Talking Back to the Night is the third solo studio album by English recording artist Steve Winwood. Released less than two years after the top 3 hit Arc of a Diver, it failed to see as much success as its predecessor, reaching #28 on the Billboard 200. "Valerie" was a minor hit in 1982, but when it and the title track were remixed and re-released in 1987 for Chronicles, the newer version of "Valerie" became a top 10 hit, while the remix of "Talking Back to the Night" hit the Billboard Hot 100, but failed to crack the Top 40. The track "Help Me Angel" was also remixed for Chronicles, and was then released for the first time as a single.

The Grand Illusion is the seventh studio album by American rock band Styx. Recorded at Paragon Recording Studios in Chicago, the album was released on July 7, 1977, by A&M Records, intentionally choosing the combination 7th on 7-7-77 for luck. The release was a smash worldwide, selling three million copies in the US (Triple Platinum) alone. Some estimates have the album at over 6 million copies sold. The album launched the band to stardom and spawned the hit singles "Come Sail Away" and "Fooling Yourself." The title track also received substantial FM airplay and continues to be a mainstay on classic rock radio, but was never released as an official single. The album cover art is based on Rene Magritte's 1965 painting, "The Blank Signature."

Eric Clapton's musical output across a career spanning 55 years and counting, has been nothing short of extraordinary. But added to this, that the lion's share of his work has been of a quite staggering quality, with more than occasional brilliance displayed, has made Clapton one of a handful of musicians, composers and performers from the rock age who patently deserve their place at the top table of the industry. This 3 X CD set celebrates and champions the contribution Eric has made to the pantheon of intelligent rock music as it contains three broadcast recordings of live shows from the 1960s, the 1970s and the 1990s. Kicking off with a superb concert the great man gave as part of Cream, the super-group which also of course featured the talents of Jack Bruce and Ginger Baker, recorded at the LA Forum in October 1968. Next up on disc two is a unique gig Clapton gave at Dallas's Convention Center in Texas towards the end of 1976, hot on the heels of his No Reason To Cry album. Concluding the collection, disc 3 takes EC forward more than 20 years, to his astonishing show at the Edmonton Coliseum in Alberta, Canada in September of 1998.

2015 three CD collection. Soul Time is a new label within the Cherry Red family devoted to the perennial cult music genre, Northern Soul, which is currently enjoying yet another resurgence. Soul Time is overseen by long time Northern Soul fan Joe Boy, who has been imaginatively compiling the genre for many years and most recently for Outta Sight. Casino Classics was a club label created in 1978 by DJ Russ Winstanley (founder of the famed Wigan Casino All-Nighter) and Casino manager Mike Walker. It was distributed by the newly formed R. K. Records owned by Robert and Barry Kingston the production team behind many earlier homegrown records on the Spark label. Between 1978 and 1980, Casino Classics issued a steady stream of 45s and two compilation albums, Chapters One and Two combining some of the scene's most memorable American originals with other tracks recorded especially for the label. Following the closure of the Casino in 1981 the final Chapter was released featuring tracks compiled and recorded before the demise of the club. Casino Classics - Complete Collection is the first time that these best-selling albums have ever been released on CD. This beautifully-curated set boasts everything issued on the Casino Classics label back in the day, including every album and every single.

A presentation featuring Joe Meek's fantastical lunar stereophonic sound adventure, I Hear A New World; both the celebrated 1991 RPM restoration and the original unreleased 1960 concept album; placed in broader international context alongside seminal works by other pioneers of electronic music; from Daphne Oram to Edgard Varèse. Considered in this context, Meek's masterpiece seems less an oddball pop novelty than a daring and visionary electronic sound exploration. The legendary British pop producer came to prominence during the repressed monochrome days before the Beatles arrived to change everything; an era of fascination with all things Space Age and nuclear; a mood Meek encapsulated with his biggest hit, Telstar by the Tornados; a million selling chart-topper on both sides of the Atlantic and the first British pop single to reach Number One in America.

UK four CD clam shell box set rounding up all that Oi! Legends The 4 Skins recorded between 1980 and 1984. Disc One features all the tracks recorded by the band's original vocalist Gary Hodges including the 'One Law For Them' single which hit #4 on the Independent Chart. Also features their contributions to the seminal Oi! The Album, Strength Thru Oi! And Carry On Oi! #compilations. The second disc is the band's debut LP which topped the Indie Chart in April 1982. This features all the songs recorded with vocalist Panther including the Indie Top 10 single 'Yesterdays Heroes'. Disc Three is the Fistful Of… 4 Skins album which hit #11 on the Indie Chart and saw the band led by ex-Last Resort vocalist Roi Pearce. The fourth disc is the rare live From Chaos To 1984 LP. The booklet features in-depth liner notes and is packed full of rare clippings and memorabilia plus many unseen photographs from the time.

L'album di Raffaella Carrà "Grande Raffaella" è una raccolta dei suoi più grandi successi, che mette in mostra la sua vibrante e dinamica carriera musicale. Raffaella Carrà, cantante, ballerina, conduttrice televisiva e attrice italiana, era famosa per le sue esibizioni energiche e le sue canzoni pop orecchiabili.

Record Store Day 2020 RSD exclusive release, part of the October 24th drops. Limited to 2,500 copies. - All-analog mastering from the original tapes by Jeff Powell at Take Out Vinyl. - Pressed on 180-gram vinyl at Memphis Record Pressing. 50th anniversary reissue of Booker T. & The M.G.'s tribute to The Beatles' Abbey Road album. ALL-ANALOG mastering from the original tapes by Jeff.

Prendete con le pinze quanto sto per dire. C'è stato un momento, a metà scaletta di questo album d'esordio, in cui ho iniziato a pensare che il concept di questa formazione torinese potesse rifarsi in qualche modo ai Marlene Kuntz e al binomio Godano-Tesio, per quel peculiare distillato di sferaggliate chitarristiche da scantinato e sofisticatezza quasi letteraria delle parole. Poi, beninteso, la chitarra di Scarcella non insegue i feedback alla Thurston Moore e i riferimenti di La Greca vanno probabilmente in altre direzioni. In questo senso Le Schiene di Schiele si auto-definiscono, non del tutto a torto, "post-alternative", ma se proprio volessimo continuare a cercare un riferimento a questo sound si potrebbe deviare lo sguardo di appena qualche centimetro dalla loro stessa Torino, verso quella tradizione a base di rumore e danzereccio che rimonta ai primi anni '2000 dei Subsonica (soprattutto ascoltando pezzi come Martini Dry o Caino).

This set contains all of Sand's one and only album, Golem, from 1974, as well as whole lot of additional Golem-era tracks and three cuts from Born at Dawn, an unreleased solo effort by Sand vocalist Johannes Vester recorded shortly after Sand's demise. Golem is a strange blend of dark, off-kilter folk music with a very heavy dose of electronic effects. In fact, "Helicopter" starts off with several minutes of rotor-blade-sounding electronic pulses and other effects before heavily processed vocals and guitar strums take over. The music moves from abstract soundscapes to surreal songs, and all of it is filtered through a special artificial head recording system to make for particularly good headphone listening. With Klaus Schulze at the controls, many of the songs have a similar cosmic trippiness to his early solo stuff and Ash Ra Tempel, with lots of electronic swooshes and washes…

The Yellow Balloon was Don Grady's (Robbie on TV's My Three Sons) rock & roll group, but even more important, the brainchild of California producer Gary Zekley. Not unlike a Gary Usher, Zekley could grab a bunch of musicians and - filling in the needed holes with his own talent - produce sessions that rivaled Phil Spector or Brian Wilson for big sound and teen spirit. Grady had already been recording for the same label with his own group, the Windupwatch Band, when Zekley started climbing the charts with "Yellow Balloon," creating a need for a new group to go with the hit. Grady became the drummer and other members were recruited from various bands around the country, but in the studio, it was still Zekley's show all the way. This 20-track compilation brings together the 11 tracks from the Yellow Balloon's 1967 album, along with the Don Grady with the Windupwatch Band singles…

Blues Breakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist - more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio. This album was the culmination of a very successful year of playing with John Mayall, a fully realized blues creation, featuring sounds very close to the group's stage performances, and with no compromises…

Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-'60s would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses"), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with "People") and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E"). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

Is There Anybody Out There? The Wall Live 1980–81 is a live album released by Pink Floyd in 2000. It is a live rendition of The Wall, produced and engineered by James Guthrie, with tracks selected from the August 1980 and June 1981 performances at Earls Court in London. The album was first released in the United Kingdom on 27 March 2000, and a US/Canadian release by Columbia Records on 18 April. The shows involved the construction of a wall on stage throughout the first half of the show. Once complete, members of the band performed in small openings in, atop, in front of, or even behind the wall. The album artwork featured the life-masks of the four band members in front of a black wall; the masks were worn by the "surrogate band" during the song "In the Flesh". "Goodbye Blue Sky" and parts of "Run Like Hell" were taken from the 17 June 1981 show, the very last performance by the four-man Pink Floyd until the 2005 Live 8 concert.

This was the first TD album to incorporate lyrics and vocals (from Steve Jolliffe, who also contributed wind instruments and keyboards). By this point, the nucleus of the band was down to Edgar Froese and Christopher Franke, with the sound centering more on shifting arpeggiation over percussive rhythm structures, with "Madrigal Meridian" being an impressive example of this. Jolliffe's vocal contributions on "Bent Cold Sidewalk" and "Rising Runner Missed by Endless Sender" provide an aggressive edge that effectively catapults the listener from the hypnotic pulse that Tangerine Dream are best known for - still, it's by no means a failed experiment, though it does make Cyclone one of the least useful TD albums for working up a good meditative state.