I Don't Worry About a Thing is an album by American pianist, vocalist and composer Mose Allison recorded for the Atlantic label in 1962.

Former Styx frontman Dennis DeYoung is back with his sixth original solo studio, album "26 East: Volume 1.” “26 East” was the address where DeYoung grew up in Roseland on the far south side of Chicago. This is where Styx was formed in his basement in 1962. Across the street lived the Panozzo twins, John and Chuck, who along with DeYoung would go on to form the nucleus of the band. The cover artwork features three locomotives traveling through space, representing the original members leaving Chicago on their journey to the stars.

On this second album from Canadian jazz singer Lawrence Cotton, he continues to affectionately interpret some of the jazz standards he grew up hearing; the music that would influence and inspire him as a vocalist.

Bill Evans’ Sunday at the Village Vanguard and Waltz for Debby are undoubtedly two of the finest-crafted live recordings in jazz; the musicianship is legendary, the recording pristine.

With a lively, evocative set of covers and original material, Los Angeles-based ensemble Orgone brought new attention to the funk revivalist and jam band circuits when they launched their recording career with Ubiquity Records in the mid- to late 2000s. Orgone's sound hosts a myriad of groove-oriented styles, including but not limited to deep funk, '60s Memphis soul/blues, Fela-inspired Afro-beat, hip-hop, Latin jazz, and electronic dance and house.

Nice Day with Buddy Collette is the second album by multi-instrumentalist and composer Buddy Collette, recorded at sessions in late 1956 and early 1957 and released on the Contemporary label

Relationships is an album formed from the various strands of familial, personal and musical connections between the composers and performers involved. Elizabeth Maconchy, was a cousin of Giles Swayne’s mother and a major influence on his musical development. Nicola LeFanu is Maconchy’s daughter and Swayne’s cousin.

In his return to performing, Glenn Morrow put together a group of talented musicians to form a band, Glenn Morrow’s Cry for Help. Out of that band comes a new album, 2. For anybody yearning for more rock and roll in their lives, 2 is the perfect place to turn. Filled to the brim with some answers to tough life predicaments and a way to move forward, the album is the perfect opport
unity to just sit and be cozy while enjoying important stories and comforting melodies.

The violinist Franziska Pietsch and her Trio Lirico present their debut album on audite.

Erratics & Unconformities is the first album by Craven Faults. It follows three EPs: Netherfield Works, Springhead Works and Nunroyd Works. Real-time journeys across decades and continents, and swathes of post-industrial northern Britain.

The Incredible Jazz Guitar of Wes Montgomery is an album by American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves.

Following their highly regarded recording of Prokofievs Sixth Symphony, the Bergen Philharmonic and Andrew Litton present their take on the composers Symphony No.5 in B flat minor (1944).

KMRU is the moniker of Joseph Kamaru, a sound artist, and producer based in Nairobi. One of the leading exponents of the burgeoning experimental music scene in Nairobi and beyond he was listed by Resident Advisor as one of ’15 East African Artists You Need To Hear’ in 2018 and is a regular performer at the fabled Nyegenyege Festival having also presented live performances at CTM festival and Gamma Festival. Peel is KMRU’s first release for Editions Mego.

The Brooklyn-based artist explores various techniques of sound healing, drawing on ancestral knowledge from Japan.

As the centenaries of various events of the First World War are being commemorated, we are reminded of the great battles and the large-scale suffering. To imagine what day-to-day life may have been like in the trenches in Flanders is more difficult, however, 100 years later and with no living survivors of the war to bear witness. Poems and paintings can give us some idea – but, as this disc from Steven Isserlis proves, so can music! The main, more conventional section of the programme is a selection of cello works composed around the time of the war, by composers from three of the countries involved in it: France, Britain and Austria.