A Dave Kerzner Band live album from 2016 is being released in a limited edition signed CD! Only one pressing will be made. Featuring songs from Kerzner's debut solo album "New World" and Sound of Contact's "Dimensionaut". A rare four piece line up consisting of Fernando Perdomo, Matt Dorsey (SOC) and Derek Cintron joining Dave for a performance at Rosfest 2016. Including a rare performance of "All Worlds All Times" (Parts 3 & 4 of "Mobius Slip"). Also included are deep cuts like "Secret" and "Recurring Dream" from the Deluxe Edition of Dave's debut solo album, New World. 10 progressive rock tracks fill one compact disc for a seamless audio experience on CD! A Blu-Ray concert video will also be made available.

Transatlantic - the celebrated progressive rock supergroup featuring members past and present of Marillion, Dream Theater, Spock's Beard and The Flower Kings - are pleased to present a new concert set entitled ‘The Final Flight: Live At L’Olympia’. It was recorded and filmed in France on the last stop of a tour to promote the band's fifth and most audacious album to date, 'The Absolute Universe’. This was the multinational group’s first outing in eight years. Released in February 2021 to unanimous praise, ‘The Absolute Universe' came in two alternate formats; an abridged 64-minute record known as ‘The Breath Of Life’, and a companion piece entitled ‘Forevermore’ that added a further four songs, clocking in at an hour and a half. Though the foundations of both were shared, each format featured lyrics and music independent of the other.

Although his name might not rate very highly on the recognition meter even of classical music buffs, Franz Tunder was a consequential entity in the early history of the German Baroque. Tunder served as organist at the Marienkirche in Lübeck from 1641 to his death in 1667, and during that time instituted the Abendmusiken, the first series of public concerts to take place in Germany. Seventeen vocal "concertos" exist from Tunder's pen and they were created for these special events; little more than half of them appear on this generous and well-performed CPO disc, Franz Tunder: Concerti. Conductor Hermann Max leads Das Kleine Konzert and the singing group Rheinische Kantorei in 10 concerti, which uses a variety of singers in frontline combinations. Tunder must have had some good basses in his chorus, as they have most of the hardest music in the Concerti, and five of these ten works are sung by bass or basses alone. Both men used here, Ekkehard Abele and Yoshitaka Ogasawara, do an excellent job. The string parts are crisp and do not dawdle, and Max never allows the music to get too grandiose, wisely keeping it within the boundaries of the chamber idiom to which it belongs. The music is never ornately busy and has a relaxed, soothing effect.

'Roots’ is an exploration of the music written by Black composers and inspired by Black culture. A homage to the pioneering musicians who paved the way for Randall and his generation. Looking to the future with a specially commissioned piece by young Black composer Xavier Dubois Foley. World premiere recordings of music by Florence Price that was rescued from an abandoned house over half a century after her death. The Perlman protégé celebrates his own journey and shows young people that music can inspire regardless of background.

Mendelssohn's reputation is solid as a "happy" Romantic; if (as some have claimed) he lacks passion, he makes up for it with exquisite sensibility and controlled emotion. These qualities are featured in Claudio Abbado's take on these seven overtures. …Fair Melusina Overture, inspired by a Kreutzer opera in which a husband learns his wife must turn into a mermaid once a week, and condemns her to her mermaid state forever. Gendered passages (sweet and then stern) compete with each other in a piece which gives oboes a workout. Melusina is a solid entree; the other six are desserts.

In this volume of Hyperion’s Romantic Violin Concerto series, we journey to Poland (in the company of a conductor from that country) for two concertos by Młynarski and two works for violin and orchestra by Zarzycki (who will be familiar to Romantic Piano Concerto collectors).

Digitally remastered and expanded 35th Anniversary two CD edition of this 1974 album includes the full remastered album along with the new remixes on the first disc and a disc containing the quadraphonic mix in 5.1 audio as originally released in the USA on Quad reel back in 1974.
Stormbringer falls short of the excellence of Machine Head and Who Do We Think We Are, but nonetheless boasts some definite classics - including the fiery "Lady Double Dealer," the ominous title song (a goth metal treasure), the sweaty "High Ball Shooter," and the melancholy ballad "Soldier of Fortune."

Behind this superb Art Nouveau artwork sleeve is hiding one of the true, hidden and forgotten gems of Canada. To achieve this kind of perfection as a first try, back in the late 60's is simply astounding (the only had a few singles beforehand). Bill Henderson and Claire Lawrence (the main core of the group) make a fantastic songwriting partnership that will last a few albums. All this sounds very seventies-like, but the sound is clearly that from a sixties beat-band/psychedelic-band on fire. Perhaps a bit like the Beatles, some Doors. Recommended to every-one interested in psychedelic rock, early progressive rock and the development of the genre itself.

In 1959, Yusef Lateef began using the oboe in his recording sessions and on live dates. This album marks that occasion, and is thus a turning point in an amazingly long and varied career. Accompanied by Lonnie Hillyer on trumpet, Hugh Lawson on piano, bassist Herman Wright, and drummer Frank Gant, Lateef was digging deeply into a new lyricism that was Eastern-tinged (the full flavor of that obsession would be issued two years later on Eastern Sounds and had been touched upon two years earlier on Other Sounds, released on New Jazz, where Lateef had used an argol as well as his sax and flute), modally informed, and distinctly light in texture - with the exception of the deep, dark, arco work at the beginning of "Dopolous," by Wright. Lateef was already moving away from what most people would call jazz by this time, yet, as evidenced here, his music remained challenging and very accessible…

Pianomusiikista tunnetun säveltäjän kappaleiden urkusovitukset tuovat selkeästi esille Kiviniemen vertaansa vailla olevan virtuositeetin [ja] urkujen soittimelliset mahdollisuudet… Helminä nousevat tunnetun cis-molli-preludin ohella sarja oopperasta Aleko sekä lyhennetty versio Rapsodiasta Paganinin teemaan. Kiviniemen taito näkyy (…) siinä, miten selkeästi solistisen pianomateriaalin artikulaatio säilyy läpi haastavimpien kohtien.

Jeff Liberman is a guitar player in the best tradition of ’70s guitar Gods like Hendrix, Trower, Clapton or Zappa. The perfect mix between virtuosity and feeling with a gift for brilliant songwriting. Between 1975 and 1978, Liberman self–released three albums on his own Librah label which were some of the first private pressings to gain recognition amongst psych collectors in the ’80s. Jeff Liberman was born in South Side of Chicago in 1954. Coming from a place where Blues and Jazz music has a strong scene, he got inspired by a few local musicians, including Charley Wolfer. “He was great and taught me such songs as ‘Suzy Q’ by Creedence and ‘In-A-Gadda-Da-Vida’ by Iron Butterfly. Just a great player. Other influences are Phil Upchurch, Leo Pucinakis and Ron Seroggin.”

German musician Frank Dorittke, aka F.D. Project, is originally a guitarist from the Dinslaken-based band Imagine. He got interested in electronic music around 1991, and became influenced by the music of Tangerine Dream. The versatile and accessible music of F.D. Project is not that simply to depict as it’s influences range from Tangerine Dream to Mike Oldfield, at other occasions keenly blending elements from the Berlin School and guitar riffs. At times it can be melodic and up-tempo, then switching to captivating atmospheric textures and soundscapes.