Frontiers is the eighth studio album by the American Rock band Journey, released in February 1983 on the Columbia Records label. This is the last album to feature bassist Ross Valory until 1996's Trial by Fire. The album reached No. 2 on the Billboard 200. The album would later achieve the RIAA certification of six times platinum. Frontiers was the band's highest-charting album in the United Kingdom, reaching No. 6 on the UK Albums Chart in 1983.

Roland Romanelli is a French synthesist and composer, mainly known as arranger. During his career, he worked with Barbara, Rusty Egan, and other notable figures in popular music. He was an early adopter of the Fairlight system. Romanelli moved to Paris in 1966. He was a session player on accordion and keyboards for Barbara Brodi. He soon worked for other musicians including Charles Aznavour. In the late 1970s, he worked in the French space disco scene, and was a founding member of the popular band Space. He took up synthesizers, which helped his career grow in the 1980s. His 1982 album Connecting Flight was also released in the US on PolyGram Records.

Nazareth are a Scottish hard rock band formed in Dunfermline in 1968 that had several hits in the United Kingdom, as well as in several other Western European countries in the early 1970s. The band featured vocalist Dan McCafferty, guitarist Manny Charlton, bassist Pete Agnew, and drummer Darrell Sweet. The band had relocated to London by 1970, and they released their self-titled debut album in 1971. They established an international audience with their 1975 album Hair of the Dog, which featured their hits "Hair of the Dog" and a cover of the ballad "Love Hurts". The band continues to record and tour.

Addison is the upcoming debut studio album by American social media personality and singer Addison Rae. It is expected to be released on June 6, 2025, through Columbia Records under exclusive licensing from As Long As I'm Dancing LLC. Rae rose to fame on TikTok and started embarking her music career in 2021. She enlisted an all-female producer duo Elvira Anderfjärd and Luka Kloser for the project. Its release is preceded by five singles: "Diet Pepsi", "Aquamarine", "High Fashion", "Headphones On" and "Fame Is a Gun".

Heavyweight vinyl. First edition on LP. ticker with the text: "Tubular Bells III Mike Oldfield" on shrink wrap (front cover, lower left corner). Comes with a black antistatic protective inner for the record.

It’s back. The debut album that blew up the ’90s blues scene. The songs that announced the touchdown of a major new talent. In modern times, as an established solo star and former member of the globally acclaimed Royal Southern Brotherhood, Mike Zito’s reputation precedes him. But turn back the clocks. Rewind the film reels. Slip through the wormhole to 1998, when a 27-year-old punk kid took his first shot in the studio. “Blue Room,” he reflects, “is the beginning of me becoming an artist.”

Studio outtakes, good to excellent sound quality.

Letters From The Labyrinth is TSO's first full-length album since 2009's Night Castle. The overall concept is based on TSO's "Night Castle" (2009) and a dialogue between the wisdom of the past and the hopes for the future, via a correspondence between a child and an old friend of the child's grandfather. On "Letters From The Labyrinth" TSO deals with subjects as broad as humanity's journey through the ages ("Time & Distance"), and as specific as bullying ("Not The Same"), the fall of the Berlin Wall ("Prometheus") and the world banking controversies ("Not Dead Yet").

Steely Dan with Special Guest Larry Carlton. Not mentioned on release but this is taken from the FM broadcast live from the Chicago Theater, Chicago, ILL Sept 3rd 2009. 2-7 is 'Love Is Like An Itching In My Heart' wrongly listed as 'Live Wire'.

Rocky Mountain Low is a unique portrayal of a late-1970s American Punk/New Wave scene. It is the first time that a Punk/New Wave scene, from its inception in 1976 through to the end of 1979, has been documented in its entirety. In their presentation of Colorado’s musical reaction to the initial wake of Punk Rock in the late 1970s, the compilers have set the bar unattainably high for future would-be historians. While Colorado’s late-1970s underground music scene was small and existed on the margins of the larger, more well-known scenes, its documentation is important in that what is being presented is a complete and accurate portrayal of part of the cultural movement that was taking place at the time. Thorough and comprehensive research viewed through an objective lens provides a previously unseen snapshot of America’s musical underground of the period. This documentation shows that the Punk movement of the late 1970s was anything but paint-by numbers—a concept that seems to have been sadly lost on younger generations. Until now, very little has been known about what transpired in Colorado’s musical underground in the late 1970s.

Billy Idol is the eponymous debut studio album by English rock vocalist Billy Idol, released on 16 July 1982 by Chrysalis Records. After his departure from the band Generation X and the release of his first solo extended play, Don't Stop (1981), Idol began working on his debut album. Produced by Keith Forsey, Billy Idol is a rock album with strong influences of new wave music. Upon its release, the album received generally positive reviews from music critics and was a commercial success, peaking at number forty-five on the Billboard 200. Billy Idol was certified gold by the Recording Industry Association of America.

Stasis Sounds for Long-Distance Space Travel III is imminent. The time has come to reawaken from extended stasis as we approach the orbit of a potentially habitable exoplanet—designated the Blue New World. Join us for the Final Approach, as the first telemetry and visual data begin transmission, offering early glimpses of this uncharted and promising celestial destination. released June 3, 2025.

Free Jazz was the breakthrough that revealed how Coleman’s compositional impetus could stimulate the improvisational responses of a larger ensemble in interrelated, additionally complex ways. Ornette!, recorded five weeks later, is the only document we have of Scott LaFaro in the quartet. The exclamation point of the title is an indication of the album’s dominant mood. – Art Lange

Amazon exclusive edition. Aoxomoxoa is the third studio album by American rock band the Grateful Dead, released on June 20, 1969, by Warner Bros.-Seven Arts. It was one of the first rock albums to be recorded using 16-track technology. The title is a meaningless palindrome, usually pronounced /ɒksə.məksˈoʊə/. Rolling Stone, upon reviewing the album, mentioned that "no other music sustains a lifestyle so delicate and loving and lifelike". The album was certified gold by the RIAA on May 13, 1997. In 1991 Rolling Stone selected Aoxomoxoa as having the eighth best album cover of all time. It was voted number 674 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).

Uncritical admiration is appropriate for these Schubert Lieder, where no forcing, no technical difficulties, not even a single spoiled note are to be found. It is not possible to perform Die schöne Müllerin and the other songs more heartily, more expressively than Fritz Wunderlich and his congenial, subtle accompanist Hubert Giesen do and, fortunately, will be able to do again and again, on these two records that every music lover will have to listen to stirringly.