Pianist Rudolf Buchbinder is an important specialist in core Austro-Germanic repertory, bringing precision and taste to music from Haydn to Brahms. He was a pioneering champion of Haydn's keyboard music, recording that composer's complete piano sonatas in the 1970s. Buchbinder was born in Litoměřice, Czechoslovakia, on December 1, 1946, as the region's ethnically German inhabitants were being expelled by order of the Czech government. He grew up in Austria and attended the Vienna Academy of Music, where he studied with Bruno Seidlhofer. Something of a prodigy, Buchbinder took a piano trio prize at the Munich International Festival in 1961 and earned a Dinu Lipatti Medal the following year. Not yet 20, he toured North and South America in 1965. In 1966, he was given a special prize at the Van Cliburn Competition, leading to a tour with the Vienna Philharmonic and a general reputation as a rising young star of the piano.

After two 'Collective' albums and tours, Levellers’ third album of collaborations with fellow Brighton band, The Moulettes, “Collective / Live” was recorded at London’s iconic Hackney Empire.

Pianist Georges Pludermacher is recognized for his wide repertory, having emphasized adventurous contemporary works at a time when that was uncommon. He is equally active as a solo pianist, a performer of concertos, and a chamber music player. Pludermacher was born on July 26, 1944, in Guéret, in occupied France. He took up the piano at three, and at 11, he enrolled at the Paris Conservatory. In the summers, he took courses with Géza Anda in Lucerne, Switzerland, and when he completed his studies at the Conservatory at 19, he took the school's first prizes in piano, chamber music, and accompaniment. His career has incorporated all three of these specialties.

If there was ever a point where the sometimes too-insular-for-his-own-good Numan couldn't have been more out of sight, out of mind – even to his central fanbase – the often-bizarre Machine + Soul is it. It makes his striking return to form on Sacrifice and his wider acceptance and influence in the following years all the more remarkable.

A significant name of the German krautrock scene, Thirsty Moon were found in Bremen in 1972 and started as a 7-member band. By the same year their eponymous debut was already recorded and released by Brain Records. It consists of four short tracks and one epic jam,clocking at over 20 minutes (+ bonus track on this CD edition). The album follows the typical German mode of krautrock with strong interplays, long jamming and a lot of space for endless improvisational musicianship.
Saxes are everywhere played by Willie Pape and ranging from smooth passages to abstract heavy parts. There is also some lovely percussion work throughout the listening, featuring also nice organ and groovy electric pianos. Vocals are English with a rough edge, which fit very much to the band's style…

Changing images to a second-rate Bryan Ferry on the cover was one thing (Numan himself later admitted it just made him look like "the man who lost it all at Monte Carlo"), but rather better was the musical change away from the overblown nonsense of Berserker.

Disturbed is excited to announce the release of the 25th anniversary edition of The Sickness on March 7th, exactly 25 years to the date of the original release!

The Nelson Riddle Orchestra was always great enough to play music for film and television soundtracks, and accompany the greatest of stars, including Louis Jordan, Frank Sinatra, Ella Fitzgerald, Peggy Lee, and Antonio Carlos Jobim, among many others. For the band to back up the 1963 version of the Oscar Peterson trio with bassist Ray Brown and drummer Ed Thigpen might have created some tension, with Peterson always wanting to cut loose and go over the top as opposed to the silky smooth sound Riddle favored. Fortunately, Peterson strikes a balance between playing it cool and lettin' 'er rip on this collection of standards with the dinner hour in mind. Though not exclusively subtle and romantic, Riddle and Peterson strike a golden bipartisan compromise in rendering these well-known American popular songs into quietly burning embers of pure delight…

The violin concerto is a big favourite among classical music lovers, and audiences love to hear the works of Beethoven, Brahms, Mendelssohn, Tchaikovsky and their Baroque forerunners. But how about concertos for violin by female composers?

THOMAS ANDERS was born on 1 March 1963 and is one of the few German stars who has made both a national and international impact on music history. During his immensely successful run with Modern Talking, he had countless chart hits, which made him famous in almost every corner of the earth.

American pianist David Korevaar, a distinguished artist known for his profound interpretations and exceptional versatility, has unveiled his latest monumental achievement: a complete recording of Ludwig van Beethoven's 32 piano sonatas which will be published digitally in six volumes by Fall 2025.

Countertenor Max Emanuel Cencic has emerged as a new star of the specialty partly through fearless programming, and this collection of Arie Napoletane, Neapolitan arias or arias from Naples, is no exception. There really isn't a "Neapolitan school." Rather, Naples was on the musical cutting edge in the second quarter of the 18th century, and the arias here represent both a classic opera seria style, in the pieces by the massively prolific Alessandro Scarlatti, and music by the composers who pointed the way toward the melodically simpler future of Gluck and eventually Mozart, like Leonardo Leo and Leonardo Vinci. These latter are hardly household names, and Cencic, offering several recorded premieres, renders a valuable service simply by finding and choosing the deliberate and sensuous arias heard here. Moreover, the album's stylistic contrasts play to Cencic's strengths.

One of the most commercially successful bands of its era, Three Dog Night had a remarkable run of more than 20 chart singles between 1969 and 1975, racking up nearly a dozen top-10 hits and, consequently, 12 consecutive gold albums. THE COMPLETE HIT SINGLES brings these 21 cuts together in a single-disc package. The band's soulful pop-rock, driven by the revolving, triple lead vocals of Danny Hutton, Chuck Negron, and Cory Wells, and sweetened by atmospheric keys, rock guitar, and tasteful strings, attest to their widespread appeal and sustained popularity.

Philipp Fankhauser is a Swiss blues singer/guitarist who experienced Top Ten success in his homeland after two decades of recording activity. Born in 1964 in Thun, Switzerland, he began playing music during the late '70s after taking an unlikely interest in the blues as a teenager. His interest in the blues was compounded after he attended the 1981 Montreux Jazz Festival, where he witnessed firsthand a performance by Albert Collins. Other American blues legends he saw at the Montreux Jazz Festival during the early '80s included such luminaries as B.B. King, Koko Taylor, Willie Dixon, John Lee Hooker, and Stevie Ray Vaughan. In particular, a 1984 performance by Johnny "Clyde" Copeland left a lasting impression on Fankhauser; in fact, the two became acquainted and the Texas legend became a mentor to the Swiss novice, whose performance career was becoming a full-time occupation around this time period.

The Czech Philharmonic and its Chief Conductor and Music Director Semyon Bychkov continue their acclaimed Mahler cycle with the composer's Third Symphony, working together with mezzo-soprano Catriona Morison, the Prague Philharmonic Choir and Pueri Gaudentes. In this monumental work, Mahler combines a text from Nietzsche's Also sprach Zarat hust ra with the folk song inspirations of Des Knaben Wunderhorn, culminating in eternal bliss in the closing Adagio. To Bychkov, this longest Mahler symphony offers his " least hysterical" music, and hearing it for the first time as a 10-year-old choirboy kindled his life-long fascination and love for this composer. With this recording, it comes full circle. The Czech Philharmonic - recently awarded Gramophone's Orchestra of the Year Award - is one of the world's orchestral gems, recognised for its rich tradition with the Czech masters as well as European repertoire. Together with their Chief Conductor and Music Director Semyon Bychkov, they have so far recorded for PENTATONE Mahler's First, Second, Fourth and Fifth Symphonies (2022-2023), part of the complete Mahler cycle to be released by the label, as well as Smetana's Ma vlast and Dvorak's Seventh, Eighth and Ninth Symphonies (2024). The Orchestra is also featured on the albums Folk Songs (2023) and Czech Songs (2024) recorded by Magdalena Kozena and Sir Simon Rattle, as well as Dvorak Legends & Rhapsodies with Tomas Netopil.