Six weeks after the B-52s released their brilliant first album in the hot new wave summer of 1979, they found themselves on-stage in Boston opening for Talking Heads. Some brilliant person decided it would be a good night to record the band; some less brilliant person buried the tape in the Warner Bros. vault for decades. Finally released in 2015 as Live! 8-24-1979, the performance includes songs from both the first album and Wild Planet, and features the B-52s ripping heartily through the songs like they were dedicated to giving the crowd the night of their lives. Decades later the effect is still the same.

Between the years 1715 and 1730, a series of exceptionally favorable circumstances occurred at the Court of Dresden, most notably the presence of remarkably skilled players, especially in the ranks of oboes and bassoons. The focus of the present album, consisting almost entirely of world première recordings, on period instruments, is on Johann David Heinichen. His compositional attention seems to concentrate on the oboe, producing a series of pages which show a treatment of the shapes and affects being surely the result of great talent, skill and artistic intelligence, as clearly demonstated beyond any doubt in the compositions collected in this recording.

This is Zemlinsky before Richard Strauss' rich chromaticism and nascent Expressionism inflamed his imagination. Yet there's nothing wanting in the language here. Within the compass of Brahms' models, Zemlinsky's orchestral mastery is comprehensive and his expression and imagination have widest range. His orchestral palette is flavorful and incandescent within the parameters of traditional orchestration. There are some lovely colors here.

Dangerous is the eighth studio album by American recording artist Michael Jackson, released on November 26, 1991 by Epic Records. It was his fourth studio album released under the Epic label. Jackson wrote twelve of the fourteen songs on the album. Lyrical themes expressed on the album included racism, poverty, romance, the welfare of children and the world and self-improvement, topics Jackson had covered before. Dangerous peaked at number one in nine countries, while charting at the top ten in four other territories. Dangerous received several Grammy nominations, winning only one for Best Engineered Album (Non Classical) by Bruce Swedien and Riley.

Felix Draeseke is described in the accompanying booklet to this CD as ‘a composer’s composer’; not a promising introduction, really! And it proves to be borne out by the quality of the music in the 2nd Symphony in F. It is worthy, well-crafted, and original in some details but ultimately quite dull, and lacking in sufficient individuality of character to allow it to stand out in what after all is one of the most densely populated areas of music history – the late 19th century. In more recent times, his reputation was done lasting harm by his being enthusiastically promoted by the Nazis as "… one of the most pure-blooded German musicians".

This best-of collection tellingly starts off with four consecutive, woefully banal tracks from Elias' 1991 album A Long Story. It's certainly her most commercial work; whether it's her best is highly debatable. The disc doesn't get out from under the fluffy wordless vocals and synth pads until track seven, "Fantasia (To Amanda)," a teasingly short duet with bassist Eddie Gomez.

Presenting radio with one of the best rock ballads ever, Cornerstone gave Chicago's Styx their big break with the number one single "Babe," which held that spot for two weeks in October of 1979. "Babe" is a smooth, keyboard-pampered love song that finally credited Dennis De Young's textured vocals. While this single helped the album climb all the way to the number two spot on the charts, the rest of the tracks from Cornerstone weren't nearly half as strong. "Why Me" made it to number 26, and both "Lights" and "Boat on the River" implement silky harmonies and welcoming choruses, yet failed to get off the ground. De Young's keyboards are effective without overly dominating the music, and the band's gritty rock & roll acerbity has been slightly sanded down to compliment the commercial market.