Pentangle (or The Pentangle) are a British folk-jazz band with an eclectic mix of folk, jazz, blues and folk rock influences. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. Their debut album "The Pentangle" brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting. One of the band's most commercially successful albums, it reached number 21 in the British charts.

S.E.N.S. is a Japanese new age instrumental group formed in 1988, originally with two members. The name stands for "Sound, Earth, Nature, and Spirit" based on their spiritual policy. The members are Akihiko Fukaura & Yukari Katsuki. They are responsible for a large number of music, such as CM movie, TV documentaries, and drama. In 1989 they are composed and performed the soundtrack for a Taiwanese historical drama "A City of Sadness" directed by Hou Hsiao-hsien.

Two years after Ha Ha Heartbreak, Warhaus, the solo project of Maarten Devoldere (of Balthazar), returns with his new album Karaoke Moon, out 22nd November on Play It Again Sam.

“Philipp Schiepek achieves great tension with comparatively few notes. It’s about beauty of sound and sensuality of sound.” Matthias Wegner, Deutschlandfunk Kultur

The repertory for viol consort of the Stuart age in England consists of fantasias and miscellaneous pieces whose dense, continuous polyphony conveys a sonic and social ideal of Concord and harmony.

After a hiatus from touring, Black Pumas returned to the road in 2024 in support of their acclaimed sophomore album Chronicles of a Diamond.

After a decade being born, Josh Tillman is finally busy dying. Mahashmashana is the sixth album by Father John Misty. It was produced by Josh Tillman and Drew Erickson. It was engineered and additionally produced by Michael Harris. It was arranged by Drew Erickson. It was performed by Josh Tillman, Drew Erickson, Jonathan Wilson, Dan Bailey, Eli Thomson, David Vandervelde, Chris Dixie Darley, Jon Titterington, and Kyle Flynn. It was executive produced by Jonathan Wilson. It was recorded and mixed at Five Star and East/West, United and Drew's House. Mahasmasana - great cremation ground, all things going thither. MMXXIV Sub Pop Records

Guitar player Jeroen Reggers surrounds himself with some of Belgium's finest jazz musicians to bring his original compositions to life on “Ten Years From Now”.

If you still find yourself visiting The War On Drug’s 2020 recording Live Drugs you are in for a treat.

The first in a new cycle of Dvořák symphony recordings, ‘Dvořák: Symphonies 5 & 6’ is the second release from the Melbourne Symphony Orchestra and its Chief Conductor and Artistic Advisor, Jaime Martín, on the MSO’s own recordlabel.

On the eve of a vigorous eightieth birthday, the most French of American musicians has chosen the Musée de la Musique to assemble a host of young artists who are dear to him: William Christie has watched over their budding skills, and they have already become masters!

The Last Will and Testament is the upcoming fourteenth studio album by Swedish progressive metal band Opeth, set to be released on 22 November 2024 through Reigning Phoenix Music.

Thélème brings together John Dowland, John Cage and Sting for its album All we get is life With All we get is life, to be released on 22.11.2024 by Aparté, Thélème brings together two composers almost 400 years apart: John Dowland, with his Second Booke of Songs or Ayres, and John Cage, whose Song Books marked the end of the twentieth century.

For her first album on Linn, Jasmin Iris Ghera embarks on a captivating journey through timeless masterpieces reimagined for trumpet and piano.

Soap&Skin releases her first cover album Torso. Anja Plaschg alias Soap&Skin has always had a special talent for reinterpreting songs with her own unique approach. When the Donau-Festival invited her in 2022 to perform all the cover songs she had composed over the years, she came up with the idea of a permanent collection - which is now released as the album Torso. The previous albums Narrow (2012) and From Gas to Solid / You Are My Friend (2018) also featured covers without being immediately recognized as such. Simply because “it feels good to escape from myself”, says Plaschg. She likes covers - quite literally as a disguise and hiding place.