Released the year after he was voted Best Acoustic Guitarist for a second time by Guitar Player magazine, Australian virtuoso Tommy Emmanuel further establishes his esteemed reputation with this collection of festive covers, All I Want for Christmas.

The Evpatoria Report was born in January 2002 and the band consists of two guitars, a bass, drums, a violin and a keyboard. The band offers an instrumental rock combining serenity, power and intensity. The Evpatoria Report is a brilliant band. Their music feels interstellar, putting you in the body of an astronaut as they float among the stars. It can be calming just as much as it is suspenseful while you sit in anticipation for the unknown. It is the flawlessness in how human this music sounds that makes this album so powerful. The songs are long, giving the music plenty of room to breathe and create tension and do with it as it pleases.
Its first release was a two-track EP in 2003, followed by two albums: "Golevka" in 2005 and "Maar" in 2008.

With nearly as many lineup changes as one of their influences, Yes, Arena was one of the dominant neo-prog groups of the 1990s. A supergroup of sorts, Arena has featured former members of Marillion, Pendragon, IQ, and Shadowland. Arena was formed in 1994 by Mick Pointer, the former drummer of Marillion, and Clive Nolan, the former keyboardist of Pendragon. The group was rounded out by the addition of Cliff Orsi (bass), John Carson (vocals), and Keith More (guitars).

Blood Incantation’s Absolute Elsewhere is unlike anything you’ve ever heard before. At roughly 45 minutes, the two compositions that make up this album are as confounding as they are engaging in their scope, melding the 70's prog leanings of Tangerine Dream (whose Thorsten Quaesching appears on "The Stargate [Tablet II]") with the deathly intent of Morbid Angel. Absolute Elsewhere, which takes its title from the mid-70's prog collective (best known as a celestial stopover for King Crimson drummer, Bill Bruford), Blood Incantation are leaving the notion of genre behind and writing a new language for extreme music itself.
Deluxe Artbook Edition featuring 3 CDs containing “Absolute Elsewhere” (Album), “All Gates Open” (Original Motion Picture Soundtrack), “Luminescent Bridge” (Maxi Single, 2023, previously only released on vinyl).

Throughout their career, Caravan Palace has consistently defied musical conventions and genres, forging their unclassifiable, hybrid pop signature sound. Embraced by multiple communities (dancers, gymnasts, gamers, video animators…) who turned their songs into viral hits, the group has achieved enormous success, accumulating several billion streams across all platforms as well as an RIAA Platinum Certified Single with "Lone Digger". Their idiosyncratic soundscapes achieve the rare feat of being both leftfield and commercial. Gangbusters Melody Club, their fifth album is a joyous jigsaw puzzle of an album and their most dancefloor-friendly to date.

Before this, the last the world heard from international cult songwriter Bill Pritchard was his unexpectedly electronic-heavy 2005 album, By Paris by Taxi by Accident. That album came after a long disappearance from public performance that followed several spirited albums of introspective college rock-era alternative pop crafted by Pritchard either alone or with his band Beatitude.

Ilya Gringolts made a splash with his CD of the Paganini D Major Concerto, so it's no surprise that he excels in these fiendishly difficult solo pieces, including one of his own. His playing is dazzling, secure even in the most tortuous passages. The Hindemith sonatas are abstract, anti-Romantic works.

The second release from Katia and Marielle Labèque's own KML label largely revisits Debussy and Stravinsky works that the duo previously essayed for Philips. Their newer versions are preferable, and may well represent the Labèque sisters' finest recordings to date. Whereas a driving, steel-edged literalism characterizes their earlier Debussy En blanc et noir, the duo now imbues the score with greater rhythmic leeway.

The Labèque sisters' recordings on the Philips and London labels from the early '80s, which were big hits, largely disappeared after their initial acclaim and, as of the early 2000s, were only found in excerpts on compilations. So as the big labels continue to abandon new classical recordings, the Labèques started their own record label, as many other artists have done, allowing them the freedom to choose what kind of music they want to record, whether it be standard piano duet repertoire or new interpretations of Lennon and McCartney.

One might have thought that Satie's charmingly eccentric and obscurely evocative piano music would fit the French piano duo Katia and Marielle Labèque, like a silk chemise, but this disc of his most popular pieces for piano two-hands and piano four-hands is their first recording of any of his works.

Since they started their own KML label, the Labèque sisters have turned in one superb recording after another. First came a brilliant all-Ravel disc, then an incandescent disc of Debussy and Stravinsky, and now a disc combining Schubert and Mozart: the former with his colossal Fantasy in F minor, D. 940, plus the melancholy Andantino varié in B minor, D. 823, and the latter, with his monumental Sonata in D major, D. 448. In all three works, the Labèques are magnificent, but very different.