In their second trio album, Thank You Tree, Maya Dunietz, Barak Mori and Amir Bresler dive deeper into the musical universes they’ve explored on their past album.

Ted Piltzecker marries engaging rhythmic interplay to crisp compositions that ring true for their melodic inventiveness and accessibility. Jazz In Space.

The opening chords of The Window cruise straight past old Ratboys releases into new territory with a feet-on-the-dashboard insouciance.

Hot Milk have announced their debut album 'A CALL TO THE VOID' set for release 25th August 2023 on Music For Nations.

Saccades, AKA Nicholas Wood - one half of The KVB - returns with the announcement of his new album ‘Land of The Hearth,’ releasing on exciting new imprint Old World - New World Recordings on 25 August.

Trumpeter Wynton Marsalis’ soundtrack to Ken Burns’ documentary Unforgivable Blackness: The Rise and Fall of Jack Johnson is a compelling and rootsy mix of blues and swing.

The French violinist Hugues Borsarello draws this programme of miniatures from the repertory of his instrument and from the great operatic arias, transcribed for violin and orchestra: 'My idea was to relate a French history of music over the course of three centuries, in the form of short pieces.' Lully's Marche pour la ceremonie des Turcs rubs shoulders with arias by Bizet, Saint-Saens and Offenbach, Satie's Gymnopedie no.3 and Gounod's Ave Maria.

There’s something undeniably out-of-time about both Kendra Morris and her indelibly cool new album I Am What I’m Waiting For (Karma Chief Records). It combines rough-hewn powerhouse vocals with arrangements that betray both an extensive record collection and a whimsical instinct for joyous noises — think Dusty Springfield fronting Spoon circa Kill The Moonlight or a 60s girl group creative directed by Nick Lowe and PeeWee Herman. It’s vibrant and varied and packed with personality.

As the title to Wynton’s fifth Blue Note release indicates, He and She is about that eternally compelling and most elemental of subjects: the relationship between a man and a woman.

Since moving to Nashville to start their music career in 2012, Becca Mancari has been lauded for their dextrous songwriting and prodigious guitar playing. Their sophomore album The Greatest Part, released in 2020, was an indie rock opus that garnered acclaim from The New York Times, NPR, and more. After its release, however, Mancari was despairing. An illness in their family, coupled with a realization that their alcohol dependency had become untenable, led Mancari to begin the hard work of taking ownership of their existence by mending broken relationships and investing in their mental health. “I didn’t realize it then, but looking back, I was a passenger in my own life,” Mancari says.

This hard swinging live recording from New York City’s intimate “House of Tribes” catures the jubilation, spontaneity and surprise of that late night jam session you heard about the day after you made a mistake and went home too early.

Danger Mouse & Jemini to finally release 2004 album ‘Born Again’. The producer, musician and songwriter (real name Brian Joseph Burton) teamed up with Brooklyn rapper Jemini (aka Jemini The Gifted One) to make the collaborative record almost 20 years ago.

Cam Cole's 3rd album "Unleash" is the result of an incredible journey from the streets of London to stages all around the world.

The Magic Hour is Marsalis’ first jazz ensemble studio recording since 1999′s Marciac Suite.

Tenderlonious enters fresh album territory with his latest offering entitled, ‘You Know I Care’. Having released several solo projects, numerous collaborations and a series of LP’s, EP’s and singles with his band Ruby Rushton that centred on original compositions, he wanted to take a moment to focus his energy on exploring the classic jazz material that has inspired him over the years.