Juno-nominated artist Barbra Lica is a fast-rising star in the Canadian music scene and has been receiving accolades for a unique vocal ability that stresses subtlety and grace. Based in Toronto, Canada, Barbra’s live show captivates audiences all over North America with her genuine warmth and confident stage presence. A deep passion for the music of classic vocalists like Doris Day and Ella Fitzgerald led Barbra to pursue a Bachelor of Music in Jazz Performance at the University of Toronto. Shortly after graduating, Barbra was runner-up in the 2013 Sarah Vaughan International Jazz Vocal Competition with judges Al Jarreau and Gretchen Parlato.

The double-disc 2011 U.K. collection The Essential Whitney Houston bears some strong similarities to the 2000 U.S. set The Greatest Hits, sharing 22 of its 35 songs. And it’s not just the big hits that overlap: there are a clutch of remixes that carry over, all bunched together on the second disc just like they are on The Greatest Hits. Consequently, The Essential Whitney Houston plays much like The Greatest Hits; even if it has a handful of songs not on the 2000 collection, it covers the same territory equally well and equally entertainingly.

Monteverdi’s Ninth Book of Madrigals, published posthumously, and the 1632 Scherzi musicali (‘Musical Jokes’) are thematically linked by the recurring theme of war for the sake of love. Prefaced with a Sinfonia by Biagio Marini and featuring one of Monteverdi’s towering masterpieces, Zefiro torna, the Ninth Book comprises the few remaining late madrigals, a number of canzonette, as well as works with the same titles and verses from the earlier Eighth Book, here performed in completely different musical settings. Recorded complete, and in historically informed fashion, this is the final volume in this series.

While the music offered in this recording spans only thirty-two years, it best exemplifies the development of French musical style and taste in the eighteenth century. By the middle of the century the unification of both the Italian and French styles of music composition termed by Franois Couperin as les gots-runis had been realised. This disc of chamber music modestly charts the journey through this change from Montclair and Morel through Leclair and Naudot to Rameau.

The Huelgas Ensemble was founded by director Paul Van Nevel in 1971. It has specialized in choral music, frequently with instrumental support, from the thirteenth century on to the early Baroque. Their recordings of the High Renaissance have been especially prized. They have also been pioneers in the performance of the difficult Ars Subtilior repertory of the late medieval era.

Not often bands can evolve and present two stunning albums in a relatively short time frame, but this is exactly what DGM have done, offering a new album which is a substantial departure compared to the acclaimed "Life" which was released in late 2023.
"Endless" is a conceptual album that chronicles one man's imaginative journey to understand the choices that shaped his life. Through vivid storytelling, the album explores the eternal question - how might life be different if I had taken another path?
Musically the "Endless" offers a different side from the band which exposes a lot of different influences ranging from 70’s Progressive Rock (from Kansas, to Yes and Jethro Tull) even with a dash of Italian Progressive Rock (think Banco or PFM)…

Preservation Act 1 (1973). Preservation is Ray Davies' most ambitious project - a musical that used the quaint, small-town nostalgia of Village Green as a template to draw the entirety of society and how it works. Or, at least that's what the concept seems to be, since the storyline was so convoluted, it necessitated three separate LPs, spread over two albums, and it still didn't really make sense because the first album, Preservation, Act 1, acted more like an introduction to the characters, and all the story was condensed into the second album. Davies intended all of Preservation to stand as one double-album set, but he scrapped the first sessions for the album, which led to record company pressure to deliver an album before the end of 1973 - hence, the appearance of Preservation, Act 1 in mid-November…

Jimmy Dawkins is a true original. A one of a kind artist whose distinctive guitar style is instantly recognizable. His chilling killer tone, his deep, complex, innovative solos and his intense playing approach have made him revered amongst his peers and won fans around the world.
1975 session that captured the essence of Jimmy's club performances, contains 4 never before released tracks.