Ars Antiqua Austria was founded in Linz in 1989 with the aim of introducing audiences to the roots of specifically Austrian baroque music played on period-instruments. The music performed at the imperial court in Vienna at this period shows the strong influence of Italy and later of French forms, while Spanish court ceremonials also shape the character of the works. The typical Austrian sound of the period also betrays the influence of the many Crownlands. The political and social boundaries of Austria in the baroque era were far wider than in the 20th century.

The present recording honors three important composers celebrating major anniversaries in 2009: Handel, Mendelssohn and Haydn. George Frideric Handel’s Dettinger Te Deum is presented here not in its original version, but rather in an arrangement by Felix Mendelssohn Bartholdy, who rendered outstanding service to music not only through the revival of Bach’s choral works, but also through those of Handel. In addition, The Storm, the little-known choral work by Joseph Haydn, is also to be heard here. He composed it during his first visit to England and later arranged it for a large ensemble.

La Stravaganza, under their director/harpsichordist Siegbert Rampe, are a Hamburg-based ensemble. Their performances of the six Brandenburg Concertos, together with the Triple Concerto in A minor (BWV 1 044), and a version of the Fifth Brandenburg which predates by about three years Bach's presentation copy to the Margrave, provide stimulating and mainly satisfying listening. It is perhaps a pity that the earlier version of the First Concerto was omitted from the recording, since it reveals significant textual variants from the Brandenburg, above all the scoring of the second of the two Trios.

Best remembered for the late-'70s chart-topper "Baby Come Back," Player were formed in Los Angeles in 1977 by singer/guitarist Peter Beckett (formerly of the U.K. group Skyband), bassist Ronn Moss, and guitarist/keyboardist J.C. Crowley. After adding drummer John Friesen, Player signed to impresario Robert Stigwood's RSO label and issued "Baby Come Back," which sat atop the Billboard Hot 100 for three weeks in early 1978. Their self-titled debut LP appeared that same year, as did the follow-up, Danger Zone.

Following the BBC Music Magazine Opera Award for his recording of Malcolm Arnold’s The Dancing Master, conductor John Andrews returns with the world-premiere professional recording of John Frederick Lampe’s operatic comedy The Dragon of Wantley.

With the Wild Crowd! Live in Athens, GA is the first official live album by American new wave band The B-52s. On February 18, 2011 the band joyfully celebrated its 34th anniversary with a triumphant return to their hometown of Athens, GA. Wig-wearing, boa-draped, glitter-covered fans came from near and far to celebrate this historic event, which saw the band deliver a sizzling 90 minute set that turned Athens’ Classic Center into a cosmic dancehall. The concert was released on a CD, DVD and Blu-ray entitled The B-52s With The Wild Crowd! Live in Athens, GA. In a review of the CD, Chuck Howard from Scripps Howard News Service proclaimed, “How The B-52′s have maintained their endearing vitality after all these years is a wonder, yet fans who hear “With the Wild Crowd!” will doubtless wish immortality on this uplifting band.”

This unique double album presents recordings of Chris Norman’s greatest hits from the last 30 years of his musical career. Disc one contains no less than 16 Smokie tracks, whereas the 19 tracks on disc two deliver an exciting mix of solo hits and five as yet unreleased songs and demonstrates the impressive artistic development of Chris Norman over the last three decades.