The Rolling Stones’ groundbreaking multi-platinum selling album Let It Bleed was released in late 1969, charting at #1 in the UK and #3 in the US. The Rolling Stones, at this point already a critically and commercially dominant force, composed and recorded their eighth long player (tenth for the U.S.) amidst both geopolitical and personal turmoil. The second of four Rolling Stones albums made with producer Jimmy Miller (Traffic, Blind Faith), Let It Bleed perfectly captures the ominous spirit of the times with “Gimme Shelter,” the opening track. The 2019 remaster has been engineered by eleven-time Grammy®-winning mastering engineer Bob Ludwig.

«Fantasilaboratoriet» (fantasy laboratory in Danish) is the debut album of Danish trumpeter Niels Munk Petersen, taking him to his roots in the northern part of Denmark and inspired by the Scandinavian nature.

This disc is a sampler of many tracks from the Venus Records library. It includes tracks from Bill Charlap, New York Trio, Archie Shepp Quartet, and more!

Svetoslav karparov teaches style-based piano improvisation and piano as a major and minor subject at the Hamburg University of music and theatre.

Guitar Tribute Players is an eclectic mix of musicians devoted to reconstructing popular music of the past and present completely on guitar. Their acoustic tributes provide a unique opportunity to delve directly into the power, emotion and soul at the root of each track.

Venus Records brings you another compilation of tunes from their family of great jazz musicians. Featured artists include the Harold Mabern Trio, Dino Rubino, David Hazeltine Trio, Massimo Farao' Trio, Lee Konitz & The Brazilian Band, and many more!

yramid is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1959-60 and released on the Atlantic label.

“The growing synergy between tenor Andrew Goodwin and pianist Daniel de Borah has been one of the most exciting developments on the Australian performance scene in recent years.”

Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, comedian and actor. The first multimedia star, Crosby was a leader in record sales, radio ratings, and motion picture grosses from 1930 to 1954. He made over seventy feature films and recorded more than 1,600 different songs.

Different Drum is a 1974 compilation album by Linda Ronstadt. This was released by Capitol Records and is a hi-quality vinyl rip in 24-bit/96kHz. The MP3 version is sourced from this.

The silver age of Russian culture at the turn of the 20th century is a time when the tendencies in Russian art, which had been growing for a century, reached their peak, placing it in a gap between its fascination with the Western culture and being rooted in the Slavic tradition of Great Ruthenia.

"Little" Jack Lawrence (born December 18, 1976) is an American musician from Covington, Kentucky, currently living in Nashville, Tennessee.

The Four Seasons is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1716–1717 and published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention).

Altoist Marion Brown is perhaps best known for performances on albums by his contemporaries, such as Coltrane's Ascension, but Brown stands on his own as one of the most creative and important forces to come out of the 1960s avant-garde jazz movement. Porto Novo is widely regarded as one of Brown's best recordings, captured during a 1967 session in Holland at the peak of his creative powers, accompanied by bassist Maarten van Regteben Altena and drummer Han Bennink. Previously out of print for decades, the recording has now been remastered for a long-overdue reissue on audiophile-grade vinyl, exclusively for Record Store Day 2020.

The Orgelbüchlein (Little Organ Book) BWV 599−644 is a set of 46 chorale preludes for organ — one of them is given in two versions — by Johann Sebastian Bach. All but three were written between 1708 and 1717 when Bach served as organist to the ducal court in Weimar; the remainder and a short two-bar fragment came no earlier than 1726, after the composer’s appointment as cantor at the Thomasschule in Leipzig.