Given the disappointing sales of the previous two All-Starr Band live albums, Ringo's star wasn't bright enough to get this release out on a major label or even a conventional label. As a stopgap, it was available only in Blockbuster Music stores for a brief time – at the rock-bottom bargain price of 5.99 dollars – and further volumes were not forthcoming. A shame, actually, for this was the best of the three All-Starr albums up to that point, representing what was probably Ringo's finest all-around group of the 1990s. Recorded in Tokyo's Nippon Budokan Hall, this round robin of golden oldies sounds like a straight transfer of the concert, following the order of the first part of the show with the rest presumably saved for the unissued volume two.

With tongue firmly in cheek, the Cardigans decided to play up the candyfloss arrangements of their debut for second album Life. Where Emmerdale studied an introverted melancholy, Life is undiminished in both its independent-minded exuberance ("Hey! Get Out of My Way") and zest to enjoy life with others ("Daddy's Car," "Gordon's Gardenparty"). The incredible production and quality of arrangement from the debut are here also, even more strikingly crisp and spot-on. (Over 50 instruments were used on the 14 songs included on the Minty Fresh American release.) Though the Cardigans planned Life as something of a joke, it became one of the finest pop albums of the '90s.

With this release, Edgar Winter was faced with the question that haunts many a superstar following a highly successful album – how can he outdo himself? While Shock Treatment falls short of outdoing himself, it still manages to rock pretty righteously. Beginning with this album's answer to their previous "Hangin' Around," "Some Kinda Animal," the band moves into the excellent blues torcher "Easy Street," which is painted with highlights from the substantial saxophone talent of Winter, not to mention some of his finest singing. Like They Only Come Out at Night, this recording includes a pair of haunting ballads, "Maybe Someday You'll Call My Name" and "Someone Take My Heart Away." "Queen of My Dreams," along with "River's Risin'," showcase the Edgar Winter Group doing what they do best – rocking out with passion and lots of drums and guitar. Not as good as their previous album, but still a winner in its own right.

Just Testing is the tenth studio album by the British rock band Wishbone Ash, released on 18 January 1980 by MCA Records. Recorded primarily at Surrey Sound Studios in England, it was the last to feature the original lead vocalist and bass guitarist Martin Turner until the release of Nouveau Calls (1987). The track "Helpless" is only the second cover version released by the band on a studio album, the previous one being "Vas Dis" on Pilgrimage.

The Final Countdown: The Best of Europe is a compilation album by Europe, released in 2009 by Sony Music and Camden Deluxe. This album contains some songs from their debut album and albums through 1999. This album contains 36 songs with 18 on each CD. Europe is a Swedish rock band formed in Upplands Väsby in 1979, by vocalist Joey Tempest, guitarist John Norum, bassist Peter Olsson, and drummer Tony Reno. They got a major breakthrough in Sweden in 1982 by winning the televised competition "Rock-SM" (Swedish Rock Championships): it was the first time this competition was held, and Europe became a larger success than the competition itself.

A wonderful concert version of the revered Komitas Divine Liturgy! Here the great Komitas work is transformed into a concert mass in the first-ever recording of this appealing mixed choir version. This version was beautifully arranged and edited by the brilliant Armenian composer Vache Sharafyan. In his arrangement, the added colors of female voices increase the beauty of the work. This version is also concert length, which means that it is appropriately shorter and more accessible than the original.

A keen advocate of the works of Antonio Salieri, Christophe Rousset continues his exploration of the composer's works, having unearthed the manuscript of another masterpiece. The three-act opera Armida, first performed on June 2, 1771 in Vienna, presents a perfect synthesis of the Italian and French styles. Salieri was just twenty when he turned to the difficult opera seria genre. He chose to tackle a well-known subject: that of the love affair between the Christian Crusader Rinaldo and the Saracen sorceress Armida, borrowed from Tasso's epic poem Gerusalemme liberata. A very dense plot focuses on an intense drama involving just four characters. The fluidity, originality and brio of his compositional style were to ensure Salieri's lasting reputation throughout Europe.

This album portraits the Finnish composer Sebastian Hilli, born in 1990 and thus one of the youngest composers ever to be featured on a KAIROS release. Hilli's works have in common the composer's fascination with structure, dynamism and carefully crafted details. Throughout, his music is characterized by complex woven textures and nuanced sonorities, long-span processes and a flair for extra-musical topics. The Uusinta Ensemble performs a diverse selection of three of Hilli's works - this is certainly a composer to watch!