing boundaries and seeking out encounters with new sounds and other art forms.

Così, an opera without words is a delightful arrangement of Mozart’s famous opera, Così fan tutte for wind quintet. Originally conceived and performed by Montréal’s Pentaèdre for the 2006 Festival de Lanaudière, this version preserves the opera’s melodic lines, touching sincerity and great beauty while challenging the listener with a new way of perceiving Mozart’s music. Pentaèdre’s international reach continues to grow, with 40 concerts in Europe, The United Kingdom and Russia during the current season alone.

The second album by Jefferson Airplane, Surrealistic Pillow was a groundbreaking piece of folk-rock-based psychedelia, and it hit like a shot heard round the world; where the later efforts from bands like the Grateful Dead, Quicksilver Messenger Service, and especially, the Charlatans, were initially not too much more than cult successes, Surrealistic Pillow rode the pop charts for most of 1967, soaring into that rarefied Top Five region occupied by the likes of the Beatles, the Rolling Stones, and so on, to which few American rock acts apart from the Byrds had been able to lay claim since 1964. And decades later the album still comes off as strong as any of those artists' best work.

Each era of rock music has had its own craftily marketed phenomenon – it was the "live album" in the '70s, "unplugged" recordings in the '90s, and since the late '80s through the present day, the "tribute album." But the early 21st century saw another addition – veteran bands revisiting classic albums and performing them in their entirety. Jethro Tull's most enduring release is largely agreed to be 1971's classic Aqualung, and in late 2004 Ian Anderson, Martin Barre, and their latest Tull mates dusted off the album once more in front of a small audience for XM Radio's Then Again Live series.