After famously playing their second show at Woodstock in August 1969, David Crosby, Stephen Stills, Graham Nash, and Neil Young spent the rest of the year touring and writing songs for what would become CSNY’s 1970 debut, Déjà Vu.

In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Eighty minutes of never-before-heard music from this group were recently discovered at the New York Public Library. In addition to some well-known Coltrane material ("Impressions"), there is a breathtaking feature for Dolphy's bass clarinet on "When Lights Are Low" and the only known non-studio recording of Coltrane's composition "Africa", from the Africa/Brass album.

Brian Eno is a legendary musician, producer, visual artist, and activist who first came to international prominence in the early ‘70s as a founding member of the British band Roxy Music, followed by a series of solo albums, collaborations, and production work with artists such as David Bowie, Talking Heads, Devo, U2, Coldplay, his brother Roger Eno, and most recently, fred again.

The Piano Quintet, unusually scored for clarinet, horn, violin and cello, is a product of Fibich's maturity. The Largo is the heart of the work, one of the most richly Romantic slow movements in the Czech chamber repertoire. These excellently recorded performances are near-ideal. The performers provide idiomatic, affectionate readings that fully convey the originality and lyrical assurance of these works.

If you ever feel the overpowering urge to hear a disc with the best performances of the best music ever written for violin and piano by Czech composers, this is that disc. If you ever feel the overwhelming compulsion to hear a disc with sweetly lyrical, passionately expressive, and deeply soulful music played with unparalleled insight, unmatched understanding, and complete comprehension, this is that disc. The music is truly the best ever written for violin and piano by Czech composers. Smetana's Pieces (2) from The Homeland are charming. Dvorák's Sonatina and Romantic Pieces are heartfelt and instantly memorable. Suk's Ballade and Pieces (4) are works of stunning intensity and staggering expressivity. And Dvorák's transcription of his Slavonic Dance in E minor is a bravura display of nationalist fervor. The performances are the best ever recorded for the repertoire.