Color Changes is an album by trumpeter Clark Terry featuring performances recorded in late 1960 and originally released on the Candid label.

In September & October 2021, Steve Hackett and his band embarked on their first tour in nearly two years, this time bringing the legendary Genesis live album, ‘Seconds Out’, to life in full, alongside a host of solo favourites and tracks from his most recent studio album ‘Surrender of Silence’.

Thirteenth solo studio album by the English heavy metal singer and former Black Sabbath frontman.

A banda traz um repertório autoral com algumas releituras que vão te deixar bem azul. Azula é musicista mineira, autodidata, que após 20 anos de trabalho em diversos grupos de BH vem trazer o blues.

The cream of Johannesburg’s jazz musicians gathered at state-of-the-art Satbel studios to create Black Beauty for the “Soweto” label.

This hour of atmospheric dub techno music was recorded live during the 35th edition of my "Stay at home" online concert series in January 2022. All sounds are coming from the Roland Juno 60, Eurorack Modular and Elektron Digitakt. Effects by Valhalla DSP. Field Recordings by Luftrum.

This Ambient album features the recordings of my home concerts nr. 38 and nr. 36. Most of the music was improvised and recorded directly to stereo. Long evolving Ambient soundscapes meet subtle sequencer work, played on vintage and modern electronic instruments.

This album is a collection of recordings that I made during my "Ambient Night" sessions. Each of the four long-form tracks has a very slow pace and builds up sound layer by sound layer. Pads and minimalistic melodies from the Sequential Prophet 10, OB-6, and Pro-2 are accompanied by sequences from the Moog synthesizers, modular system, and Waldorf Iridium.

"Inno alla Terra" is a contemporary and experimental piece, with tribal yet slightly classical overtones. The sound is the most important element of the entire piece: the harmony on which the entire composition is based, together with the melody, is deliberately dissonant in order to respect the ancestral intentionality of the sounds and the modernity of the sounds emitted in a mechanical and obstinate manner through the use of a prepared piano, that is, modifying the internal strings of the instrument by adding wooden or metal objects, alternating the natural sound in a rudimentary manner.

Eroto Comatose Lucidity is the no-mercy debut album from Sex Magick Wizards. Through this album these magicians seek to seduce you into joining their occult universe where neck-break riffs, hard hitting melodies and sexually loaded energies flow freely. The songs are all heavily influenced by the diverse aesthetics of the 70s, all performed with an innovative touch from this band of new-generation musicians. Driven forth by the thundering drums of Axel Skalstad and the creative play of up-right bass player Henrik Sandstad Dalen, the roaring saxophone of Sigrid Aftret and the virtuosity of guitarist Viktor Bomstad really get to shine. However, the interplay between these four musicians is always the main highlight.

Press ‘play’ and the soulful notes of Basil ‘Mannenberg’ Coetzee’s saxophone tell you two things. First, Night Express is great music.

As requested: Peacemaker - this is Mike Makhalemele’s first solo album which was recorded in the early 70s while he was also playing in “The Drive” with Duke Makassi and Khaya Mahlangu.

For his song collection "Can It Be You That I Hear?", the Belgian composer and multi-instrumentalist Claude Evence Janssens draws on poems by Anglo-Saxon and American authors of the Victorian era. Thomas Hardy, William Ernest Henley, Thomas Moore, Christina Rossetti, Walt Whitman and others are, like a large part of classical song writing, to be attributed to the Romantic period. Musically, Janssens takes a varied approach. Although the instrumentation of bass voice, piano, string quintet, bass clarinet and trumpet is classical, stylistically the American barbershop style and modern pop song are also touched upon.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa.

Jazz great Winston Mankunku has died in Cape Town. The masthead photo of ElectricJive (above) features Mankunku centre-stage on his soprano saxophone playing at the Langa Town Hall in 1972. It was taken by Ian Huntley, a long-time friend and supporter of this great musician.